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Mars in fiction

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The dramatic red color and rapid apparent motion of the planet Mars as seen in the sky of Earth has always made it an object of interest, and this was only increased by early scientific speculations that its surface conditions might be capable of supporting life.

The standard depiction of Mars in fiction until the arrival of planetary probes derives from the astronomers Percival Lowell and Giovanni Schiaparelli. Schiaparelli had observed (or thought he had seen) linear features on the face of Mars, which he thought might be water channels. However, since the Italian word he used for channels was canali, the accounts of his work in english tended to translate that as canals; with attending implications of artificial construction. Lowell's books on Mars expanded on this notion, and the standard model of Mars, as a drying, cooling dying world was established, with ancient Martian civilizations having constructed irrigation works that spanned the planet. This of course, was the origin for a large number of science fiction scenarios.

Some of these concerned the attempts by the Martian race(s) to take the desirable warmer wetter world of Earth:

Edgar Rice Burroughs, true to form, was more concerned with writing adventure stories, so his John Carter (Barsoom) series are pure primitive space opera, with princesses, energy weapons and exotic animals. More thoughtful approaches to the planet, generally featuring intelligent Martians much older and wiser than the upstart humans included:

After the Viking spacecraft had returned pictures of Mars as it really is, the canals and ancient civilizations had to be abandoned, but new stories were written around the new Mars:

the planet.

  • Ananke by Stanislaw Lem (a story in More Tales of Pirx the Pilot)

Film and television

Other media

  • The computer game Elite 2 starts on Mars too in one scenario.