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{{Infobox person
{{Infobox person
| name = Mary Boland
| name = Mary Boland
| image = Mary Boland in The Women trailer.jpg
| image = Mary Boland.jpg|Mary Boland (c. 1915) during her tenure in silent films
| imagesize = 200px
| imagesize = 200px
| caption = in the trailer for ''[[The Women (1939 film)|The Women]]'' (1939)
| caption = in the trailer for ''[[The Women (1939 film)|The Women]]'' (1939)
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Boland originally was in a convent, the Sacred Heart in Detroit, but left and was performing on stage by the age of fifteen. She debuted on [[Broadway theatre|Broadway]] in 1907 in the play ''The Ranger'' with [[Dustin Farnum]] and had appeared in eleven Broadway productions, notably with [[John Drew Jr|John Drew]], before making her [[silent film]] debut for [[Triangle Film Corporation|Triangle]] Studios in 1915. She entertained soldiers in France during [[World War I]] then returned to America. After appearing in nine movies, she left filmmaking in 1920, returning to the stage and appearing in a number of Broadway productions. She became famous as a comedienne.
Boland originally was in a convent, the Sacred Heart in Detroit, but left and was performing on stage by the age of fifteen. She debuted on [[Broadway theatre|Broadway]] in 1907 in the play ''The Ranger'' with [[Dustin Farnum]] and had appeared in eleven Broadway productions, notably with [[John Drew Jr|John Drew]], before making her [[silent film]] debut for [[Triangle Film Corporation|Triangle]] Studios in 1915. She entertained soldiers in France during [[World War I]] then returned to America. After appearing in nine movies, she left filmmaking in 1920, returning to the stage and appearing in a number of Broadway productions. She became famous as a comedienne.


[[File:Mary Boland.jpg|left|thumb|Mary Boland (c. 1915) during her tenure in silent films]]
[[File:Mary Boland in The Women trailer.jpg|200px|left|in the trailer for ''[[The Women (1939 film)|The Women]]'' (1939)]]..]]
Boland's greatest success on the stage in the 1920s was the comedy ''[[The Cradle Snatchers]]'' (1925–26), in which she, [[Edna May Oliver]], and [[Margaret Dale (actress)|Margaret Dale]], having been abandoned by their husbands, take on young lovers. Boland's paramour was [[Humphrey Bogart]] in one of his first roles. She had previously performed with Bogart in the 1923 comedy ''[[Meet the Wife (1923 Broadway play)|Meet the Wife]]'' at the [[Klaw Theatre]] as Gertrude Lennox.
Boland's greatest success on the stage in the 1920s was the comedy ''[[The Cradle Snatchers]]'' (1925–26), in which she, [[Edna May Oliver]], and [[Margaret Dale (actress)|Margaret Dale]], having been abandoned by their husbands, take on young lovers. Boland's paramour was [[Humphrey Bogart]] in one of his first roles. She had previously performed with Bogart in the 1923 comedy ''[[Meet the Wife (1923 Broadway play)|Meet the Wife]]'' at the [[Klaw Theatre]] as Gertrude Lennox.



Revision as of 01:13, 19 October 2014

Mary Boland
in the trailer for The Women (1939)
Born
Marie Anne Boland

(1882-01-28)January 28, 1882
DiedJune 23, 1965(1965-06-23) (aged 83)
OccupationActress
Years active1907–1955

Mary Boland (January 28, 1882 – June 23, 1965) was an American stage and film actress.

Career

Born Marie Anne Boland in Philadelphia, Pennsylvania, she was the daughter of William Boland, an actor, and his wife Mary Cecilia Hatton. She had an older sister named Sara. The family later moved to Detroit.

Boland originally was in a convent, the Sacred Heart in Detroit, but left and was performing on stage by the age of fifteen. She debuted on Broadway in 1907 in the play The Ranger with Dustin Farnum and had appeared in eleven Broadway productions, notably with John Drew, before making her silent film debut for Triangle Studios in 1915. She entertained soldiers in France during World War I then returned to America. After appearing in nine movies, she left filmmaking in 1920, returning to the stage and appearing in a number of Broadway productions. She became famous as a comedienne.

in the trailer for The Women (1939)
in the trailer for The Women (1939)

..]]

Boland's greatest success on the stage in the 1920s was the comedy The Cradle Snatchers (1925–26), in which she, Edna May Oliver, and Margaret Dale, having been abandoned by their husbands, take on young lovers. Boland's paramour was Humphrey Bogart in one of his first roles. She had previously performed with Bogart in the 1923 comedy Meet the Wife at the Klaw Theatre as Gertrude Lennox.

After an eleven-year absence, in 1931 she returned to Hollywood under contract to Paramount Pictures. She achieved far greater film success with her second try, becoming one of the 1930s most popular character actresses, always playing major roles in her films and often starring, notably in a series of comedies opposite Charles Ruggles.

Boland appeared in numerous films, including Ruggles of Red Gap, The Big Broadcast of 1936, Danger - Love at Work, Nothing but Trouble, and Julia Misbehaves. She is likely best remembered for her portrayals of Countess DeLave in The Women (1939) and Mrs. Bennet in Pride and Prejudice (1940).

For the remainder of her career, Boland combined films and, later television productions, with appearances onstage (including starring in the 1935 Cole Porter musical Jubilee), making her last Broadway appearance in 1954 at the age of seventy-two. That play, Lullaby, was not a success. Her last acting was done in the 1955 television adaptation of The Women recreating her film role.

Boland never married or had children. She died of a heart attack and was interred in the Great Mausoleum, Sanctuary of Vespers in Forest Lawn Memorial Park Cemetery in Glendale, California. For her contribution to the motion picture industry, she has a star on the Hollywood Walk of Fame at 6150 Hollywood Boulevard.

Selected Filmography

Silent

  • The Penitentes (1915)
  • The Edge of the Abyss (1915)
  • The Price of Happiness (1916)
  • The Stepping Stone (1916)
  • Mountain Dew (1917)
  • A Woman's Experience (1918)(*Extant; Library of Congress)
  • The Prodigal Wife (1918)
  • The Perfect Lover (1919)
  • His Temporary Wife (1920)

Sound

References

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