Bole Butake
Bole Botake | |
|---|---|
| Born | 28 July 1947 |
| Died | 1 October 2016 |
| Occupation | Playwright |
Bole Botake (1947-2016) was an Anglophone Cameroonian playwright, poet, and critic known for using theatre for political intervention and education.
Early life and education
[edit]Bole Butake was born in 1947 in Nkor, North West region of Cameroon[1]: 2 . He pursued his education at Sacred Heart College Mankon and later at the University of Yaoundé, where he earned a BA in Modern English Letters(1972), a Maîtrise(1973) and a Master’s degree in English Literature from the University of Leeds, England(1974). He then completed a PhD at Yaoundé in 1983, after which he taught at Yaoundé until 2012 when he retired.[1]: 2
Career
[edit]Dramatist and director
[edit]Butake established an international reputation as a dramatist with plays like Lake God, And Palm Wine Will Flow, The Survivors, Dance of the Vampires and The Rape of Michelle, all of which have political underpinnings.[1]: 2 . He was one of a generation of Anglophone authors who were deeply engaged in the politics of their time, and became a household name in Cameroon in the 1980s and 1990s.[2]: 118–119 A number of scholars have analysed his work, often focusing on their political critique and direct engagement with oppression, democracy and human rights[3][4] and the role of the nation.[5][6]
Butake was political in staging the plays of other authors as well. In 1991 he directed Bate Besong's play Beasts of No Nation, leading to the playwright being arrested for subversion.[2]: 126 He also conducted workshops across Cameroon, teaching rural communities how to use theatre for social change.[7]
Academic
[edit]Bole Butake was a professor of Performing Arts and African Literature[8]at the University of Yaoundé, where he taught for over 40 years before retiring in 2012.[9][10]
Works
[edit]- 1984: The Rape of Michelle, Yaounde, CEPER (published and performed)
- 1986: Lake God, Yaounde, BET & Co (Pub) Ltd. (published and performed).
- 1989: The Survivors, Yaounde, Editions SOPECAM (performed and published).
- 1990: And Palm-wine Will Flow, Yaounde, Editions SOPECAM (performed and published)
- 1993: Shoes and Four Men in Arms translated into German as VIER MANN IN UNIFORM UND EIN BERG SCHUHE and broadcast on Westdeutscher Rundfunk Köln. Toured Germany with The Flame Players in June 1996 (four performances).
- 1993: (with Gilbert Doho) Zintgraff and the Battle of Mankon, a semi-historical play (performed).
- 1995: Dance of the Vampires (performed; published in 1999).
- 1999: Lake God and other plays. Yaounde, Editions CLE
- 2003: Zintgraff and the Battle of Manko. Bamenda, Patron Publishing House.
- 2005: Family Saga. Yaounde, Editions CLE.
- 2005: Betrothal Without Libation. Yaounde, Editions CLE.
- 2010: Cameroon Anthology of Poetry. Yaounde, Africana Publications.
References
[edit]- ^ a b c Ngwang, Emmanuel (2016). Art and Political Thought in Bole Butake. Kenneth Usongo. Lanham, MD: Lexington Books. ISBN 978-1-4985-3811-4.
- ^ a b Ashuntantang, Joyce (2016). "Anglophone Cameroon literature 1959–90: A brief overview". Tydskrif vir Letterkunde. 53 (1): 118–119. doi:10.4314/tvl.v53i1.7.
- ^ Nkealah, Naomi (2013). "Grotesque manifestations of power in Dance of the vampires by Bole Butake : original research". Literator : Journal of Literary Criticism, Comparative Linguistics and Literary Studies. 34 (1): 1–7. doi:10.10520/EJC139634 (inactive 7 June 2025).
{{cite journal}}: CS1 maint: DOI inactive as of June 2025 (link) - ^ Usongo, Kenneth (2025). "Behind the Magical Veil: Interrogating Cameroon's Politics and History in Bole Butake's Lake God". In Ginburg, Sarali; Usongo, Kenneth (eds.). Magical Realism in Africa: Literary and Dramatic Explorations. Routledge Studies in African Literature (1st ed.). London: Routledge. ISBN 9781032613758.
- ^ Nkealah, Naomi (2014). "Women as Absented Presences: Gender and Nationalist Discourse in Bole Butake's "Shoes and Four Men in Arms"". English in Africa. 41 (2): 95–114. doi:10.4314/eia.v41i2.5. ISSN 0376-8902. JSTOR 24389458.
- ^ Odhiambo, Christopher (2009). "Whose Nation? Romanticizing the Vision of a Nation in Bole Butake's "Betrothal without Libation" and "Family Saga"". Research in African Literatures. 40 (2): 159–172. doi:10.2979/RAL.2009.40.2.159. ISSN 0034-5210. JSTOR 40468121.
- ^ Samba, Emelda Ngufor (2023). "History and Evolution of Theatre for Development in Cameroon: Implications for Formal and Non-formal Institutions". Theatre for development in Africa: historical and institutional perspectives. Hildesheim : München: Olms ; Universitätsbibliothek Ludwig-Maximilians-Universität München. pp. 149–166. ISBN 978-3-487-16331-4.
- ^ "About Bole Butake: 1947-2016 - The African Literature Association". 2016-12-14. Retrieved 2025-05-12.
- ^ "Butake, Bole | African Poetry Digital Portal". africanpoetics.unl.edu. Retrieved 2025-05-12.
- ^ RPCIG, Langaa (2012-07-12). "Bole Butake: 'I'm quite fulfilled with my career'". Langaa Research and Publishing Common Initiative Group. Retrieved 2025-05-12.
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