Violin Sonatas (Grieg): Difference between revisions
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The '''Sonatas for violin and piano''' by [[Edvard Grieg]] were written between 1865 and 1887. Edvard Grieg wrote three [[sonatas]] for [[violin]] and [[piano]]. The first [[Violin sonata]] in G major, [[opus number|opus]] 8 was written in Copenhagen in 1865. The second Violin Sonata, in F major, his opus 13 was written in Norway in 1867. The third Violin sonata in C minor was completed while Grieg was living in Troldhaugen in 1887. |
The '''Sonatas for violin and piano''' by [[Edvard Grieg]] were written between 1865 and 1887. Edvard Grieg wrote three [[sonatas]] for [[violin]] and [[piano]]. The first [[Violin sonata]] in G major, [[opus number|opus]] 8 was written in Copenhagen in 1865. The second Violin Sonata, in F major, his opus 13 was written in Norway in 1867. The third Violin sonata in C minor was completed while Grieg was living in Troldhaugen in 1887. |
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The third Violin Sonata in C minor, opus 45 remains the most popular out of the three works, and has established itself in the standard repertoire. The work was also a personal favorite of Grieg's. Grieg was an accomplished pianist; the sonata premiered with Grieg himself at the piano with well-known violinist Adolf Brodsky in Leipzig. Grieg built on Norwegian folk melodies and rhythms in this three-movement sonata. The first movement is characterized by its bold and heroic opening theme, which comes back later in the piece. It ends with thunderous C minor chords, as if portraying a doom. Then the second movement opens with a serene piano solo with a lyrical melodic line, a |
The third Violin Sonata in C minor, opus 45 remains the most popular out of the three works, and has established itself in the standard repertoire. The work was also a personal favorite of Grieg's. Grieg was an accomplished pianist; the sonata premiered with Grieg himself at the piano with well-known violinist Adolf Brodsky in Leipzig. Grieg built on Norwegian folk melodies and rhythms in this three-movement sonata. The first movement is characterized by its bold and heroic opening theme, which comes back later in the piece. It ends with thunderous C minor chords, as if portraying a doom. Then the second movement opens with a serene piano solo with a lyrical melodic line, a welcomed repose from the vigorous first movement. In the middle section, Grieg uses a playful dance tune. The third movement opens strikingly fast. In the middle section of the movement, the violin takes up a passionate melody on top of a swirling accompaniment in the piano. Towards the end, the opening material comes back, and the piece comes to a furious finish. |
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==External Links== |
==External Links== |
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Revision as of 18:04, 19 August 2005
The Sonatas for violin and piano by Edvard Grieg were written between 1865 and 1887. Edvard Grieg wrote three sonatas for violin and piano. The first Violin sonata in G major, opus 8 was written in Copenhagen in 1865. The second Violin Sonata, in F major, his opus 13 was written in Norway in 1867. The third Violin sonata in C minor was completed while Grieg was living in Troldhaugen in 1887.
The third Violin Sonata in C minor, opus 45 remains the most popular out of the three works, and has established itself in the standard repertoire. The work was also a personal favorite of Grieg's. Grieg was an accomplished pianist; the sonata premiered with Grieg himself at the piano with well-known violinist Adolf Brodsky in Leipzig. Grieg built on Norwegian folk melodies and rhythms in this three-movement sonata. The first movement is characterized by its bold and heroic opening theme, which comes back later in the piece. It ends with thunderous C minor chords, as if portraying a doom. Then the second movement opens with a serene piano solo with a lyrical melodic line, a welcomed repose from the vigorous first movement. In the middle section, Grieg uses a playful dance tune. The third movement opens strikingly fast. In the middle section of the movement, the violin takes up a passionate melody on top of a swirling accompaniment in the piano. Towards the end, the opening material comes back, and the piece comes to a furious finish.