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Casablanca (film)

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Casablanca is a 1942 movie set during World War II in the Vichy-controlled Moroccan city of Casablanca. The film was directed by Michael Curtiz, and stars Humphrey Bogart as Rick and Ingrid Bergman as Ilsa. It focuses on Rick's conflict between, in the words of one character, love and virtue: he must choose between his love for Ilsa and his need to do the right thing by helping her husband— Resistance hero Victor Laszlo— to escape from Casablanca and continue his fight against the Nazis.

The film was an immediate hit, and it has remained consistently popular ever since. Critics have praised the charismatic performances of Bogart and Bergman, the chemistry between the two leads, the depth of characterisation, the taut direction, the witty dialog and the emotional impact of the work as a whole.

File:Casabl meetrick.jpg
The main characters: from left to right Rick Blaine, Captain Renault, Victor Laszlo and Ilsa Lund

Plot

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Humphrey Bogart plays Rick, the owner of a cafe/bar/gambling den which attracts a mixed clientele of Vichy French and Nazi officials, refugees and thieves. Rick is a bitter and cynical man, but he still displays a clear dislike for the fascist part of his clientele.

The plot begins when a petty crook, Ugarte (Peter Lorre), hides "letters of transit" in Rick's club. The papers are signed by a high-ranking Vichy official, and allow the bearer to travel at will around Nazi-controlled Europe. These papers are almost priceless to the continual stream of refugees attempting to escape to the United States, and Ugarte plans on making his fortune by selling them to the highest bidder. However, he murdered their carriers to get them, and is captured and killed by the local police, under Captain Renault (Claude Rains).

In walks the reason for Rick's bitterness, his ex-lover Ilsa (Bergman), who arrives in the club after being told the papers are available for sale. Her husband, Victor Laszlo (Henreid), is an important Resistance leader from Czechoslovakia with a massive price on his head, and he needs the letters to escape.

One of the most famous and moving scenes begins when a group of German officers around the piano sing the Wacht am Rhein, a German patriotic song from the nineteenth century (the producers wanted to use the Nazi Horst Wessel Lied, but it was copyrighted by a German publisher). Laszlo tells the band to play La Marseillaise. The customers join in, drowning out the Germans. Immediately after this scene the Germans order Rick's club to be closed.

Rick eventually chooses to help the couple leave in the end, his moral code is strong enough to allow him to do the right thing, regardless of his own feelings for Ilsa. Complicit in their escape is Captain Renault, who suggests they both join the Free French.

Characters

Roger Ebert has said that the film is popular because "the people in it are all so good". As the Resistance hero, Laszlo is ostensibly the most good, although Ebert comments that he is so stiff that he is hard to like. The goodness of the other main characters is one which they come to in the course of the film. Renault begins the film as a collaborator with the Nazis, who extorts sexual favours from refugees and has Ugarte killed in custody. Rick, according to Rudy Behlmer, is "not a hero, ... not a bad guy": he does what is necessary to get along with the authorities and "sticks his neck out for nobody". Even Ilsa, the least active of the main characters, is "caught in the emotional struggle" over which man she really loves. By the end of the film, however, "everybody is sacrificing" (Behlmer).

Production

The film was based on Murray Burnett and Joan Alison's unproduced play Everybody Comes to Rick's. The story analyst at Warner Brothers who read the play called it (approvingly) "sophisticated hokum", and it was agreed to buy the rights for $20,000. Shooting began on May 25, 1942 and was completed on August 3, 1942. The entire film was shot in the studio, except for the sequence showing the arrival of Major Strasser (filmed at Van Nuys Airport). The street used for the exterior shots had recently been built for another film, The Desert Song, and was redecorated and used again in Casablanca for the Paris flashbacks. It remained on the Warners backlot until the 1960s. The set for Rick's cafe was built in three unconnected parts, so the internal geography of the building is indeterminate. In a number of scenes the camera moves through a wall from the cafe area into Rick's office. The final scene includes midget extras as aircraft personnel walking around a model cardboard plane, because of budgetary constraints. The fog in the scene was there to mask the unconvincing appearance of the plane. Bergman's height caused some problems: she was somewhat taller than Bogart, so in their scenes together he sometimes had to be put on boxes or cushions.

The film cost a total of $950,000, which was slightly over budget but an average cost for a film of the time. Bogart was called in a month after shooting was finished to dub in the final line ("Louis, I think this is the beginning of a beautiful friendship.") Later, there were plans for a further scene to be shot (featuring Renault, Rick and a detachment of Free French fighters on a ship), but these were abandoned.

Writing

The original play was inspired by a trip to Europe by Murray Burnett, during which he visited Vienna and the French south coast, both of which had uneasily coexisting populations of Nazis and refugees. In the play, the Ilsa character was American, and did not meet Laszlo until after her relationship with Rick in Paris had ended; Rick was a lawyer.

The first main writers to work on the script for Warners were the Epstein twins (Julius and Philip), who removed Rick's background and added more elements of comedy. The other credited writer, Howard Koch, joined later but continued to work in parallel with the Epsteins, despite their differing emphases (Koch highlighting the political and melodramatic elements). Important scenes were also added by the uncredited Casey Robinson, who contributed the series of meetings between Rick and Ilsa in the cafe. Curtiz seems to have favoured the romantic element, insisting on retaining the flashback Paris scenes. One of the most famous lines— "here's looking at you"— is not in the draft screenplays, and has been attributed to the poker lessons Bogart was giving Bergman in between takes. The final line of the film was written by the producer Hal Wallis after shooting had been completed, and Ebert calls Wallis the "key creative force" for his attention to the details of production (down to insisting on a real parrot in the Blue Parrot bar).

Despite the many different writers, the film has what Ebert describes as a "wonderfully unified and consistent" script. Critic Andrew Sarris called it "the most decisive exception to the auteur theory". Koch later said that it was the tensions between his own approach and that of Curtiz which accounted for this: "surprisingly, these disparate approaches somehow meshed, and perhaps it was partly this tug of war between Curtiz and me that gave the film a certain balance".

The film ran into some trouble from Joseph Green of the Production Code Administration (the Hollywood self-censorship body), who opposed the suggestions that Captain Renault extorted sexual favours from his suppliants and that Rick and Ilsa had slept together in Paris. Both, however, are strongly implied in the finished version.

Direction

The director, Michael Curtiz, was a Hungarian emigre; he had come to the US in the 1920s, but some of his family were refugees from Nazi Europe. Roger Ebert has commented that in Casablanca "very few shots ... are memorable as shots", Curtiz being concerned to use images to tell the story rather than for their own sake. However, he had relatively little input into the development of the plot: Casey Robinson said that Curtiz "knew nothing whatever about story... he saw it in pictures, and you supplied the stories".

The second unit montages, such as that showing the invasion of France, were directed by Don Siegel.

Cinematography

File:Cross of Lorraine.jpg
The Cross of Lorraine, emblem of the Free French

The cinematographer was Arthur Edeson, a veteran who had previously shot The Maltese Falcon and Frankenstein. Particular attention was paid to photographing Bergman: she was shot mainly from her preferred left side, often with a softening gauze filter and with catch lights to make her eyes sparkle. The whole effect is to make her face "ineffably sad and tender and nostalgic" (Ebert). Ebert also highlights the use of bars of shadow across the characters and in the background, variously implying imprisonment, the crucifix, the Free French symbol and emotional turmoil.

Dark film noir and expressionist lighting is used in several scenes, particularly towards the end of the picture.

Music

The score was written by Max Steiner, the same composer who went on to produce the music for Gone With the Wind. The song As Time Goes By had been part of the story from the original play; Steiner wanted to write his own song to replace it, but he had to abandon his plan because Bergman had already cut her hair short for her next role, and could not re-shoot the scenes which mentioned the song. Instead, Steiner based the entire score on it (and on the Marseillaise), transforming them to express the changing mood of the movie. Particularly notable is the "duel of the songs", in which the Marseillaise is played by a full orchestra rather than just the small band actually present in Rick's club.

Reception

Reaction to the film at previews before release was described as "beyond belief". It premiered at the Hollywood Theater in New York City on November 26, 1942. It was a substantial box-office hit and went on to win three Oscars.

During the 1950s, the Brattle Theater of Cambridge, Massachusetts began a long-running tradition of screening Casablanca during the week of final exams at Harvard University. This tradition continues to the present day, and it is emulated by many colleges across the United States. It is also credited with helping the movie remain popular while other famous films of the 1940s have faded away.

The film was parodied in two later movies: the 1946 Marx Brothers film A Night in Casablanca (which featured the misquote "Play it again, Sam") and Woody Allen's pastiche, titled Play It Again, Sam.

A radio adaptation of the film was broadcast during the war, again starring Bogart, Bergman and Henreid. There was a short television series of Casablanca in the 1950s (with Marcel Dalio, who played Emil the croupier at Rick's as Renault). Another series was made in 1983, with David Soul as Rick. The movie was parodied by Warner Brothers themselves in the Bugs Bunny cartoon Carrotblanca.

Cast

The cast is notable for its internationalism: according to Harmetz, only four of the credited actors were born in the US. The three top-billed actors were:

  • Humphrey Bogart as Rick Blaine. Bogart became a star with Casablanca. Earlier in his career he had been typecast as a gangster, playing characters called Bugs, Rocks, Turkey, Whip, Chips, Gloves and two Dukes. High Sierra (1941) had allowed him to play a character with some warmth, but Rick was his first truly romantic role.
  • Ingrid Bergman as Ilsa Lund. Bergman's official website calls Ilsa her "most famous and enduring role". After a well-received Hollywood debut in Intermezzo, her subsequent films had not been major successes— until Casablanca. Ebert calls her "luminous", and comments on the chemistry between her and Bogart: "she paints his face with her eyes".
  • Paul Henreid as Victor Laszlo. Henreid, an Austrian actor who had fled Nazi Germany in 1935, was reportedly reluctant to take is unrewarding role (it "cast him as a stiff forever", according to Pauline Kael), until he was promised top-billing with Bogart and Bergman.

The second-billed actors were:

Other members of the cast were:

  • Dooley Wilson as Sam. He was a rare American member of the cast. A drummer, he could not play the piano. Hal Wallis considered also replacing his voice on the songs, but changed his mind.
  • Marcel Dalio (the croupier) had been a star in French cinema, appearing in Jean Renoir's La Grande Illusion and La Regle de Jeu, but after he fled the Nazi invasion of France he was reduced to bit-parts in Hollywood.
  • S.Z. (or S. K.) "Cuddles" Sakall (Carl, the waiter) was a Hungarian actor who fled from Germany in 1939.
  • Joy Page (the Bulgarian refugee), another American, was Jack Warner’s step-daughter.
  • Curt Bois (the pickpocket) was a German Jewish actor and another refugee. He could claim the longest film career of any actor, making his first appearance in 1907 and his last in 1987.

Finally, part of the emotional impact of the film has been attributed to the large proportion of European exiles and refugees among the extras and in the minor roles. Ebert quotes a witness to the filming of the "duel of the songs" sequence as saying, "half of the extras had real tears in their eyes... most of these people were singing out of their own experience as refugees from Nazi Germany".

Myths

Several myths have grown up around the film, one being that Ronald Reagan was originally chosen to play Rick. This originates in a press release issued by the studio early on in the film's development, but by that time the studio already knew that he was due to go into the army, and he was never seriously considered.

The other most famous myth is that the actors did not know until the last day of shooting how the film was to end. The original play (set entirely in the cafe) had ended with Rick sending Ilsa and Victor to the airport. During scriptwriting, the possiblity was discussed of Laszlo being killed in Casablanca, allowing Rick and Ilsa to leave together, but as Behlmer points out, "there was only one dramatically viable real possibility: Ilsa and Laszlo take the plane". It was certainly impossible that Ilsa would leave Laszlo for Rick, as the production code forbade showing a woman leaving her husband for another man.

The confusion was most likely caused by Bergman's later statement that she didn't know which man she was meant to be in love with. However, Aljean Harmetz' examination of the scripts has shown that many of the key scenes were shot after Bergman knew how the film would end: any confusion was, in Ebert's words, "emotional", not "factual".

The letters of transit are often thought to be more illogical than they are as the result of a misquote: Ugarte tells Rick that the letters are signed by "General Weygand" and cannot be rescinded. Many mishear this as "de Gaulle", the leader of the anti-Vichy Free French Forces and enemy of Vichy. The misquote is even enshrined in official DVD English subtitles, but the DVD French subtitles quote correctly.

Errors

The film has several apparent logical flaws, foremost being the two "letters of transit" which enable anyone to leave for abroad. A classic MacGuffin, the letters were invented by Joan Allison for the original play and never questioned. Even within the film, Rick suggests to Renault that the letters would not be enough for Ilsa to escape, let alone Laszlo: "people have been held in Casablanca in spite of their legal rights". Even before Lazlo tries to leave, "it makes no sense that he could walk around freely" in Casablanca, as Ebert points out: "he would be arrested on sight".

Other difficulties are the airport spotlight which is pointed at the cafe rather than into the sky; a continuity error at the station in Paris (Rick's wet coat becomes dry when he gets on the train); and the supposedly Czech Laszlo's Hungarian name.

Criticism

Roger Ebert commented that the film is "probably on more lists of the greatest films of all time than any other single title, including Citizen Kane" because Casablanca has a wider appeal; while Citizen Kane is "greater", Casablanca is more loved. Rudy Behlmer also emphasises the variety in the picture: "it’s a blend of drama, melodrama, comedy [and] intrigue". Ebert says that he has never heard of a negative review of the film, even though individual elements can be criticised (he cites the unrealistic special effects and the stiff character/portrayal of Laszlo).

Awards

Casablanca won three Oscars:

It was also nominated for another five Oscars:

In 1998 Casablanca was ranked by the American Film Institute as the second greatest American film, after Citizen Kane, and in 1989 it was selected for preservation in the United States National Film Registry.

Quotes

The (mis)quote "Play it again Sam" originates with this film. Contrary to popular belief, this line was never uttered in the film. The closest lines are as follows.

At one point, Ilsa (Ingrid Bergman) says to piano player Sam (Dooley Wilson), "Play it, Sam. Play 'As Time Goes By'." Later, Rick (Humphrey Bogart) requests an encore by saying, "You played it for her, you can play it for me... If she can stand it, I can! Play it!"

This film does have many genuine memorable quotes. Some of the best known ones are uttered by Rick:

  • "Of all the gin joints in all the towns in all the world, she walks into mine."
  • "You'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life."
  • "But it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid."

Some of the quotes are historical anomalies.

Captain Renault: "We musn't underestimate American blundering. I was with them when they blundered into Berlin in 1918."

Berlin was never invaded in 1918 -- the armistice was called in place, in France, and war was never resumed.

Ilsa: "The boy at the piano ..."

This was an Americanism, to refer to an adult black man as "boy". Ilsa, a Norwegian without American racial baggage, would see it as the insult it was. Sam was her friend.

Rick (to the Bulgarian bride): "What are you doing here? You're under age!"

Currently, the drinking age in France is 16. [1] It seems unlikely that the limit in wartime French Morocco was higher, or that the woman is 15. (Unfortunately, Bulgaria does not yet appear on the age of consent or marriageable age pages.)

Other quotes can be found in the Internet Movie Database. [2]

References

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