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D-9 Videotape
D-9 Videotape
D-9 Videotape
Media typeMagnetic cassette tape
EncodingNTSC, PAL
StandardInterlaced video
UsageVideo production

D-9 or Digital-S as it was originally known, is a professional digital video videocassette format created by JVC in 1995.

It is a direct competitor to Sony's Digital Betacam. Its name was changed to D-9 in 1999 by the SMPTE.[1] It was used to a small extent in Europe and Asia and saw some use in the US, notably by the Fox News Channel,[2] but was a commercial failure compared with Digital Betacam. It was superseded by high definition tapeless formats.

Technical details[edit]

D-9 uses a tape shell of the VHS form factor—though physically incompatible—but the tape itself uses a much higher quality metal particle formulation. The recording system is digital and for video uses DV compression at a 50 Mbit/s bitrate. Video is recorded in 4:2:2 component format at a variety of standard-definition resolutions, in either 4:3 or 16:9 aspect ratios. Audio is recorded as 16-bit/48 kHz PCM with up to four separate channels.[3] Video quality is generally very high; at standard definition, D-9's quality is comparable with Digital Betacam.[4] The BR-D51U model is additionally capable of analogue S-VHS playback.

HD recording[edit]

For high definition video recording, JVC developed an extension to D-9 called D-9 HD, using twice the number of recording heads to record a 100 Mbit/s video bitstream at resolutions of 720p60, 1080i60 and 1080p24. This variant can also record 8 channels of PCM audio at 16 bits and 48 kHz. The higher data rate and increased tape speed mean that the recording time of any given cassette would be halved.[5] D-9 HD, based on specifications, would have been higher quality than Sony HDCAM but lower than Sony HDCAM SR; no objective tests were made comparing these formats. It is not clear whether this proposed format was ever manufactured or sold.[6]

Additional information[edit]

Although D-9 uses the same video codec (DV) as MiniDV, the video bitrate of D-9 is significantly higher than that of the "prosumer" format. DVCPRO achieves bitrate parity with D-9 and D-9 HD, but has a slower tape speed, making it less reliable. Some of the D-9 television studio gear is capable of recording with Sel-Sync or pre-read and is provided with four-channel audio like Digital Betacam. Serial digital interfaces (SDI) are also provided. A dockable recorder, the JVC BR-D40, attached to a variety of cameras, and there was a one-piece camcorder, the JVC DY-70U.[7]


  1. ^ "D-9: Introduction to the format" Archived 2007-11-26 at the Wayback Machine, Short introduction to the D-9 format. Accessed October 13, 2007. (Dead link March 2016)
  2. ^ "D-9 in action worldwide" Archived 2007-11-26 at the Wayback Machine, Shows areas where D-9 is in use. Accessed October 13, 2007. (Dead link March 2016)
  3. ^ "D-9 technical specifications" Archived 2007-10-23 at the Wayback Machine, Displays general D-9 technical specifications. Accessed October 13, 2007.
  4. ^ "JVC Professional Japan" Archived 2007-10-23 at the Wayback Machine, cites SMPTE/EBU taskforce results. Accessed October 13, 2007. (Dead link March 2016)
  5. ^ "D-9 HD Technical Specifications" Archived 2007-11-26 at the Wayback Machine, Displays general D9-HD specifications. Accessed October 13, 2007. (Dead link March 2016)
  6. ^ "D-9 HD[VIEW]". Retrieved 2015-11-11.
  7. ^ "JVC" (PDF). JVC.

External links[edit]

See also[edit]