Geoffrey Bardon

Geoffrey Robert Bardon AM (1940, Sydney – 6 May 2003) was an Australian artist and school teacher who played a "significant" role in the "development of the Western Desert aboriginal art movement".

Bardon studied law for three years at the University of Sydney, before changing to study art education at the National Art School in Sydney, graduating in 1965. He taught art at various New South Wales country high schools before taking up a posting in 1971 to teach at the primary school at Papunya, a remote Aboriginal settlement 250 km west of Alice Springs.

After encouraging the children to record their sand patterns in paint, he went on to encourage the adult men of the community to paint their Honey Ant Dreaming on the school wall, preserving their traditional Dreamings, or Tjukurpa, and stories in paint. Eric Michaels comments on this in his essay Bad Aboriginal Art: "... [directed by Bardon, the elders] began to interact with certain issues in 1960s and 70s international painting, especially the extreme schematisation of New York minimalism." Bardon, however, claimed non-intervention. Michaels went further to say that arguably the choice of materials (acrylic paint) was also an influencing factor.

The artistic movement unleashed at Papunya spread over Central Australia and has since achieved international acclaim. Bardon experienced many difficulties in his time in the desert, due to the indifference, neglect and criticism of government departments towards his work – the Honey Ant Dreaming mural painted by the Aboriginal elders was painted over with white paint by the authorities. Eventually, Bardon suffered a nervous breakdown and upon his return to Sydney underwent a period of deep sleep therapy with the controversial psychiatrist Harry Bailey, which left him weakened.

Bardon worked closely with the Aboriginal painters who became the founders of the Papunya Tula painting movement during 1971 to 1973, and devoted many years after this to documenting and promoting the Aboriginal art which he so admired. He was made a Member of the Order of Australia in 1988 for service to the preservation and development of traditional Aboriginal art forms. He was survived by his wife Dorn and their sons, James and Michael.

Recognition

In the 1988 Australia Day Honours, Bardon was appointed a Member of the Order of Australia: "in recognition of service to the preservation and development of traditional Aboriginal art forms".

Works

Books

• Geoffrey Bardon, Aboriginal Art of the Western Desert, 1979, ISBN 0-86914-160-0.
• Geoffrey Bardon, Papunya Tula: Art of the Western Desert, 1991.
• Geoffrey Bardon and James Bardon, Papunya: A Place Made After the Story, 2004, ISBN 0-522-85110-X, Miegunyah.

Filmography

• The Richer Hours (1971)
• A Calendar of Dreamings (1976)
• Mick and the Moon (1978)

See also

• Papunya Tula
• Australian Aboriginal Art

Further reading

• Bardon, Geoffrey; Bardon, James (2004), Papunya : a place made after the story : the beginnings of the Western Desert painting movement (1st ed.), Miegunyah Press, ISBN 978-0-522-85110-6
• John Kean, Friday essay: how the Men’s Painting Room at Papunya transformed Australian art, theconversation.com, 30 June 2017
• "Shepherd of the Aboriginal art industry dies at 62", The Sydney Morning Herald, obituary, 9 May 2003
• Russell Skelton, "Flawed visionary led others to their dream", The Sydney Morning Herald, 31 January 2011
• "Geoffrey Bardon: Teacher who saw the importance of Aborigines and their art", The Times (London), obituary, 26 March 2003
• "Geoffrey Bardon, Advocate of Aboriginal Art, Dies at 63", The New York Times, obituary, 12 May 2003
• "Geoffrey Bardon: Art teacher who almost single-handedly started the Australian Aboriginal Art Movement", The Independent, obituary, 15 May 2003, via rebeccahossack.com

External links

• Mr. Patterns, a 2004 documentary of Bardon's life, available for digital download.