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Comment: In accordance with Wikipedia's Conflict of interest policy, I disclose that I have a conflict of interest regarding the subject of this article. Jiangyunfang (talk) 05:02, 10 June 2025 (UTC)
Xingru Long (Iris) (Chinese name: 龙星如; born 1990) is a Chinese independent curator, writer, and researcher. Her work focuses on the intersection of art, science, and technology. She was a 2022–2023 Fellow at the Berggruen China Center.
Education and Early Career
[edit]Long earned a Master’s in Critical Writing in Art and Design from the Royal College of Art in London.[1] She has held research and lecturing positions at the Central Academy of Fine Arts (CAFA) in Beijing and conducted research at ZKM | Center for Art and Media Karlsruhe.[2]
Awards and Recognitions
[edit]In 2016, her Chinese translation of "Rethinking Curating: Art after New Media[3]" was published by Tsinghua University Press and nominated for an AAC Art China Award.
She was shortlisted for the inaugural M21-IAAC International Award for Art Criticism[4].
In 2018, she won the Hyundai Blue Prize for Curators.[5]
In 2023, she was named Curator of the Year by Harper’s Bazaar China. [6]
She was also a recipient of the Swissnex Fellowship and the CtC UK–China Grant in 2023.[7]
Curatorial Projects
[edit]“Lying Sophia & Mocking Alexa” (Hyundai Blue Prize recipient) and “Blue Cables in Venetian Watercourse” (PSA Emerging Curator’s Program) both examine techno‑cultural mediation.
“Earth Heat Flow: The Visitor Who Returns to Solar Time”, featured in the inaugural Beijing Biennial (Art & Technology section), tried to address winter heating and thermal media as metaphors for technological culture.
“The Larva of Time” (2024), curated in partnership with the Berggruen Research Center at Peking University and the ICA at NYU Shanghai, is a collaborative art‑science project exploring diverse temporal scales and interdisciplinary cocreation.
Research and Public Engagement
[edit]Long’s work has been presented at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) at the University of Cambridge, the Warburg Institute, UCL’s Centre for Outer Space Studies, and ZKM.
She has served on international juries for the International Symposium on Electronic Art (ISEA) and the SIGGRAPH Asia Art Gallery.
In 2021 she launched “Port: Under the Cloud”, a long‑term study of China’s technological infrastructures, including data centres and scientific facilities in regions such as Guizhou.
Selected Fellowships and Grants
[edit]References
[edit]- ^ a b "Berggruen Institute". www.berggruen.org. Retrieved 2025-06-10.
- ^ "Iris Xinru Long | ZKM". zkm.de. 2020-01-01. Retrieved 2025-06-10.
- ^ 重思策展：新媒体后的艺术. Translated by 龙星如. 清华大学出版社 原作名: Rethinking Curating. 2016-07-01. ISBN 978-7-302-43474-0.
{{cite book}}: CS1 maint: publisher location (link) - ^ "International Awards for Art Criticism（IAAC）". www.iaac-m21.com. Retrieved 2025-06-10.
- ^ Asia, Tatler. "Iris Long". Tatler Asia. Retrieved 2025-06-10.
- ^ "Instagram". www.instagram.com. Retrieved 2025-06-10.
- ^ a b "Swissnex Fellows - In Conversation with Iris Long". Swissnex in China. Retrieved 2025-06-10.