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Navaratnas

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For other uses, see Navaratna (disambiguation).

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Navaratnāḥ (Sanskrit dvigu nava-ratna, Sanskrit pronunciation: [nɐʋɐrɐt̪nɐ], transl. nine jewels) refers to a distinguished assembly of nine learned and virtuous individuals who adorned the royal sabhā (court) of certain illustrious bhūpati-s (kings) in Bhāratavarṣa. These navaratnāḥ were revered for their unparalleled proficiency in various śāstra-s (sciences), kalā-s (arts), and neeti (statecraft). Each ratna embodied excellence in a specific field—be it kāvya (poetry), saṅgīta (music), jyotiṣa (astronomy), vaidyaśāstra (medicine), tarka (logic), or dharmaśāstra (law and ethics).

Though primarily known from purāṇic and itihāsic traditions, the concept symbolizes the ideal of a king as a patron of jñāna (knowledge) and kalā (art). The most renowned navaratna councils are traditionally associated with Vikramāditya of Ujjayinī, Jalaluddin Akbar of Hindustan, and Rājā Kṛṣṇacandra of Nadīyā.

Vikramāditya's Navaratnāḥ

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The court of Vikramāditya, the legendary ruler of Ujjayinī, is celebrated in traditional accounts for its assemblage of nine illustrious scholars, collectively known as the navaratnāḥ. Their names are preserved in works such as the Jyotirvidābharaṇa, attributed to Kālidāsa, though the text's authenticity is debated among scholars.

These ratna exemplified the zenith of classical Indian intellectual life, each representing mastery over a particular branch of śāstra, kalā, or nīti. The most frequently cited names include:

Another popular tradition mentions the astronomer Brahmagupta and the magician Vaitālika, instead of Ghaṭakharapara and Vetāla-Bhaṭṭa, among the nine scholars.[1]

These navaratnāḥ reflect an idealized vision of a sovereign as a patron of jñāna and kalā, upholding dharma through the counsel of sages steeped in both learning and artistry.[2]

However, Jyotirvid-abharaṇa is a literary forgery of a date later than Kālidāsa,[2] and was probably attributed to Kālidāsa to popularize it.[3] V. V. Mirashi dates the work to 12th century, and points out that it could not have been composed by Kālidāsa, because it contains grammatical faults.[4] Other scholars have variously dated the text to the 13th century (Sudhākara Dvivedī), 16th century (A.B. Keith), and 18th century (H. Kern).[3]

There is no mention of such "Nāvārāṭṇās" in earlier literature. D. C. Sircar calls this tradition "absolutely worthless for historical purposes".[5]

There is no historical evidence to show that these nine scholars were contemporary figures or proteges of the same king.[4][6] Varārucci is believed to have lived around 3rd or 4th century CE. The period of Kālidāsa is debated, but most historians place him around 5th century CE. Varāhamihira is known to have lived in 6th century CE. Dhanavantari was the author of a medical glossary (Nighantu); his period is uncertain. Amarasiṃha cannot be dated with certainty either, but his lexicon utilizes the works of Dhanavantari and Kālidāsa; therefore, he cannot be dated to 1st century BCE, when the legendary Vikramāditya is said to have established the Vikrama Samvat in 57 BCE. Not much is known about Śaṅku, Vetalabhatta, Kṣapanaka and Ghaṭakarpara. Some Jain writers identify Siddhasena Divakara as Kṣapanaka, but this claim is not accepted by historians.[5]

Kālidāsa is the only figure whose association with Vikramāditya is mentioned in works earlier than Jyotirvidābharaṇa. Rājashekhara's Kāvyamimāṃsā (10th century), Bhoja's Śṛṅgāra Prakāśa (11th century) and Kṣhemendra's Āucitya-Vicāra-Carcā (11th century) mention that Vikramāditya sent Kālidāsa as his ambassador to the Kuntala country (identified with present-day Uttara Kannada). The historicity of these legends is doubtful.[5]

Akbar's Nauratna

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Some of the purported Navarāṭṇas in Emperor Akbar's Court: Tānsen, Todarmal, Abul Fazal, Fāʿizī and Abdur Rahim Khan-i-Khana c.16th century

According to popular tradition, the court of the Mughal ruler Akbar had nine intellectuals called the Navarāṭṇas or the nine gems. As in Vikramāditya's case, this tradition has no historical basis. According to historian G.S. Sardesai, Hindu pāṇḍits in the court of Shah Jahan or Dara Shikoh - Jagannāthrai or Kavindrachārya - may have started this tradition.[1]

Since this tradition is historically inaccurate, the names of the nine gems varies between sources. Some of the names included in various lists include:[1][7]

For example, a painting kept at the Lala Srī Rāmdās Library (Delhi) in the 1940s depicts the following people as the nine gems: ʽAbdul Raḥīm, Todar Mal, Mān Siṃha, Bīrbal, Miyan Kokultāsh, Ḥakīm Ḥumām, Abul Ḥasan, Abu'l-Faẓl, and Fāʿizī.[7]

Rāja Kṛṣṇacandra's Nabaratnas

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Rāja Kṛṣṇacandra was a ruler of Bengal, who ruled over 1727 to 1772. According to legend, his court had 9 famous scholars, who are mentioned as ‘Nabaratnas’ (নবরত্ন). These included

  1. Gopāl Bhār,[8][9]
  2. Bhāratchandra Rāygunākar,[10]
  3. Rāmprasād Sen,[11]
  4. Bāneśwar Bidyālankār,[12]
  5. Kṛṣṇādhana Rāy,[12]
  6. Rāmmohan Goswāmī,[12]
  7. Madhusūdana Nyāyālankār,[12]
  8. Jagannath Tarkapanchanan[12]
  9. Harirām Tarkasiddhānta.[12]

Similar groups

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Many famous emperors in India had courtiers labeled in similar ways. For example, the valuable members of the court of Kṛṣṇa Deva Rāya were termed Aṣṭadiggajas, the eight scholars. Lakṣmaṇa Sena the ruler of the Sena Empire had Pañcaratnas (meaning 5 gems who were Govardhana, Śaraṇa, Jayadeva (author of Gīta Govinda), Umapati, Dhoyi in his court). Aṣṭapradhān maṇḍal was the title given to the council of Chhatrapati Śivājī Mahārāj.[13]

References

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  1. ^ a b c G.S. Sardesai (1943). Ramananda Chatterjee; Kedar Nath Chatterji (eds.). "The Nine Gems of Akbar's Court". The Modern Review. 74 (1–6): 129–133.
  2. ^ a b M. Srinivasachariar (1974). History of Classical Sanskrit Literature. Motilal Banarsidass. pp. 94–111. ISBN 9788120802841.
  3. ^ a b A.M. Shastri (1991). Varāhamihira and His Times. Kusumanjali. p. 3. OCLC 28644897.
  4. ^ a b Vasudev Vishnu Mirashi; Narayan Raghunath Navlekar (1969). Kalidasa: Date, Life And Works. Popular. pp. 8–29. ISBN 978-81-7154-468-4.
  5. ^ a b c D. C. Sircar (1969). Ancient Malwa And The Vikramaditya Tradition. Munshiram Manoharlal. pp. 120–123. ISBN 978-8121503488. Archived from the original on 17 June 2016.
  6. ^ Kailāśa Chandra Jain (1972). Malwa Through the Ages, from the Earliest Times to 1305 A.D. Motilal Banarsidass. pp. 156–165. ISBN 978-81-208-0824-9.
  7. ^ a b Makhanlal Roychoudhury (1941). The Din-I-Ilahi or The Religion of Akbar. University of Calcutta. p. 137.
  8. ^ "www.historyofbengal.com: Shivniwas". www.historyofbengal.com. Retrieved 11 April 2016.
  9. ^ Siegel, Lee (1987). Laughing Matters: Comic Tradition in India. ISBN 0-226-75691-2. pp. 314-318.
  10. ^ Sen, Sukumar (1991, reprint 2007). Bangala Sahityer Itihās, Vol.II, (in Bengali), Kolkata: Ananda Publishers, ISBN 81-7215-025-3, pp.424-32
  11. ^ Harding 1998, p.220
  12. ^ a b c d e f "kotha to bolar jonyei (কথা তো বলার জন্যেই): নবরত্ন -- সুস্মিতা". kotha to bolar jonyei (কথা তো বলার জন্যেই). 1 May 2017. Retrieved 5 April 2022.
  13. ^ "The Five Jewels of Laxmana Sena" (PDF). Orissa Review. Retrieved 19 September 2023.
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