Jump to content

Goldfrapp

From Wikipedia, the free encyclopedia
This is an old revision of this page, as edited by Underneath-it-All (talk | contribs) at 01:08, 27 September 2007 (→Supernature (2005-2006): fixed sentence). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Goldfrapp

Goldfrapp is a British electronica group known for their visual theatrics and contribution to the popularization of electronic dance music.[1] The group was formed in 1999 in London, England and consists of Alison Goldfrapp (vocals/synthesizer) and Will Gregory (synthesizer).

Despite positive reviews, the ambient sound of their 2000 debut album Felt Mountain was a commercial failure. In 2001, the album was shortlisted for the Mercury Prize.[2] Goldfrapp's second album Black Cherry, which incorporated glam rock and synthpop into their music, was released in 2003. The album experienced success across nightclubs in North America and influenced the dance-oriented sound of their third album Supernature.[3] Supernature took Goldfrapp's work further into glam rock and dance music, and enjoyed international chart success.[4] The album produced three number one U.S. dance singles, and was nominated for "Best Electronic/Dance Album" at the 49th Grammy Awards.[5]

History

Formation (1999)

Alison Goldfrapp began her musical career in the early 1990s as a guest vocalist for the electronic group Orbital and trip hop artist Tricky.[6] In 1999, she was introduced to composer Will Gregory after he had listened to an early version of the song "Human". Gregory felt a connection with Goldfrapp and invited her to record a demo for the film soundtrack he was composing, to see if they could work together.[7] The demo was never completed, but the recording session had been pleasant. Following several months of long distance phone calls, they decided to form a musical group, performing under Goldfrapp's last name.[7]

In August 1999, Goldfrapp signed a recording contract with London-based record label Mute Records.[8] The pair began recording their debut album over a six-month period, beginning in September 1999, in a rented bungalow in the Wiltshire countryside.[8] The recording process was difficult for Alison, who often found herself alone and disturbed by the mice and insects in the bungalow.[8]

Felt Mountain (2000-2002)

Goldfrapp's debut album Felt Mountain was released in September 2000 and featured the singles "Lovely Head" and "Pilots (On a Star)". The album featured Alison Goldfrapp's synthesized vocals over cinematic soundscapes[9] and is influenced by a variety of music styles including cabaret, folk, and electronica.[10] The album was well received by music critics, described as "simultaneously smarmy and seductive, yet elegant and graceful".[11] It reached number fifty-seven on the UK albums chart,[4] and was certified gold.[12] In 2001, Felt Mountain was shortlisted for the Mercury Prize, an annual music prize awarded for the best British or Irish album from the previous year.[2]

The lyrics on Felt Mountain, written by Alison Goldfrapp, are abstract obsessional tales that were inspired by films, her childhood and the loneliness that she felt while recording the album.[8] The song "Oompa Radar" was inspired by Roman Polanski's film Cul-de-Sac, while "Pilots", which describes travelers floating in the atmosphere above the earth, was inspired by John Barry's James Bond theme songs.[6]

To promote Felt Mountain, Goldfrapp embarked on a tour of the UK, Europe and North America, supporting alternative music groups Nick Cave and the Bad Seeds and The Doves. The group found it difficult to perform songs from the album live because of their complex arrangements which required up to forty musicians. They eventually settled on performing with violinist Davide Rossi, drummer Rowan Oliver and keyboardist Andy Davies. However, Gregory was unhappy with this arrangement, wanting to remain as close to the sound of the album as possible.[13]

Black Cherry (2003-2004)

Alison Goldfrapp wearing a horse tail while performing in October 2003.

Goldfrapp's second album Black Cherry was released in April 2003. The group recorded the album in a darkened studio in Bath, England. The studio's walls were covered in neon lights and Alison Goldfrapp used them to write down song ideas.[14] The album focused more heavily on dance music and glam rock inspired synths than its predecessor.[15] Alison Goldfrapp commented that the album differed from Felt Mountain because the group "felt that we really didn't want to repeat what we had done...we kind of wanted to do something that felt equally as fresh to us as the first one felt fresh to us, and we wanted to put more kind of "oomph" in it."[16] The album received positive reviews from critics, who found it to be an "unexpected delight"[17] and a "rare electronica album of warmth and depth...the ultimate chillout pleasure".[18] Black Cherry peaked at number nineteen on the UK albums chart and number four on the Billboard Top Electronic Albums chart in the United States.[4] It sold well, reaching platinum status in the UK[19] and selling 52,000 copies in the U.S.[20]

The first single released from the album was "Train", which reached number twenty-three on the UK singles chart.[4] The song's lyrics discuss obsession and overindulgence and were inspired by Goldfrapp's visit to Los Angeles while touring in support of Felt Mountain.[16] "Strict Machine" was released as the album's second single. The song proved successful on several formats, and reached number one on the U.S. Hot Dance Club Play chart.[21] In 2004, "Strict Machine" won an Ivor Novello Award for "Best Dance Single".[22] The third single released from Black Cherry was "Twist", a song inspired by a sexual fantasy Goldfrapp had as a teenager.[16] The title track was released as the album's fourth single and reached number twenty-eight in the UK.[4]

In 2003, Alison Goldfrapp modified her image, from a sophisticated Marlene Dietrich inspired look to that of a New Wave diva.[23] The reinvented image included false eyelashes, customized T-shirts, military uniforms and fishnet stockings.[24] In 2004, the group toured Australia, Japan, Europe and North America supporting Duran Duran,[25] and embarked on the Wonderful Electric Tour. Sections of the stage show featured Goldfrapp in a white dress wearing a horse tail and dancers with deer heads, and were inspired by Goldfrapp's interest in animals and mythology.[26]

Supernature (2005-2006)

Template:Sound sample box align left Template:Multi-listen start Template:Multi-listen item Template:Multi-listen item Template:Multi-listen end Template:Sample box end Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic-dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The group never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK albums chart, selling 52,000 copies in its first week.[27] It has sold one million copies worldwide[28] and was certified platinum in the UK.[29] The album received a Grammy Award nomination in 2007 for "Best Electronic/Dance Album" and "Ooh La La" was nominated for "Best Dance Recording".[5]

"Ooh La La", the album's lead single, became Goldfrapp's first UK top five single.[4] The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album".[30] "Ooh La La" became the first song performed by the group to feature the electric guitar[3] and was often cited as a highlight of the album by music critics.[31] "Number 1" was released as the album's second single. Constructed around a synthesizer and bass arrangement, it was written about the importance of relationships.[32] The album's third single "Ride a White Horse" was inspired by the disco era[33] and reached number fifteen in the UK.[4] '"Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.

We Are Glitter (2006-Present)

File:Goldfrapp, June 26, 2006.jpg
Goldfrapp performing live in 2006.

In 2006, Goldfrapp released We Are Glitter, a compilation of remixes from Supernature. It included a remix of "Satin Chic" (originally by The Flaming Lips), the group's favourite song from the album.[34] The remix, along with a cover of The Ordinary Boys song "Boys Will Be Boys", was released as a limited edition single in September 2006.[35]

Goldfrapp began writing and recording their fourth album at the end of 2006 in Bath, England. Goldfrapp has described their winter recording sessions as difficult, however, spring recording sessions brought them more favorable results.[36] The album is scheduled to be released at the end of 2007.[36]

Musical style

Although Goldfrapp's musical style has changed over time, they are considered to be an electronic music group. Goldfrapp has explored a range of musical styles in their songs, although many songs are characterized by Alison Goldfrapp's distinctive breathy, soft vocals and Will Gregory's multi-layered synthesizer and string arrangements.[1] The group's sound has progressed from an ambient sound in Felt Mountain, through electronica in "Black Cherry" to most recently a more glam rock sound in Supernature. However, they have experimented with other genres of music, such as cabaret ("Satin Chic"), electroclash ("Slide In", "Koko"), and bossa nova ("Human").

Influences

Goldfrapp draws inspiration from a range of artists and genres. Alison Goldfrapp listened to T.Rex and Iggy Pop as a teenager and discovered Serge Gainsbourg while working in Belgium.[37] While traveling through Europe in the early 1990s, she also began listening to Polish disco music and cabaret music from the Weimar Republic.[37] Will Gregory's musical background was classical music and has cited Ennio Morricone as his main influence.[7] Other media, including film, have had an impact on Goldfrapp; Alison Goldfrapp cites Roman Polanski's psychological thriller Cul-de-Sac and the James Bond franchise as influences.[6] She also draws inspiration from surrealism and nature, all of which appear in the group's album artwork, which Goldfrapp designs.[8]

Songwriting

The majority of group's songs are composed by Goldfrapp and Gregory, although they have collaborated with session musician Nick Batt several times. They have called their writing sessions a "democratic affair", playing off one another while in the recording studio.[3] Gregory contributes most of the music, while Goldfrapp writes the lyrics. While writing, Goldfrapp uses her vocals to create melodies and drumbeats.[38] Gregory composes his music on vintage keyboards, interpreting the mood of Goldfrapp's lyrics.[38] Alison Goldfrapp believes that "music is a visual experience" and therefore visualizes her lyrics before writing them. Her songwriting is characterized by its use of animals to describe human emotions and status.[3]

Discography

For a complete list of releases, see Goldfrapp discography.

Studio albums

Selected singles

Year Single Peak positions Album
UK[4] U.S. D/CP[21] U.S. DSS[39]
2003 "Train" 23 — — Black Cherry
2004 "Twist" 31 — 18
"Black Cherry" 28 — 15
"Strict Machine" 20 1 3
2005 "Ooh La La" 4 1 — Supernature
"Number 1" 9 1 1
2006 "Ride a White Horse" 15 30 5
"Fly Me Away" 26 6 —

Notes

  1. ^ a b Goldfrapp Biography. Mute.com. Retrieved June 12, 2007.
  2. ^ a b The Mercury Music Prize. Everyhit.com. Retrieved June 12, 2007.
  3. ^ a b c d Kory Grow. "British electro-duo Goldfrapp evens out the odds with their latest, Supernature". College Music Journal. Retrieved June 12, 2007.
  4. ^ a b c d e f g h World Chart Data. mariah-charts.com. Retrieved June 12, 2007.
  5. ^ a b 2007 Grammy Award Nominations. Grammy Awards. Retrieved June 12, 2007.
  6. ^ a b c Ken Micallef. "Whips, Wolves, & Tricky". Yahoo!. December 17, 2000. Retrieved June 14, 2007.
  7. ^ a b c Sean Flinn. "Scaling Felt Mountain". Choler Magazine. January 25, 2002. Retrieved June 14, 2007.
  8. ^ a b c d e Dave Simpson. "The Friday Interview". The Guardian. May 4, 2001. Retrieved June 14, 2007.
  9. ^ "Once Upon a Time on Felt Mountain". Mute Records. Retrieved June 14, 2007.
  10. ^ Heather Phares. Felt Mountain album review. All Music Guide. Retrieved June 14, 2007.
  11. ^ Matt LeMay. Felt Mountain album review. Pitchfork Media. Retrieved June 14, 2007.
  12. ^ Felt Mountain Certified Awards. The BPI. Retrieved June 14, 2007.
  13. ^ A. Sargeant. "Felt Mountain". Crud Magazine. September 2001. Retrieved June 15, 2007.
  14. ^ "New Album Black Cherry". Mute Records. Retrieved June 15, 2007.
  15. ^ Andy Hermann. Review of Black Cherry. PopMatters. May 2, 2003. Retrieved June 15, 2007.
  16. ^ a b c "Beats & Lust". New Beats. April 2003. Retrieved June 15, 2007.
  17. ^ Alexis Petridis. Review of Black Cherry. The Guardian. April 18, 2003. Retrieved June 15, 2007.
  18. ^ Wes May. Review of Black Cherry. About.com. Retrieved June 15, 2007.
  19. ^ Black Cherry Certified Awards. The BPI. Retrieved June 14, 2007.
  20. ^ Keith Caulfield. Ask Billboard. Billboard.com. August 3, 2006. Retrieved June 14, 2007.
  21. ^ a b U.S. Billboard Chart History. Billboard.com. Retrieved June 14, 2007.
  22. ^ Lawrence Poole. "Move Day 3: Goldfrapp Interview". Manchester Evening News. July 8, 2004. Retrieved June 14, 2007.
  23. ^ Wilson Neate. "Girls Gone Wild". Dusted Magazine. Retrieved June 14, 2007.
  24. ^ Sharon O'Connell. "Strange Fruit". TimeOut London. May 16, 2003. Retrieved June 14, 2007.
  25. ^ Robert Sandall. "Cover Story: The Old Romantics". The Independent. September 17, 2001. Retrieved June 14, 2007.
  26. ^ "Interview with Alison Goldfrapp". BBC. June 29, 2004. Retrieved June 14, 2007.
  27. ^ "Week 34 Chart Roundup". chartsingles.net. August 30, 2005. Retrieved June 14, 2007.
  28. ^ Goldfrapp Radio. goldfrapp.com. Retrieved May 29, 2007.
  29. ^ Certified Awards for Supernature. The BPI. January 13, 2006. Retrieved June 14, 2007.
  30. ^ Kate van den Boogert. "ITV Goldfrapp: Ooh La La". GoGo Paris. July-August 2005. Retrieved May 30, 2007.
  31. ^ Heather Phares. Album Review of Supernature. All Music Guide. March 7, 2006. Retrieved June 14, 2007.
  32. ^ "Goldfrapp Unleash Supernature". Rolling Stone. March 7, 2006. Retrieved May 31, 2007.
  33. ^ Arjan Timmermans. "Interview with Goldfrapp". Arjan Writes. December 9, 2005. Retrieved June 13, 2007.
  34. ^ Supernature. North American DVD — "Little bits of Goldfrapp". Information about the recording of "Supernature". Accessed March 27, 2006.
  35. ^ Goldfrapp "Satin Boys, Flaming Chic" Single. discogs.com. Retrieved June 14, 2007.
  36. ^ a b Alison Goldfrapp and Will Gregory. "Hello My Deers". goldfrapp.com. July 11, 2007. Retrieved July 12, 2007.
  37. ^ a b Sylvia Patterson. "Glam Slam". The Sunday Herald. September 4, 2005. Retrieved June 15, 2007.
  38. ^ a b Michael Gallant. "Retro Disco Ooh La La". Keyboard Magazine. February 2006. Retrieved June 24, 2007.
  39. ^ Charts & Awards. All Music Guide. Retrieved June 12, 2007.
Wikimedia Commons has media related to Goldfrapp.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Goldfrapp&oldid=160598569"