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Tilang

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Tilang
ThaatKhamaj[1]
TypeAudava-Audava[1]
Time of day2nd Prahar of the night[1]
ArohanaS G M P N [1]
AvarohanaS  P M G S[1]
VadiG[1]
SamavadiN[1]
SimilarJog

Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.[2][1][3]

Scale

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This raga has a lowered seventh, (Hindi: कोमल नी, romanizedkomala nī) in the descending scale.[2][1]

Its defining characteristics are: P  N   P, P  N  P  P. Some performers add a Re to create the following pattern:   N  P  P.

Vādī and Samvādī

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In Carnatic music

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This raga originated in Hindustani classical music and has been taken into Carnatic music.[4] It is derived from the 28th Melakarta (parent scale) Harikambhoji.[4] It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.[5]

Compositions

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Film songs

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Language : Hindi

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Song Film Composer Singer(s)
Gori Gori Gaon Ki Gori Re Yeh Gulistan Hamara S. D. Burman Lata Mangeshkar & Kishore Kumar
Kaise Kahen Ham Sharmeelee S. D. Burman Kishore Kumar
Meri Kahani Bhulnevale Tera Jahan Abad Rahe Deedar Naushad Mohammad Rafi
Yahi Arman Lekar Aaj Apne Ghar Se Ham Nukale Shabaab Naushad Mohammad Rafi
Sajna Sang Kahe Neha Lagae Main Nashe Mein Hoon Shankar–Jaikishan Lata Mangeshkar
Lagan Tose Lagi Balma Dekh Kabira Roya Madan Mohan (composer) Lata Mangeshkar
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo Raagini O. P. Nayyar Asha Bhosle
Mein Apne Aap Se Ghabra Gaya Hoon Bindya Iqbal Qureshi Mohammad Rafi
Chota Sa Baalama Ankhiyan Neend Udaye Le Gayo Mehboob Ki Mehndi Laxmikant–Pyarelal Lata Mangeshkar & Mohammad Rafi

Tamil

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Song Film Composer Singer(s)
Yadhu Nandhana Gopala Meera S. V. Venkatraman M. S. Subbulakshmi
Shyamala, Shyamala En Jeevapriye Shyamala G. Ramanathan M. K. Thyagaraja Bhagavathar
Indru Poi Naalai Vaaraai Sampoorna Ramayanam K. V. Mahadevan C. S. Jayaraman
Azhagan Muruganidam Asai Vaithen Panchavarna Kili Viswanathan–Ramamoorthy P. Susheela
Naalaam Naalaam Kadhalikka Neramillai P. B. Sreenivas, P. Susheela
Naan Oru Kuzhandhai Padagotti T. M. Soundararajan
Palooti Valarthakili Gauravam M. S. Viswanathan
Penpaartha Maapilaiku Kaaviya Thalaivi P. Susheela
Idhu Unthan Veettu Kilithaan Shankar Salim Simon Vani Jairam
Thendraladhu Unnidathil Andha 7 Naatkal P. Jayachandran, S. Janaki
Nalladhor Veenai Seidhe Varumayin Niram Sivappu S. P. Balasubrahmanyam
Abhinaya Sundari Aadugiraal Miruthanga Chakravarthi Sirkazhi G. Sivachidambaram, Vani Jairam
Kothamalli Poove Kallukkul Eeram Illayaraja Malaysia Vasudevan, S. Janaki
Chithirai Sevvanam Kaatrinile Varum Geetham P. Jayachandran
Intha Vennila December Pookal K.S. Chitra
Nal Anbedhan Kai Veesamma Kai Veesu
Manadhil Urudhi Vendum Sindhu Bhairavi K. J. Yesudas
Pavalamani Thermele Neram Nalla Neram Malaysia Vasudevan, P. Susheela
Innum Ennai Enna Singaravelan S. P. Balasubrahmanyam, S. Janaki
Maadethile Kanni(with traces of Brindavani Sarang) Veera S. P. Balasubrahmanyam, Swarnalatha
Namma Manasu Pola Themmangu Paattukaaran Mano, K.S. Chitra
Kattula Thalai Solla Marandha Kadhai Vidhu Prathaban
Thee Thee

(with traces of Bahudari ragam)

Thiruda Thiruda A. R. Rahman Caroline, Noel James &A. R. Rahman
Vasantha Kaalangal Rail Payanangalil T. Rajendar P. Jayachandran
Azhagu Mayil Thogai Virithaduthu Pudhu Padagan S. Thanu S. P. Balasubrahmanyam
Saravana Bhava Kaathala Kaathala Karthik Raja Karthik Raja, Kamal Haasan, Sujatha
Thinnadhey Parthen Rasithen Bharadwaj Shankar Mahadevan, Anuradha Sriram
En Anbe Satyam Harris Jayaraj Sadhana Sargam
Thiru Thiru Ganatha 100% Kadhal G. V. Prakash Kumar Harini

Language : Telugu

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Song Film Composer(s) Singer(s)
Neela Kandhara Bhookailas R. Sudarsanam & R. Govardhanam Ghantasala
Jaya Jaya Jaya Sharada Jaya Kalabhi Sharada Mahakavi Kalidasu Pendyala P. Susheela
Naa Chandamama Pandava Vanavasam Ghantasala Ghantasala & P. Susheela
Niluvumaa Niluvumaa Amarasilpi Jakkanna S. Rajeswara Rao Ghantasala & P. Susheela
Manasaa, Kavvinchake Pandanti Kapuram S. P. Kodandapani P. Susheela
Jaamu Gadichenu Jabili Vodigenu Mogudu-Pellalu (1985) Ramesh Naidu S. P. Balasubrahmanyam & P. Susheela
Naalo Ninne Choodanaa Vichitra Vivaham (1973) Satyam P. Bhanumathi
Naa Sneham Pandi Premai Nindina Cheliya Ravela Babu K. Chakravarthy S. P. Balasubrahmanyam

Scale similarities

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  • Gambhiranata raga is a symmetrical Carnatic raga with N3 (Kakali Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kaisiki Niṣāda (N2) in descending scale.
  • Savitri raga is a symmetrical Carnatic raga with N2 (Kaisiki Niṣāda) in both ascending and descending scales,[2] while Tilang uses Kakali Niṣāda (N3) in ascending scale.

Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.[2]

Notes

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  1. ^ Alternate notations:
    • Hindustani: S G M P N 
    • Western: C E F G B C
  2. ^ Alternate notations:
    • Hindustani:   P G S
    • Western: C B G F E C

References

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  1. ^ a b c d e f g h i j k l m "Raag Tilang – Indian Classical Music – Tanarang.com". www.tanarang.com. 8 January 2024.
  2. ^ a b c d e f g Rao, B.Subba (1996). Raganidhi: A Comparative Study Of Hindustani And Karnatak Ragas. Volume Four (Q to Z). Madras: The Music Academy. pp. 181–182.
  3. ^ Singha, H.S. (2000). The Encyclopedia of Sikhism (over 1000 Entries). Hemkunt Publishers. p. 10. ISBN 978-81-7010-301-1. Retrieved 26 May 2021.
  4. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  5. ^ Katz, J. (1992). The Traditional Indian Theory and Practice of Music and Dance. Panels of the VIIth World Sanskrit Conference / World Sanskrit Conference 7, 1987, Leiden: Panels of the VIIth World Sanskrit Conference. E.J. Brill. p. 19. ISBN 978-90-04-09715-5. Retrieved 27 May 2021.