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Sae Kitamura

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In this Japanese name, the surname is Kitamura.
Kitamura Sae
北村紗衣
Sae Kitamura at a bridge
Kitamura in 2018, at the Wikipedia:15 event
Born (1983-04-12) April 12, 1983 (age 42)[4][5]
Shibetsu, Hokkaido, Japan
Occupation(s)Literary scholar, Literary critic [6]
Known for英日翻訳ウィキペディアン養成プロジェクト[7]
ParentKitamura Hiroshi [ja]
Awards10th Araws of The Association for Studies of Culture and Representation, 14th Women's History Award [ja]
Academic background
Alma materKing's College London
University of Tokyo
Hokkaido Asahikawa Higashi High School
ThesisThe Role of Women in the Canonisation of Shakespeare From Elizabethan Theatre to the Shakespeare Jubilee (2013)
Doctoral advisorAnn Thompson and Hannah Crawforth
Other advisorsShōichirō Kawai [ja] and Yasunari Takada [ja]
InfluencesWilliam Shakespeare,[1] Oscar Wilde[2]
Academic work
DisciplineBritish literature, Literary criticism
Sub-disciplineWilliam Shakespeare, performing arts, feminist literature
InstitutionsMusashi University
Notable ideasInner Maggie [note 1]
WebsiteCommentarius Saevus

Sae Kitamura (Japanese: 北村紗衣, born 12 April 1983) is a Japanese literary scholar specialising in British literature and a literary critic. A graduate of King's College London, her primary areas of research are William Shakespeare, the history of performing arts, and feminist literature. She is also an active Wikipedian, encouraging students to translate articles from English Wikipedia to Japanese Wikipedia in her classes.

Kitamura has been a professor at Musashi University since 2023. She was formerly a Lecturer and Associate Professor at Musashi University from 2014 to 2023,[8] and served as director of the Association for Studies of Culture and Representation [ja] in 2019.[9] Some of her notable works include Women Who Enjoyed Shakespeare's Plays,[10] Sugar, Spice, and Something Explosive,[2] and The Classroom of Critique.[11] She also writes essays about synesthesia.[12]

Biography

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Early life

[edit]

Kitamura was born on 12 April 1983 in Shibetsu, Hokkaido.[13] Her father is Kitamura Hiroshi [ja], president of the Douhoku Nippou [ja],[14] and her grandfather is Kitamura Junjirō [ja], former president of the Douhoku Nippou and also a literary critic.[15]

Kitamura developed her interest in William Shakespeare after watching Romeo + Juliet starring Leonardo DiCaprio.[16] While studying at Hokkaido Asahikawa Higashi High School, she worked as a library assistant as part of her club activities.[17] During this time, she also read The Second Sex and Wuthering Heights.[18] Her work Drive My Car Crazy won the "第39回有島青少年文芸賞",[note 2] and published in the The Hokkaido Shimbun Press [ja] in 2001.[19]

Study on William Shakespeare

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Kitamura entered the University of Tokyo after graduating from high school. To fund her study abroad plans, she worked part-time during her college years.[20] Her major was cultural representation [ja], and she graduated in March 2006. She completed her Master’s degree in Interdisciplinary Cultural Studies in the Department of Cultural Representation, Graduate School of Arts and Sciences, the University of Tokyo (東京大学大学院総合文化研究科超域文化科学専攻表象文化論), in March 2008 under the guidance of Shōichirō Kawai [ja] and Yasunari Takada [ja].[21] Her research subject was Antony and Cleopatra.[22] She also befriended Noritaka Moriyama [ja] during this time.[23]

Kitamura entered the University of Tokyo's doctoral program as a research fellow of the Japan Society for the Promotion of Science in April 2008.[24] Her field of study was "Representation of Women in Elizabethan and Jacobean Tragedy" (エリザベス朝及びジェームズ朝の悲劇における女性の表象), exploring Shakespeare’s place in traditional Cleopatra literature and examining how menstruation and pregnancy were represented in Renaissance England. She also researched a Queer reading of As You Like It as performed by Yukio Ninagawa.[25]

Enrolling at King's College London in October 2009, Kitamura resigned from the research fellowship to continue her study of gender and Shakespeare. She submitted her doctoral thesis in April 2013 and was awarded a PhD in October 2013.[20] Upon returning to Japan, she worked part-time at Yūshōdō Shoten [ja], Keio University (from 2013, and as a part-time lecturer from 2019), and the University of Tokyo (2013–2016).[26]

Musashi University

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Kitamura became a lecturer in the Department of British and American Studies at Musashi University in 2014.[9] That same year, she conducted a study on the reception of Shakespeare’s works via social media.[27] In October 2015, she began a column on messy (later wezzy),[28] and published writings on synesthesia.[12] She also began incorporating Wikipedia into her coursework.[29]

Since 2017, Kitamura has been an associate professor.[9] She has lectured on Shakespeare at Waseda University,[30] and published a series on Shakespeare in collaboration with The Asahi Shimbun.[31]

In March 2017, Kitamura published Women Who Enjoyed Shakespeare's Plays (Japanese: シェイクスピア劇を楽しんだ女性たち ―近世の観劇と読書―),[10] which received awards from both the Association for Studies of Culture and Representation and the Women's History Award [ja] at Nara Women's University in 2019.[32]

She followed up with Sugar, Spice, and Something Explosive (Japanese: お砂糖とスパイスと爆発的な何か ― 不真面目な批評家によるフェミニスト批評入門 ―) in June 2019. The book includes columns from messy/wezzy,[33] critiques of Frozen, Fight Club, and Vanishing Point from a feminist perspective,[34] and discussions on Burlesque.[35] It was ranked 18th in the “Kinobes! 2020: The Best 30 Kinokuniya Bookstore Staff Recommends” (紀伊國屋書店スタッフが全力でおすすめするベスト30 キノベス！2020).[36]

In September 2019, Kitamura published The Classroom of Critique (Japanese: 批評の教室 ― チョウのように読み、ハチのように書く ―), illustrated by "とくながあきこ". The book defines a critic’s role as both interpretation and evaluation.[note 3] One chapter features a student interaction in the editing process.[37] According to The Nikkei, the book was reprinted four times within four months, selling 50,000 copies by January 2022.[38]

Kitamura’s research was supported multiple times by the Japan Society for the Promotion of Science through the Grants-in-Aid for Scientific Research [ja], including "The Changes in the Perception of 'Male Beauty' in the Performance History of Early Modern English Drama" (Japanese: 近世イングランド演劇の上演史における「男性美」観の変遷) in September 2019, and "Women and Public Speaking in Early Modern England" (Japanese: 近世イングランドにおける女性とパブリックスピーキング) in April 2023.[39] In 2020, she published an essay on the fourth wave of feminism in Gendai Shiso [ja].[40]

Since April 2023, Kitamura has served as a professor in the Department of British and American Studies and in the European and American Studies Major (Graduate School of Humanities).[9] In June 2023, she released her collection of cultural essays, English Back Alley (Japanese: "英語の路地裏 ― オアシスからクイーン、シェイクスピアまで歩く ―).[41]

From April 2024 to April 2025, Kitamura went on sabbatical leave at Trinity College Dublin in Ireland.[42][43] During this time, she served as a Wikipedian in residence at the Library of Trinity College Dublin.[44]

Personal life

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According to a 2019 interview, Kitamura reads approximately 260 books, goes to the movie theatre 100 times, and attends the theatre 100 times each year.[45] She emphasises the importance of literature in teaching English,[46] and encourages her students to analyse literary works from a director’s perspective in university classes.[1]

Kitamura has studied the reception of Shakespeare’s works on social media, stating:

シェイクスピアに限らず、時代の試練を生き延びた古典的な芝居には、過去のことを描いているようでいて実は現在に通じるところがある。

...It is not just for Shakespeare, but for all classic plays that have survived the test of time. While these plays appear to depict the past, they actually resonate with the present.

— Sae Kitamura, 今一番新しい劇作家、何でもありのウィリアム・シェイクスピア (William Shakespeare, the newest playwright who can do anything), Hakusuisha [ja][47]

She also analyses the business aspects of Shakespeare’s works.[48]

In graduate school, Kitamura studied how women are portrayed in Shakespeare’s plays[24] by examining and analysing 800 volumes of Shakespeare-related documents from the 16th to 18th centuries, in both England and New Zealand.[49] While at King's College London, she discovered letters from the previous owner of the Third Folio during her research at the Auckland Public Library in New Zealand.[20]

As Wikipedian

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A group of Japanese Wikipedians standing in front of a wall. Kitamura, who is holding a book, is standing at the rightmost place on the second row from the bottom.
Kitamura attended a Wikipedian offline meeting in Tokyo, photographed in January 2019[50]

Since 2010, Kitamura has been contributing to Wikipedia under the username "さえぼー".[note 4][51] One of her key contributions is running the Wikipedia Translation Project as part of her annual university coursework.[52] She organised a panel on editing Wikipedia at a 2016 conference of the The History of Science Society of Japan [ja],[53] and co-hosted an academic symposium on 28 September 2019 with Harumichi Yamada [ja] and Tomoaki Watanabe [ja], addressing the use and challenges of Wikipedia in higher education.[54]

Kitamura has participated in Art+Feminism and other edit-a-thons,[55] and has appeared on TV and radio as a Wikipedian.[56][57][58] She also explained privacy concerns on Japanese Wikipedia during the controversy surrounding the Higashi-Ikebukuro runaway car crash article.[59]

Kitamura has addressed the issue of gender bias on Wikipedia by helping to organise WikiGap in 2019,[60][61] publishing a related paper in 2020,[62] and participating in an interview with the Mainichi Shimbun in 2021. There, she discussed the challenges of notability for women, citing the example of Marie Curie's treatment on English Wikipedia.[63]

Awards

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  • December 2001: "第39回有島青少年文芸賞"[note 2] by The Hokkaido Shimbun for Drive My Car Crazy.[19]
  • June 2019: "第10回表象文化論学会賞 学会賞" from the Association for Studies of Culture and Representation (Japanese: 表象文化論学会) for シェイクスピア劇を楽しんだ女性たち.

[66]

  • November 2019: 14th Women's History Award (Japanese: 第14回女性史学賞) by the Center for Gender and Women's Culture in Asia at Nara Women's University (Japanese: 奈良女子大学アジア・ジェンダー文化学研究センター), also for シェイクスピア劇を楽しんだ女性たち.[32]
  • December 2019: Ranked 4th in "紀伊國屋じんぶん大賞2020" by Kinokuniya for お砂糖とスパイスと爆発的な何か.[11]
  • December 2024: UK Wikimedian of the Year 2024, Honourable Mention.[67][9]

See also

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Published works

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Sole author

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  • Kitamura, Sae (March 2018). シェイクスピア劇を楽しんだ女性たち ― 近世の観劇と読書 ― (in Japanese). 白水社. ISBN 978-4-560-09600-0.
  • Kitamura, Sae (June 2019). お砂糖とスパイスと爆発的な何か ― 不真面目な批評家によるフェミニスト批評入門 ― (in Japanese). 書肆侃侃房. ISBN 978-4-863-85365-2.
    • Kitamura, Sae (February 2025). ［増補］お砂糖とスパイスと爆発的な何か : 不真面目な批評家によるフェミニスト批評入門. ちくま新書 (in Japanese). 筑摩書房. ISBN 978-4-480-44008-2.
  • 『不真面目な批評家、文学・文化の英語をマジメに語る ―シェイクスピアはなぜ「儲かる」のか？―』アルク〈EJ新書〉、2020年4月、Kindle版、ASIN B086DS9WSF
  • 『不真面目な批評家、文学・文化の英語をマジメに語る 2 ― シェイクスピア、クイーン、SHERLOCK etc. 古典から最新エンタメまで！―』アルク〈EJ新書〉、2020年10月、Kindle版、ASIN B08HH1TQLJ
  • Kitamura, Sae (2021-09-07). 批評の教室―チョウのように読み、ハチのように書く. ちくま新書 (in Japanese). 筑摩書房. ISBN 978-4480074256.
  • Kitamura, Sae (2022-06-29). お嬢さんと嘘と男たちのデス・ロード―ジェンダー・フェミニズム批評入門 (in Japanese). 文藝春秋. ISBN 978-4163915609.
  • Kitamura, Sae (2023-06-21). 英語の路地裏―オアシスからクイーン、シェイクスピアまで歩く (in Japanese). アルク. ISBN 978-4757440173.
  • Kitamura, Sae (2024-11-12). 女の子が死にたくなる前に見ておくべきサバイバルのためのガールズ洋画100選 (in Japanese). 書肆侃侃房. ISBN 978-4863856417.
  • Moran, Caitlin (2018). 女になる方法 ― ロックンロールな13歳のフェミニスト成長記 ― [How to Be a Woman] (in Japanese). Translated by Kitamura Sae. 青土社. ISBN 978-4-791-77083-0.

Co-author

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Source: Japan Science and Technology Agency[9]

  • 『共感覚から見えるもの ―アートと科学を彩る五感の世界―』勉誠出版、2016年5月、ISBN 978-4585210337
  • 『人文学のレッスン ― 文学・芸術・歴史 ―』小森謙一郎、戸塚学、北村紗衣 共編、水声社、2022年2月、ISBN 978-4801006058。[note 5]
  • 『シンデレラの末永く幸せな変身』北村紗衣,小森謙一郎,嶋内博愛,戸塚学:編、水声社、2025年3月、ISBN 978-4-8010-0851-9
  • 「悲劇」「問題劇」『シェイクスピア・ハンドブック』三省堂、2010年、74-106頁、138-145頁、ISBN 978-4385410647
  • "Queens, Girls and Freaks: Men in Women’s Clothes and Female Audiences in Japanese Cross-Dressing Productions of As You Like It and Hedwig and the Angry Inch". Queer Crossings, Theories, Bodies, Texts, Mimesis International (2012), pp.161-178, ISBN 978-8857509396
  • いま、世界で読まれている105冊 「キャトリン・モラン『女になる方法』書評」. テン・ブックス. 2013. pp. 108–109. ISBN 978-4886960306.
  • 小澤実; 中丸禎子; 高橋美野梨, eds. (2016). アイスランド・グリーンランド・北極を知るための65章 「音楽の錬金術師、氷の国のうたびとビョーク」. エリア・スタディーズ. 明石書店. pp. 259–263. ISBN 978-4750343082.
  • "The Good, the Bad and the Beautiful: Women Writers’ Difficult Relationships with the ‘Bad Woman’ Character in Antony and Cleopatra". Lilith Rising: Perspectives on Evil and the Feminine, Inter-Disciplinary Press (2016), ISBN 978-1848883864。
  • "The Curious Incident of Shakespeare Fans in NTLive: Public Screenings and Fan Culture in Japan". Pascale Aebischer, Susanne Greenhalgh, Laurie Osborne, ed. Shakespeare and the 'Live' Theatre Broadcast Experience Bloomsbury Arden. (2018), pp.177-184, ISBN 978-1350030466
  • 「フランセス・イェイツ『世界劇場』」『ルネサンス・バロックのブックガイド ― 印刷革命から魔術・錬金術までの知のコスモス』Hiro Hirai 編、工作舎、2019年2月、ISBN 978-4875025030
  • 「地球人には家族は手に負えないークィアSFとしての『美しい星』」『彼女たちの三島由紀夫』中央公論社、2020年、48-50頁、ISBN 9784120053474
  • 「うぬぼれ屋さん、この文章もたぶん自分のことだと思ってるんでしょ?」『反「女性差別カルチャー」読本』タバブックス、2022年5月。
  • 「嫌われものを授業に取り込む」『現場の大学論 : 大学改革を超えて未来を拓くために』ナカニシヤ出版、2022年7月、165-176頁、ISBN 978-4779515453
  • 「ゲームとジェンダー、ポリティカル・コレクトネス」『知的財産で社会を変える : SSP-IPの挑戦』同友館、2022年12月、16-93頁、ISBN 978-4496056352
  • 「ソーシャルメディア」『ジェンダー事典』丸善出版、2024年2月、572-573頁、ISBN 978-4621308875
  • 「眠れない登場人物、眠りすぎの登場人物―シェイクスピア劇における睡眠の演劇的効果―」『睡眠文化論』淡交社、2025年2月、ISBN 978-4473046581
  • 「研究成果をもっとウィキペディアに！―学会、図書館、博物館との連携―」『人文学を社会に開くには。：パブリックヒューマニティーズから考え・行動する』 文学通信、2025年3月、ISBN 978-4-86766-086-7
  • 「科学、技術と文学」『科学・技術・倫理百科事典』丸善出版、2012年、285-294頁、ISBN 978-4-621-08387-1
  • 「第1章」「第6章」『オックスフォードブリテン諸島の歴史 第7巻 ―17世紀 1603年-1688年―』慶應義塾大学出版会、2015年、ISBN 978-4766416473
  • ヘンリー・ジェンキンズ著『コンヴァージェンス・カルチャー: ファンとメディアがつくる参加型文化』、渡部宏樹、阿部康人との共訳、晶文社、2021年、ISBN 9784794972484

Self-publications

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Kitamura has obtained an ISBN as a private publisher and has published the work of the Society for the Study of Representation and Culture and the Japanese Association of Historical Studies, as follows:[69]

Serialisation

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Interview

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  • "北村紗衣×キャトリン・モラン 王子様を夢見るシンデレラストーリーはもうたくさん!". 週刊文春Woman (11). 文藝春秋 〈文春ムック〉: 89–92. 2021. ISBN 978-4-16-007032-5.

Journals and thesis

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Appearances

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Radio programmes

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  • 『アフター6ジャンクション』 TBSラジオ. 2019: 10 April,[70] 3 July (ウィキペディア特集), [56][71], 27 December.[72] 2020: 27 July, [73] 25 December. [73] 2021: 22 September. 2022: 28 December. 2023: 23 March. 2024: September (ウィキマニア特集)[74]
  • 『若狭敬一のスポ音』 CBCラジオ, 12 December 2020, 「光山雄一朗の気になったので聞いてみました 第5回 ウィキペデイアの知らない世界に誘います!」[75]
  • 『FUTURESCAPE』 FM横浜, 6 February 2021. [76]
  • 『村上信五くんと経済クン』文化放送, 30 October 2021[9]

TV programmes

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  • NHK Eテレ, グレーテルのかまど (5 August 2019)[77]
  • TBS, マツコの知らない世界「ウィキペディアの世界」 (3 September 2019)[57][note 7]

Video works

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References

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Notes

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  1. ^ Maggie refers to Margaret Thatcher. Inner Maggie (内なるマギー) here means an oppression of "being wholeheartedly successful in a male-dominated society", or "dressing and styling in a manly way to suit a male-dominated society". [3]
  2. ^ a b This award, aimed at middle and high school students in Hokkaido, is sponsored by The Hokkaido Shimbun and supported by the Hokkaido Prefectural Board of Education in memory of Takeo Arishima.[64] Notable past winners include Yasushi Sato [ja], recipient of the 4th award.[65]
  3. ^ Kitamura defines interpretation (解釈) as "Extracting hidden meanings from a work, that may not be obvious at first glance", and evaluation (価値づけ) as "Determining the work's quality and position"
  4. ^ Also known as "Saebou".
  5. ^ Kitamura has written "もしも私が女なら――シェイクスピア劇と舞台芸術の異性装" on Part 2, Chapter 5 of the book.[68]
  6. ^ "シェイクスピアの正典化における女性の役割――エリザベス朝演劇からシェイクスピア・ジュビリーまで" in Japanese.[20]
  7. ^ Under her name "さえぼー" on Wikipedia.[58]

Inline citations

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  1. ^ a b 夢ナビ! 2018.
  2. ^ a b 篠原 2019.
  3. ^ Kitamura 2019b.
  4. ^ SPICE 2019, 北村 紗衣（きたむら さえ）プロフィール.
  5. ^ Kitamura 2012.
  6. ^ 矢内 2019a; Okawada 2019.
  7. ^ Kameta 2017; Mantani 2017; WIKIPEDIA15 2018.
  8. ^ SPICE 2019; 篠原 2019.
  9. ^ a b c d e f g JST 2019.
  10. ^ a b Hakusuisha 2018.
  11. ^ a b Kinokuniya 2019a.
  12. ^ a b Kitamura 2016a.
  13. ^ SPICE 2019, 北村 紗衣（きたむら さえ）プロフィール; 篠原 2019, お話を聞いた人.
  14. ^ Kitamura 2006; Hokkaido Printing 2013.
  15. ^ サンデータ 1982; Okawada 2019.
  16. ^ 夢ナビ! 2018; Nakajima 2019.
  17. ^ 矢内 2019b.
  18. ^ Nakajima 2019; 篠原 2019.
  19. ^ a b Hokkaido Shimbun 2001.
  20. ^ a b c d Kitamura 2014.
  21. ^ JST 2019; Kitamura 2013.
  22. ^ NII 2008b.
  23. ^ Kitamura 2017.
  24. ^ a b Kitamura 2014; NII 2008a.
  25. ^ NII 2008a; NII 2008b; NII 2009.
  26. ^ Kitamura 2014; JST 2019.
  27. ^ NII 2014.
  28. ^ Kitamura 2019a, あとがき.
  29. ^ WIKIPEDIA15 2018; Kameta 2017; Mantani 2017.
  30. ^ "あなたがまだ知らないかもしれないシェイクスピア". 早稲田大学エクステンションセンター. Waseda University. Archived from the original on 2018-04-15. Retrieved 2025-06-21.
  31. ^ Asahi 2018a; Asahi 2018b.
  32. ^ a b Nara Women's University 2019; The Shakespeare Society of Japan 2019.
  33. ^ Kitamura 2019a, あとがき; 篠原 2019.
  34. ^ Nakajima 2019; Okami 2020; SPICE 2019.
  35. ^ Nikkei 2022; Nakajima 2019.
  36. ^ Kinokuniya 2019b.
  37. ^ Asahi 2022; Oyama 2022.
  38. ^ Nikkei 2022.
  39. ^ NII 2014; NII 2023.
  40. ^ Kitamura 2020.
  41. ^ ALC 2023.
  42. ^ B&B 2025.
  43. ^ "あなたの感想って最高ですよね！ 遊びながらやる映画批評第1回 飲酒推奨映画？ アルコールでジェンダー境界を越える『酔拳』". 太田出版のWebマガジン OHTABOOKSTAND. 2024-06-27. Retrieved 2025-02-26. 2024年度はアイルランドのトリニティ・カレッジ・ダブリンにてサバティカル中。
  44. ^ TBS Radio 2024; B&B 2025.
  45. ^ 矢内 2019a.
  46. ^ GOTCHA!編集部 (29 August 2019). "TOEICやビジネス英語で「実用的な英語の運用能力」が獲得できない理由【北村紗衣：大学の英語教育②】". ENGLISH JOURNAL (in Japanese). Retrieved 2025-06-21.
  47. ^ Kitamura 2016c.
  48. ^ GOTCHA!編集部 (15 August 2019). "文学不要論者が知らない、シェイクスピアが「もうかる」理由【北村紗衣：大学の英語教育①】". ENGLISH JOURNAL (in Japanese). Retrieved 2025-06-21.
  49. ^ Nakajima 2019; Okami 2020; Kitamura 2014.
  50. ^ Tokyo Midtown Design Hub. "ウィキペディアンが「棚から一掴み」してみたら（Wikipedia Day企画）". www.designhub.jp (in Japanese). Retrieved 2025-06-21.
  51. ^ TBS Radio 2019b; WIKIPEDIA15 2018.
  52. ^ Kameta 2017; Mantani 2017.
  53. ^ Kitamura 2016b.
  54. ^ Tokyo Keizai University 2019.
  55. ^ Musashi University 2018.
  56. ^ a b TBS Radio 2019b.
  57. ^ a b "英語英米文化学科 北村 紗衣 准教授がTBSテレビ「マツコの知らない世界」に出演します". Musashi Academy of the Nezu Foundation [ja]. 2019-08-29. Archived from the original on 2019-09-06. Retrieved 2025-06-21.
  58. ^ a b "ウィキペディアの"中の人"が登場！ 意外なメリット・デメリットとは＜マツコの知らない世界＞". ザテレビジョン. 2019-09-03. Retrieved 2025-06-21.
  59. ^ 杉浦 2020.
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  63. ^ 椋田 2021.
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  70. ^ TBS Radio 2019a.
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Sources

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Japan Science and Technology Agency

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National Institute of Informatics

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Sources by Sae Kitamura

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News coverage

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Radios

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Published journal or books

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Other sources

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Further reading

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