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Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Vincent van Gogh painting The Church at Auvers from 1890 gray church against blue sky
The Church at Auvers, an oil painting by Vincent van Gogh (1890)

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art are also included.

Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.

The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)

Selected article

Matinée de Septembre (English: September Morn) is a oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas. Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun. She is leaning slightly forward in an ambiguous posture, which has been read variously as a straightforward portrayal of protecting her modesty, huddling against the cold, or sponge bathing. It has also been considered a disingenuous pose permitting the "fetishisation of innocence".

September Morn was first exhibited at the Paris Salon of 1912, and although the identity of its first owner is unclear, it is certain that Leon Mantashev [ru] acquired the painting by the end of 1913. It was taken to Russia, and in the aftermath of the October Revolution of 1917 was feared lost. It resurfaced in 1935 in the collection of Calouste Gulbenkian, and after his death in 1955 was sold to a Philadelphia broker, who donated it anonymously to the Metropolitan Museum of Art (the Met) in 1957. As of 2014 it is not on display. (Full article...)

List of selected articles

Selected picture

View of Mt. Fuji from Numazu by Hokusai
View of Mt. Fuji from Numazu by Hokusai
View of Mt. Fuji from Numazu by Hokusai
Credit: Petrusbarbygere
Ukiyo-e, "pictures of the floating world", is a genre of Japanese woodblock prints (or woodcuts) and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, the theatre and pleasure quarters. It is illustrated here by Hokusai's Red Fuji from his Thirty-six Views of Mt. Fuji series.

Selected quote


When I've painted a woman's behind so that I want to touch it, then it's finished!
Pierre-Auguste Renoir, Vollard, Ambroise (1925). Renoir: an initimate record. Translated by Van Dooren, Harold L.; Weaver, Randolph T. New York: Alfred A. Knopf. p. 57. OCLC 631984646.


Selected biography

Koppelman in 1981
(photo by Robert Bianchi)

Chaim Koppelman (November 17, 1920 – December 6, 2009) was an American artist, art educator, and Aesthetic Realism consultant. Best known as a printmaker, he also produced sculpture, paintings, and drawings. A member of the National Academy of Design since 1978, he was president of the Society of American Graphic Artists (SAGA), which presented him with a Lifetime Achievement Award in 2004. He established the Printmaking Department of the School of Visual Arts in 1959, and taught there until 2007.

Koppelman was an early student of Aesthetic Realism, the philosophy founded in 1941 by Eli Siegel, which is based on the principle, "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves". This principle informed Koppelman's art, teaching, and his work as an Aesthetic Realism consultant. About the importance of this principle to art and life, Koppelman stated, "When Eli Siegel showed that what makes a work of art beautiful – the oneness of opposites – is the same as what every individual wants, it was one of the mightiest and kindest achievements of man's mind". (Full article...)

List of selected biographies
  • ... that the author of Sugar Dog Life ended up buying and raising a cactus after drawing one in the manga?
  • ... that an Arkansas TV station apologized for not being on the air by sending local media a drawing of ducks?
  • ... that in May 1983 British public health physician Spence Galbraith suggested withdrawing blood products made from blood donated in the U.S. after 1978?
  • ... that the catalogue for Tanzania. Masterworks of African Sculpture highlighted traditional artworks such as a Sukuma mask?
  • ... that Io Kaziwara developed tendonitis while drawing the first volume of the manga series Reincarnated into Demon King Evelogia's World?
  • ... that two books of photos and drawings by Margot Dias were called "among the best-illustrated anthropological volumes ever produced"?
  • ... that to encourage the development of Bissau-Guinean cinema, one foreign filmmaker provided the country's film institute with cameras, lights, and a Steinbeck guitar?
  • ... that the early woman explorer Adèle de Dombasle travelled to Polynesia in 1847 and worked as an illustrator, drawing people such as Queen Pōmare IV?

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