Jump to content

Carrie Bodle: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Cleaning up accepted Articles for creation submission (AFCH)
m clean up, added orphan tag
 
Line 1: Line 1:
{{Short description|American artist}}
{{Short description|American artist}}
{{Orphan|date=June 2025}}

{{Infobox artist
{{Infobox artist
| name = Carrie Bodle
| name = Carrie Bodle
Line 14: Line 14:
}}
}}


'''Carrie Bodle''' (born 1979, [[London, Ohio]]) is an American visual and [[Sound art|sound artist]] and educator based in [[Seattle|Seattle, Washington]].
'''Carrie Bodle''' (born 1979, [[London, Ohio]]) is an American visual and [[sound art]]ist and educator based in [[Seattle|Seattle, Washington]].


== Early life and education ==
== Early life and education ==
Bodle earned her BFA in Art and Technology from [[Ohio State University|The Ohio State University]]<ref>{{Cite web|url=https://u.osu.edu/artandtech/alumni-bfa/|title=Alumni BFA &#124; Art and Technology|website=u.osu.edu}}</ref> in 2002 and later obtained her Master of Science in Visual Studies (MSVS) from the [[Massachusetts Institute of Technology]] (MIT) in 2005. At MIT, she was part of the Visual Arts Program, now known as Art, Culture, and Technology (ACT).<ref>{{cite web | url=https://act.mit.edu/about/people/carrie-bodle/ | title=Carrie Bodle – Art, Culture, and Technology (ACT) }}</ref> <ref>"Engaged: 20 Years of the MIT Visual Arts Program". ''Aspect: Chronicle of New Media Art''. Boston, MA: Aspect Magazine. 2010.</ref><ref>"Sonic Artist Fuses Art and Technology". ''Open Door''. MIT School of Architecture and Planning, MIT Alumni Association. July 2006.</ref>
Bodle earned her BFA in Art and Technology from [[Ohio State University|The Ohio State University]]<ref>{{Cite web|url=https://u.osu.edu/artandtech/alumni-bfa/|title=Alumni BFA &#124; Art and Technology|website=u.osu.edu}}</ref> in 2002 and later obtained her Master of Science in Visual Studies (MSVS) from the [[Massachusetts Institute of Technology]] (MIT) in 2005. At MIT, she was part of the Visual Arts Program, now known as Art, Culture, and Technology (ACT).<ref>{{cite web | url=https://act.mit.edu/about/people/carrie-bodle/ | title=Carrie Bodle – Art, Culture, and Technology (ACT) }}</ref><ref>"Engaged: 20 Years of the MIT Visual Arts Program". ''Aspect: Chronicle of New Media Art''. Boston, MA: Aspect Magazine. 2010.</ref><ref>"Sonic Artist Fuses Art and Technology". ''Open Door''. MIT School of Architecture and Planning, MIT Alumni Association. July 2006.</ref>


== Work and artistic practice ==
== Work and artistic practice ==
Bodle’s work primarily consists of immersive [[Installation art|installations]] that explore the relationships between art and science, often translating inaudible or invisible phenomena into sensory experiences.<ref>{{cite journal |last=Bodle |first=Carrie |title=Sonification/Listening Up |journal=Leonardo Music Journal |volume=16 |year=2006 |issue=Annual: Noises Off – Sound Beyond Music |pages=51–52 |publisher=MIT Press |location=Cambridge, MA |doi=10.1162/lmj.2006.16.51}}</ref> Her projects frequently incorporate data-driven elements, sound, and visualization techniques to make scientific research accessible to the public.<ref>{{cite book |last=Bodle |first=Carrie |chapter=Sonification |editor1-last=LaBelle |editor1-first=Brandon |editor2-last=Martinho |editor2-first=Cláudia |title=Site of Sound #2: Of Architecture and the Ear |publisher=Errant Bodies Press |location=Berlin |year=2011 |isbn=9780982743904}}</ref>{{Pages needed|date=June 2025}}<ref>{{cite news |last=Chiragdin |first=Neil |title=Oceans inspire awe and activism in art |newspaper=Queens Chronicle |date=December 21, 2017 |location=Queens, New York|url=https://www.qchron.com/qboro/stories/oceans-inspire-awe-and-activism-in-art/article_ecfc84cc-a3a3-52e9-a356-d3485f74c1a4.html}}</ref> Notable works include Sonification / Listening Up,<ref>{{cite news |last=Gleitzman |first=Benjamin |title=Rarified Air Makes Noise at Building 54] |newspaper=The Tech |date=September 16, 2005 |page=1}}</ref> which utilized sound as a representation of atmospheric research from MIT [[Haystack Observatory]], extending to the public what is normally invisible,<ref>{{Cite web|url=https://news.mit.edu/2005/listening-tunes-sounds-science|title=Listening Up: Tunes into sounds of science|date=September 15, 2005|website=MIT News &#124; Massachusetts Institute of Technology}}</ref><ref>{{cite journal |editor=Rossing, Thomas |title=Acoustics in the News |journal=Echoes: Acoustics Today Journal |volume=Spring 2006 |type=Quarterly |publisher=CCRMA, Department of Music, Stanford University}}</ref> and Wavelines, which used data from ecosystem models along the Washington Coast to create a multimodal experience of art through scientific research.<ref name="auto">{{Cite web|url=https://www.cocaseattle.org/digital-archive/2010-15|title=2010-2015|website=CoCA Seattle}}</ref><ref>{{cite magazine |last=Baumgarten |first=Mark |title=CoCA Settles in the Design Center |magazine=City Arts Magazine |date=June 2012 |url=https://urldefense.com/v3/__https://www.cityartsmagazine.com/co-ca-settles-in-the-design-center/__;!!K-Hz7m0Vt54!nQ1dkMU5ZgLEPx8fFZQw60HJ5bXoleuTVJKDfKybbjwfms-xkMG0ZgZhNoS_IJrbwy9bWiWHWzXUoU-UyGzsHXZNGw$ |access-date=June 16, 2025}}</ref>{{Dead link|date=June 2025}} She is a Teaching Professor at the [[University of Washington Bothell]]’s School of Interdisciplinary Arts and Sciences.<ref>{{Cite web|url=https://www.uwb.edu/ias/faculty-and-staff/carrie-bodle|title=Carrie Bodle|website=School of Interdisciplinary Arts & Sciences}}</ref><ref>{{cite web |last=Bodle |first=Carrie |title=Carrie Bodle: Bridging Art, Science & Sound in Interdisciplinary Learning at UW Bothell |url=https://urldefense.com/v3/__https://www.uwb.edu/academic-affairs/news/2025/05/21/carrie-bodle-bridging-art-science-sound-in-interdisciplinary-learning-at-uw-bothell__;!!K-Hz7m0Vt54!nQ1dkMU5ZgLEPx8fFZQw60HJ5bXoleuTVJKDfKybbjwfms-xkMG0ZgZhNoS_IJrbwy9bWiWHWzXUoU-UyGwvB55lgw$ |website=Academic Affairs, University of Washington Bothell |date=May 21, 2025 |access-date=June 16, 2025}}</ref>
Bodle’s work primarily consists of immersive [[Installation art|installations]] that explore the relationships between art and science, often translating inaudible or invisible phenomena into sensory experiences.<ref>{{cite journal |last=Bodle |first=Carrie |title=Sonification/Listening Up |journal=Leonardo Music Journal |volume=16 |year=2006 |issue=Annual: Noises Off – Sound Beyond Music |pages=51–52 |publisher=MIT Press |location=Cambridge, MA |doi=10.1162/lmj.2006.16.51}}</ref> Her projects frequently incorporate data-driven elements, sound, and visualization techniques to make scientific research accessible to the public.<ref>{{cite book |last=Bodle |first=Carrie |chapter=Sonification |editor1-last=LaBelle |editor1-first=Brandon |editor2-last=Martinho |editor2-first=Cláudia |title=Site of Sound #2: Of Architecture and the Ear |publisher=Errant Bodies Press |location=Berlin |year=2011 |isbn=9780982743904}}</ref>{{Pages needed|date=June 2025}}<ref>{{cite news |last=Chiragdin |first=Neil |title=Oceans inspire awe and activism in art |newspaper=Queens Chronicle |date=December 21, 2017 |location=Queens, New York|url=https://www.qchron.com/qboro/stories/oceans-inspire-awe-and-activism-in-art/article_ecfc84cc-a3a3-52e9-a356-d3485f74c1a4.html}}</ref> Notable works include Sonification / Listening Up,<ref>{{cite news |last=Gleitzman |first=Benjamin |title=Rarified Air Makes Noise at Building 54] |newspaper=The Tech |date=September 16, 2005 |page=1}}</ref> which utilized sound as a representation of atmospheric research from MIT [[Haystack Observatory]], extending to the public what is normally invisible,<ref>{{Cite web|url=https://news.mit.edu/2005/listening-tunes-sounds-science|title=Listening Up: Tunes into sounds of science|date=September 15, 2005|website=MIT News &#124; Massachusetts Institute of Technology}}</ref><ref>{{cite journal |editor=Rossing, Thomas |title=Acoustics in the News |journal=Echoes: Acoustics Today Journal |volume=Spring 2006 |type=Quarterly |publisher=CCRMA, Department of Music, Stanford University}}</ref> and Wavelines, which used data from ecosystem models along the Washington Coast to create a multimodal experience of art through scientific research.<ref name="auto">{{Cite web|url=https://www.cocaseattle.org/digital-archive/2010-15|title=2010-2015|website=CoCA Seattle}}</ref><ref>{{cite magazine |last=Baumgarten |first=Mark |title=CoCA Settles in the Design Center |magazine=City Arts Magazine |date=June 2012 |url=https://urldefense.com/v3/__https://www.cityartsmagazine.com/co-ca-settles-in-the-design-center/__;!!K-Hz7m0Vt54!nQ1dkMU5ZgLEPx8fFZQw60HJ5bXoleuTVJKDfKybbjwfms-xkMG0ZgZhNoS_IJrbwy9bWiWHWzXUoU-UyGzsHXZNGw$ |access-date=June 16, 2025}} {{Dead link|date=June 2025}}</ref> She is a Teaching Professor at the [[University of Washington Bothell]]’s School of Interdisciplinary Arts and Sciences.<ref>{{Cite web|url=https://www.uwb.edu/ias/faculty-and-staff/carrie-bodle|title=Carrie Bodle|website=School of Interdisciplinary Arts & Sciences}}</ref><ref>{{cite web |last=Bodle |first=Carrie |title=Carrie Bodle: Bridging Art, Science & Sound in Interdisciplinary Learning at UW Bothell |url=https://urldefense.com/v3/__https://www.uwb.edu/academic-affairs/news/2025/05/21/carrie-bodle-bridging-art-science-sound-in-interdisciplinary-learning-at-uw-bothell__;!!K-Hz7m0Vt54!nQ1dkMU5ZgLEPx8fFZQw60HJ5bXoleuTVJKDfKybbjwfms-xkMG0ZgZhNoS_IJrbwy9bWiWHWzXUoU-UyGwvB55lgw$ |website=Academic Affairs, University of Washington Bothell |date=May 21, 2025 |access-date=June 16, 2025}}</ref>


== Exhibitions and residencies ==
== Exhibitions and residencies ==
Bodle's art installations are the product of long-term collaborations with scientists. Starting with Sonification/Listening Up in 2005 her work explores the reuse of scientific data,<ref>{{Cite web|url=https://econtact.ca/21_2/coovisirois-etal_sonification_fr.html|title=CEC — eContact! 21.2 — La réutilisation de données dans les pratiques artistiques de sonification par Simon Coovi-Sirois, Guillaume Boutard et Nicolas Bernier|first1=par Simon|last1=Coovi-Sirois|first2=Guillaume Boutard et Nicolas|last2=Bernier|website=CEC &#124; Communauté électroacoustique canadienne}}</ref> to connect scientific practice with public exhibition.<ref>Libby, B. (2006, Oct 13). Nature and art intertwine at park: [sunrise edition]. ''The Oregonian'' </ref> She has exhibited widely at venues including Location One Gallery<ref>{{Cite web |last=ArtFacts |title=Location One {{!}} Institution |url=https://artfacts.net/institution/location-one/10884 |access-date=2025-03-20 |website=ArtFacts |language=en}}</ref>{{Failed verification|date=June 2025}} in NYC,<ref>{{Cite web|url=https://www.carriebodle.com/oscillationsii|title=Oscillations II (2004)|website=Carrie Bodle}}</ref> [[DeCordova Sculpture Park and Museum|DeCordova Museum]] in Lincoln, MA,<ref>{{Cite news |date=2005-04-28 |title=Art listings |url=https://www.newspapers.com/article/the-boston-globe-art-listings/173853592/ |access-date=2025-06-05 |work=[[The Boston Globe]] |pages=127 |via=[[Newspapers.com]]}}</ref><ref>{{cite web | url=https://bigredandshiny.org/9908/cyber-offerings-the-decordova/ | title=Cyber Offerings @ the Decordova | work=Big Red & Shiny | date=16 May 2005 }}</ref> [[Grunwald Gallery of Art|Grunwald Gallery]] at Indiana University,<ref>{{Cite web|url=https://www.e-flux.com/announcements/109821/waveforms/|title=Waveforms - e-flux Education|website=e-flux}}</ref> and CoCA Seattle.<ref name="auto"/> She has participated in artist residencies and fellowships, including the Rockefeller Foundation [[Bellagio Center]], [[Boston Cyberarts Festival|Boston Cyberarts]]/IBM Watson Collaborative User Experience Group in Cambridge, MA,<ref>{{Cite web|url=https://news.mit.edu/2004/artsnews-0519|title=Arts News|date=May 19, 2004|website=MIT News &#124; Massachusetts Institute of Technology}}</ref> and [[911 Media Arts Center]]/[[Henry Art Gallery]] in Seattle, WA. Additionally, Bodle has been featured at the Seattle Art Book Fair (2023), with a collaboration with poet [[Amaranth Borsuk]] "Site/Archive/Cite," <ref>{{cite news |last=Upchurch|first=Michael|date=March 8, 2016|title=Shoot the Moon: Exhibit at King Street Station Imagines Art in Space|url=https://www.seattletimes.com/entertainment/visual-arts/shoot-the-moon-exhibit-at-king-street-station-imagines-art-in-space/|work=[[The Seattle Times]]|location=Seattle, Washington|publisher=Frank A. Blethen|access-date=28 June 2025}}</ref> and at [[ISEA International|ISEA]] 2023, where she presented an artist talk on "SeaCycles: Work-In-Progress",<ref>{{Cite web |title=Artworks |url=https://www.carriebodle.com/artworks#/seacycles/ |access-date=2025-03-20 |website=Carrie Bodle |language=en-US}}</ref>{{Self-published inline|date=June 2025}} an immersive [[Augmented reality|AR art]] installation exploring the interplay between art and science.<ref>{{Cite web|url=https://www.isea-archives.org/isea2023_presentation_bodle|title=[ISEA2023] Artist Talk: Carrie Bodle — SeaCycles: Work-In-Progress &#124; ISEA Symposium Archives|website=www.isea-archives.org}}</ref>
Bodle's art installations are the product of long-term collaborations with scientists. Starting with Sonification/Listening Up in 2005 her work explores the reuse of scientific data,<ref>{{Cite web|url=https://econtact.ca/21_2/coovisirois-etal_sonification_fr.html|title=CEC — eContact! 21.2 — La réutilisation de données dans les pratiques artistiques de sonification par Simon Coovi-Sirois, Guillaume Boutard et Nicolas Bernier|first1=par Simon|last1=Coovi-Sirois|first2=Guillaume Boutard et Nicolas|last2=Bernier|website=CEC &#124; Communauté électroacoustique canadienne}}</ref> to connect scientific practice with public exhibition.<ref>Libby, B. (2006, Oct 13). Nature and art intertwine at park: [sunrise edition]. ''The Oregonian''</ref> She has exhibited widely at venues including Location One Gallery<ref>{{Cite web |last=ArtFacts |title=Location One {{!}} Institution |url=https://artfacts.net/institution/location-one/10884 |access-date=2025-03-20 |website=ArtFacts |language=en}}</ref>{{Failed verification|date=June 2025}} in NYC,<ref>{{Cite web|url=https://www.carriebodle.com/oscillationsii|title=Oscillations II (2004)|website=Carrie Bodle}}</ref> [[DeCordova Sculpture Park and Museum|DeCordova Museum]] in Lincoln, MA,<ref>{{Cite news |date=2005-04-28 |title=Art listings |url=https://www.newspapers.com/article/the-boston-globe-art-listings/173853592/ |access-date=2025-06-05 |work=[[The Boston Globe]] |pages=127 |via=[[Newspapers.com]]}}</ref><ref>{{cite web | url=https://bigredandshiny.org/9908/cyber-offerings-the-decordova/ | title=Cyber Offerings @ the Decordova | work=Big Red & Shiny | date=16 May 2005 }}</ref> [[Grunwald Gallery of Art|Grunwald Gallery]] at Indiana University,<ref>{{Cite web|url=https://www.e-flux.com/announcements/109821/waveforms/|title=Waveforms - e-flux Education|website=e-flux}}</ref> and CoCA Seattle.<ref name="auto"/> She has participated in artist residencies and fellowships, including the Rockefeller Foundation [[Bellagio Center]], [[Boston Cyberarts Festival|Boston Cyberarts]]/IBM Watson Collaborative User Experience Group in Cambridge, MA,<ref>{{Cite web|url=https://news.mit.edu/2004/artsnews-0519|title=Arts News|date=May 19, 2004|website=MIT News &#124; Massachusetts Institute of Technology}}</ref> and [[911 Media Arts Center]]/[[Henry Art Gallery]] in Seattle, WA. Additionally, Bodle has been featured at the Seattle Art Book Fair (2023), with a collaboration with poet [[Amaranth Borsuk]] "Site/Archive/Cite," <ref>{{cite news |last=Upchurch|first=Michael|date=March 8, 2016|title=Shoot the Moon: Exhibit at King Street Station Imagines Art in Space|url=https://www.seattletimes.com/entertainment/visual-arts/shoot-the-moon-exhibit-at-king-street-station-imagines-art-in-space/|work=[[The Seattle Times]]|location=Seattle, Washington|publisher=Frank A. Blethen|access-date=28 June 2025}}</ref> and at [[ISEA International|ISEA]] 2023, where she presented an artist talk on "SeaCycles: Work-In-Progress",<ref>{{Cite web |title=Artworks |url=https://www.carriebodle.com/artworks#/seacycles/ |access-date=2025-03-20 |website=Carrie Bodle |language=en-US}}</ref>{{Self-published inline|date=June 2025}} an immersive [[Augmented reality|AR art]] installation exploring the interplay between art and science.<ref>{{Cite web|url=https://www.isea-archives.org/isea2023_presentation_bodle|title=[ISEA2023] Artist Talk: Carrie Bodle — SeaCycles: Work-In-Progress &#124; ISEA Symposium Archives|website=www.isea-archives.org}}</ref>


== Public art and collections ==
== Public art and collections ==
Bodle’s work is included on the Sound Art Transit (WA), Oregon State (RACC), Washington State, City of Cambridge, and City of Seattle (WA) public art rosters and is part of the City of Seattle Public Utilities and City of Portland Portable Works Public Art Collections.<ref>Farr, S. (2006, Sep 22). New works lab experiments mix old media and new ; exhibit preview: [fourth edition]. ''Seattle Times''</ref><ref>{{Cite web|url=https://publicartarchive.org/artist/Carrie+Bodle|title=Carrie+Bodle - Public Art|website=publicartarchive.org}}</ref><ref>{{Cite web |title=Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle |url=https://raccpublicart.org/present/5e54043bbd14ee137bc461f7/portland/story/61008f828b058800174a91a7 |access-date=2025-03-20 |website=Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle |language=en}}</ref>{{Dead link|date=June 2025}}
Bodle’s work is included on the Sound Art Transit (WA), Oregon State (RACC), Washington State, City of Cambridge, and City of Seattle (WA) public art rosters and is part of the City of Seattle Public Utilities and City of Portland Portable Works Public Art Collections.<ref>Farr, S. (2006, Sep 22). New works lab experiments mix old media and new ; exhibit preview: [fourth edition]. ''Seattle Times''</ref><ref>{{Cite web|url=https://publicartarchive.org/artist/Carrie+Bodle|title=Carrie+Bodle - Public Art|website=publicartarchive.org}}</ref><ref>{{Cite web |title=Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle |url=https://raccpublicart.org/present/5e54043bbd14ee137bc461f7/portland/story/61008f828b058800174a91a7 |access-date=2025-03-20 |website=Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle |language=en}} {{Dead link|date=June 2025}}</ref>


== References ==
== References ==
Line 34: Line 34:
* [http://www.carriebodle.com Official Website]
* [http://www.carriebodle.com Official Website]


{{DEFAULTSORT:Bodle, Carrie}}
[[Category:Female artists]]
[[Category:Female artists]]
[[Category:American women artists]]
[[Category:American women artists]]
Line 40: Line 41:
[[Category:American art educators]]
[[Category:American art educators]]
[[Category:American contemporary artists]]
[[Category:American contemporary artists]]
{{DEFAULTSORT:Bodle, Carrie}}
[[Category:1979 births]]
[[Category:1979 births]]
[[Category:Living people]]
[[Category:Living people]]

Latest revision as of 16:11, 28 June 2025

Carrie Bodle
Born1979
London, Ohio
NationalityAmerican
EducationMSVS, Massachusetts Institute of Technology BFA Art and Technology, The Ohio State University
Known forSound Art, Installation Art, Video Art, AR Art
Notable workSonification/Listening Up Wavelines Boltworks Oscillations
Websitehttps://www.carriebodle.com

Carrie Bodle (born 1979, London, Ohio) is an American visual and sound artist and educator based in Seattle, Washington.

Early life and education

[edit]

Bodle earned her BFA in Art and Technology from The Ohio State University[1] in 2002 and later obtained her Master of Science in Visual Studies (MSVS) from the Massachusetts Institute of Technology (MIT) in 2005. At MIT, she was part of the Visual Arts Program, now known as Art, Culture, and Technology (ACT).[2][3][4]

Work and artistic practice

[edit]

Bodle’s work primarily consists of immersive installations that explore the relationships between art and science, often translating inaudible or invisible phenomena into sensory experiences.[5] Her projects frequently incorporate data-driven elements, sound, and visualization techniques to make scientific research accessible to the public.[6][pages needed][7] Notable works include Sonification / Listening Up,[8] which utilized sound as a representation of atmospheric research from MIT Haystack Observatory, extending to the public what is normally invisible,[9][10] and Wavelines, which used data from ecosystem models along the Washington Coast to create a multimodal experience of art through scientific research.[11][12] She is a Teaching Professor at the University of Washington Bothell’s School of Interdisciplinary Arts and Sciences.[13][14]

Exhibitions and residencies

[edit]

Bodle's art installations are the product of long-term collaborations with scientists. Starting with Sonification/Listening Up in 2005 her work explores the reuse of scientific data,[15] to connect scientific practice with public exhibition.[16] She has exhibited widely at venues including Location One Gallery[17][failed verification] in NYC,[18] DeCordova Museum in Lincoln, MA,[19][20] Grunwald Gallery at Indiana University,[21] and CoCA Seattle.[11] She has participated in artist residencies and fellowships, including the Rockefeller Foundation Bellagio Center, Boston Cyberarts/IBM Watson Collaborative User Experience Group in Cambridge, MA,[22] and 911 Media Arts Center/Henry Art Gallery in Seattle, WA. Additionally, Bodle has been featured at the Seattle Art Book Fair (2023), with a collaboration with poet Amaranth Borsuk "Site/Archive/Cite," [23] and at ISEA 2023, where she presented an artist talk on "SeaCycles: Work-In-Progress",[24][self-published source?] an immersive AR art installation exploring the interplay between art and science.[25]

Public art and collections

[edit]

Bodle’s work is included on the Sound Art Transit (WA), Oregon State (RACC), Washington State, City of Cambridge, and City of Seattle (WA) public art rosters and is part of the City of Seattle Public Utilities and City of Portland Portable Works Public Art Collections.[26][27][28]

References

[edit]
  1. ^ "Alumni BFA | Art and Technology". u.osu.edu.
  2. ^ "Carrie Bodle – Art, Culture, and Technology (ACT)".
  3. ^ "Engaged: 20 Years of the MIT Visual Arts Program". Aspect: Chronicle of New Media Art. Boston, MA: Aspect Magazine. 2010.
  4. ^ "Sonic Artist Fuses Art and Technology". Open Door. MIT School of Architecture and Planning, MIT Alumni Association. July 2006.
  5. ^ Bodle, Carrie (2006). "Sonification/Listening Up". Leonardo Music Journal. 16 (Annual: Noises Off – Sound Beyond Music). Cambridge, MA: MIT Press: 51–52. doi:10.1162/lmj.2006.16.51.
  6. ^ Bodle, Carrie (2011). "Sonification". In LaBelle, Brandon; Martinho, Cláudia (eds.). Site of Sound #2: Of Architecture and the Ear. Berlin: Errant Bodies Press. ISBN 9780982743904.
  7. ^ Chiragdin, Neil (December 21, 2017). "Oceans inspire awe and activism in art". Queens Chronicle. Queens, New York.
  8. ^ Gleitzman, Benjamin (September 16, 2005). "Rarified Air Makes Noise at Building 54]". The Tech. p. 1.
  9. ^ "Listening Up: Tunes into sounds of science". MIT News | Massachusetts Institute of Technology. September 15, 2005.
  10. ^ Rossing, Thomas (ed.). "Acoustics in the News". Echoes: Acoustics Today Journal (Quarterly). Spring 2006. CCRMA, Department of Music, Stanford University.
  11. ^ a b "2010-2015". CoCA Seattle.
  12. ^ Baumgarten, Mark (June 2012). "CoCA Settles in the Design Center". City Arts Magazine. Retrieved June 16, 2025. [dead link]
  13. ^ "Carrie Bodle". School of Interdisciplinary Arts & Sciences.
  14. ^ Bodle, Carrie (May 21, 2025). "Carrie Bodle: Bridging Art, Science & Sound in Interdisciplinary Learning at UW Bothell". Academic Affairs, University of Washington Bothell. Retrieved June 16, 2025.
  15. ^ Coovi-Sirois, par Simon; Bernier, Guillaume Boutard et Nicolas. "CEC — eContact! 21.2 — La réutilisation de données dans les pratiques artistiques de sonification par Simon Coovi-Sirois, Guillaume Boutard et Nicolas Bernier". CEC | Communauté électroacoustique canadienne.
  16. ^ Libby, B. (2006, Oct 13). Nature and art intertwine at park: [sunrise edition]. The Oregonian
  17. ^ ArtFacts. "Location One | Institution". ArtFacts. Retrieved 2025-03-20.
  18. ^ "Oscillations II (2004)". Carrie Bodle.
  19. ^ "Art listings". The Boston Globe. 2005-04-28. p. 127. Retrieved 2025-06-05 – via Newspapers.com.
  20. ^ "Cyber Offerings @ the Decordova". Big Red & Shiny. 16 May 2005.
  21. ^ "Waveforms - e-flux Education". e-flux.
  22. ^ "Arts News". MIT News | Massachusetts Institute of Technology. May 19, 2004.
  23. ^ Upchurch, Michael (March 8, 2016). "Shoot the Moon: Exhibit at King Street Station Imagines Art in Space". The Seattle Times. Seattle, Washington: Frank A. Blethen. Retrieved 28 June 2025.
  24. ^ "Artworks". Carrie Bodle. Retrieved 2025-03-20.
  25. ^ "[ISEA2023] Artist Talk: Carrie Bodle — SeaCycles: Work-In-Progress | ISEA Symposium Archives". www.isea-archives.org.
  26. ^ Farr, S. (2006, Sep 22). New works lab experiments mix old media and new ; exhibit preview: [fourth edition]. Seattle Times
  27. ^ "Carrie+Bodle - Public Art". publicartarchive.org.
  28. ^ "Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle". Northeast Pacific Ocean Hovmoller Plots 2002–2010 - Carrie Bodle. Retrieved 2025-03-20. [dead link]
[edit]