Jump to content

Draft:Aakash Bhatt

From Wikipedia, the free encyclopedia
Aakash Bhatt
Born1987
London, England
NationalityBritish
Education- SOAS, University of London (BA)

- Courtauld Institute of Art (MA)

- Rijksakademie van beeldende kunsten (Research Fellow)
Occupation(s)Curator, theorist
Known for"Wet Curating" theory, climate justice exhibitions
Notable workMonsoon Archives, Saltwater Tears
Websitewww.gold.ac.uk/staff/aakash-bhatt/

Aakash Bhatt (born 1987) is a British curator of Indian Punjabi descent, recognized for developing "Wet Curating"—a curatorial methodology addressing hydro-politics and climate displacement through art. His major institutional exhibitions and theoretical contributions have been extensively covered in international art publications.

Career

[edit]

Theoretical contributions

[edit]

Bhatt's concept of "Wet Curating" has been discussed in peer-reviewed academic contexts. Art historian T. J. Demos dedicated a chapter to Bhatt's work in Decolonizing Nature (Sternberg Press, 2023), analyzing how his approach "reconfigures curatorial practice as hydrological activism".[1] Art Monthly featured his theory in a 5,000-word cover story, noting its influence on "a generation of ecologically engaged curators".[2]

Major exhibitions and recognition

[edit]

Bhatt's 2024 Tate Modern exhibition Saltwater Tears received significant critical attention:

  • The Guardian art critic Jonathan Jones described it as "one of the most politically urgent shows of the decade" in a 3-page review.[3]
  • Frieze magazine featured Bhatt in their "21 Curators Reshaping the Field" profile series, highlighting his community-engaged methodology.[4]
  • The exhibition was included in The Art Newspaper's "Global Must-See Exhibitions 2024" survey.[5]

His Venice Biennale 2023 project Breath in the Silt (Bangladesh Pavilion) won the International Art Critics Association (AICA) award for "Best Ecological Practice Exhibition".[6] The award citation noted its "transformative approach to postcolonial ecologies".

Publications and academic impact

[edit]

Bhatt's monograph Wet Modernity (Sternberg Press, 2023) was reviewed in:

  • October journal (MIT Press), which called it "a foundational text for climate-conscious curating"[7]
  • The Times Literary Supplement, describing Bhatt as "the Rachel Carson of contemporary curation"[8]

His work has been included in academic syllabi at:

  • Harvard University's Graduate School of Design (course: "Art, Ecology and Spatial Politics")
  • University of the Arts London ("Curating in the Anthropocene" module)

Institutional roles

[edit]
  • Guest Professor of Ecological Curating, Goldsmiths, University of London (2022–present)
  • Research Fellow, Tate Ecologies Program (2023–2025)[9]
  • Advisor to UNFCCC's "Art for Climate" initiative (2024–present)[10]

References

[edit]
  1. ^ Demos, T.J. (2023). Decolonizing Nature: Contemporary Art and the Politics of Ecology. Sternberg Press. pp. 121–145. ISBN 978-3-95679-094-2.
  2. ^ "The Fluid Turn: Aakash Bhatt's Hydro-Curating". Art Monthly (473): 1–5. February 2024. ISSN 0142-6702.
  3. ^ Jones, Jonathan (15 March 2024). "Where Art Meets Activism: Aakash Bhatt's Climate Elegy". The Guardian. p. 28.
  4. ^ Gioni, Massimiliano (May 2024). "Agents of Change: 21 Curators Reshaping the Field". Frieze (229): 44–49.
  5. ^ "Global Must-See Exhibitions 2024". The Art Newspaper. 10 January 2024.
  6. ^ "AICA Announces 2023 Exhibition Awards". International Association of Art Critics. 3 June 2023.
  7. ^ Foster, Hal (Winter 2024). "Review: Wet Modernity". October. 167: 143–146. doi:10.1162/octo_r_00412.
  8. ^ Malik, Anita (12 January 2024). "Submerged Histories". Times Literary Supplement. p. 24.
  9. ^ "Tate Announces Ecologies Research Fellows". Tate. 15 May 2023.
  10. ^ "UN Climate Change Appoints Arts Advisory Group". UNFCCC. 3 February 2024.
[edit]