User:Ronherry/sandbox

GA plans

Miss Americana

The Last Great American Dynasty

You're Losing Me

Anti-Hero

Midnights

Speak Now (Taylor's Version)

2022 Ticketmaster controversy

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We lie awake in love and in fear, in turmoil and in tears. We stare at walls and drink until they speak back. We twist in our self-made cages and pray that we aren't—right this minute—about to make some fateful life-altering mistake. This is a collection of music written in the middle of the night, a journey through terrors and sweet dreams. The floors we pace and the demons we face. For all of us who have tossed and turned and decided to keep the lanterns lit and go searching—hoping that just maybe, when the clock strikes twelve ... we'll meet ourselves.

— Swift, introducing Midnights on her social media

New York University, Queen's University at Kingston, Stanford University, and University of Texas at Austin offer courses on Swift in literary and sociopolitical contexts.

Chart tracking

Hot 100

All 136 BILLBOARD HOT 100 Hits by Taylor Swift

1. Blank Space

1. Shake It Off

1. WANEGBT

1. Look What You Made Me Do

1. Bad Blood (ft. Kendrick Lamar)

1. Willow

1. Cardigan

2. You Belong With Me

2. I Knew You Were Trouble

2. I Don't Wanna Live Forever (with ZAYN)

2. You Need to Calm Down

2. ME! (ft. Brandon Urie of Panic! at the Disco)

2. Today Was a Fairytale

3. Mine

4. Love Story

4. ...Ready for It?

4. The 1

5. Wildest Dreams

6. Style

6. Red

6. Back to December

6. Exile (ft. Bon Iver)

7. Begin Again

8. Speak Now

9. Fearless

10. Lover

10. Change

10. Jump The Fall

10. If This Was a Movie

11. Mean

11. You're Not Sorry

11. Love Story (Taylor's Version)

12. Delicate

13. Teardrops on My Guitar

13. White Horse

13. Ours

13. State of Grace

13. Gorgeous

13. The Last Great American Dynasty

16. Our Song

16. My Tears Ricochet

16. Ronan

17. Sparks Fly

17. Crazier

18. Two is Better Than One (with Boys Like Girls)

18. Both of Us (with B.o.B)

18. End Game (ft. Ed Sheeran & Future)

18. Out of the Woods

19. Eyes Open

19. Untouchable

20. 22

21. Champagne Problems

22. Highway Don't Care (with Tim McGraw, ft. Keith Urban)

23. Fifteen

23. The Man

23. August

23. The Other Side of the Door

26. Mirrorball

26. Superman

26. Superstar

27. Call It What You Want

27. Innocent

28. Picture To Burn

28. I Forgot That You Existed

29. Cruel Summer

30. Safe & Sound (ft. The Civil Wars)

30. Mr. Perfectly Fine (from the Vault)

30. Come in With the Rain

32. Everything Has Changed (ft. Ed Sheeran)

33. Should've Said No

34. Forever & Always

34. No Body, No Crime (ft. Haim)

34. Sweeter than Fiction

35. Seven

37. Invisible String

38. The Archer

39. 'Tis the Damn Season

39. This is Me Trying

40. Tim McGraw

40. Gold Rush

41. The Story of Us

42. Betty

44. Illicit Affairs

45. Paper Rings

45. Tolerate It

46. New Romantics

47. Mad Woman

48. Welcome to New York

49. Miss Americana & the Heartbreak Prince

50. Only the Young

51. You All Over Me (ft. Maren Morris)

51. I Think He Knows

51. Wonderland

52. Happiness

54. Dear John

56. Better than Revenge

57. Cornelia Street

57. Evermore (ft. Bon Iver)

57. Epiphany

58. Peace

59. Christmas Tree Farm

61. Ivy

62. London Boy

63. Haunted

63. Soon You'll Get Better

63. Coney Island (ft. The National)

64. The Moment I Knew

65. I Almost Do

65. Forever & Always (Taylor's Version)

67. Dorothea

67. Death by a Thousand Cuts

68. Long Story Short

71. Last Kiss

71. Cowboy Like Me

71. Hoax

71. Fearless (Taylor's Version)

72. Babe (with Sugarland)

72. The Way I Loved You

72. Breathless

75. Enchanted

75. Marjorie

75. Afterglow

75. You Belong With Me (Taylor's Version)

77. False God

80. All Too Well

82. Closure

83. You Are in Love

84. Never Grow Up

85. Long Live

87. Breathe (ft. Colbie Caillat)

88. Fifteen (Taylor's Version)

89. Daylight

91. Stay Stay Stay

92. It's Nice to Have a Friend

94. The Way I Loved You (Taylor's Version)

94. Hey Stephen

No.1 hits = 7 Top3 hits = 14 Top5 hits = 18 Top10 hits = 29 Top20 hits = 51 Top40 hits = 80 Top50 hits = 90 Total = 136

1. 1. Blank Space | 36 wks | 7 wks at #1
2. 1. Shake It Off | 50 wks | 4 wks at #1
3. 1. WANEGBT | 24 wks | 3 wks at #1
4. 1. Look What You Made Me Do | 20 wks | 3 wks at #1
5. 1. Bad Blood | 25 wks | 1 wk at #1
6. 1. Willow | 20 wks | 1 wk at #1
7. 1. Cardigan | 14 wks | 1 wk at #1
8. 2. You Belong With Me | 50 wks
9. 2. I Knew You Were Trouble | 36 wks
10. 2. I Don't Wanna Live Forever (with ZAYN) | 23 wks
11. 2. You Need to Calm Down | 21 wks
12. 2. ME! | 20 wks
13. 2. Today Was a Fairytale | 18 wks
14. 3. Mine | 23 wks
15. 4. Love Story | 49 wks
16. 4. ...Ready for It? | 20 wks
17. 4. The 1 | 6 wks
18. 5. Wildest Dreams | 27 wks
19. 6. Style | 32 wks
20. 6. Red | 22 wks
21. 6. Back to December | 20 wks
22. 6. Exile (ft. Bon Iver) | 5 wks
23. 7. Begin Again | 20 wks
24. 8. Speak Now | 3 wks
25. 9. Fearless | 15 wks
26. 10. Lover | 22 wks
27. 10. Change | 3 wks
28. 10. Jump The Fall | 3 wks
29. 10. If This Was a Movie | 2 wks
30. 11. Mean | 20 wks
31. 11. You're Not Sorry | 5 wks
32. 11. Love Story (Taylor's Version) | 1 wk
33. 12. Delicate | 35 wks
34. 13. Teardrops on My Guitar | 48 wks
35. 13. White Horse | 22 wks
36. 13. Ours | 20 wks
37. 13. State of Grace | 1 wk
38. 13. Gorgeous | 4 wks
39. 13. The Last Great American Dynasty | 2 wks
40. 16. Our Song | 36 wks
41. 16. My Tears Ricochet | 2 wks
42. 16. Ronan | 2 wks
43. 17. Sparks Fly | 20 wks
44. 17. Crazier | 8 wks
45. 18. Two is Better Than One | 21 wks
46. 18. Both of Us (with B.o.B) | 19 wks
47. 18. End Game (ft. Ed Sheeran & Future) | 14 wks
48. 18. Out of the Woods | 10 wks
49. 19. Eyes Open | 13 wks
50. 19. Untouchable | 2 wks
51. 20. 22 | 20 wks
52. 21. Champagne Problems | 2 wks
53. 22. Highway Don't Care (with Tim McGraw) | 20 wks
54. 23. Fifteen | 21 wks
55. 23. The Man | 8 wks
56. 23. August | 2 wks
57. 23. The Other Side of the Door | 2 wks
58. 26. Mirrorball | 2 wks
59. 26. Superman | 1 wk
60. 26. Superstar | 1 wk
61. 27. Call It What You Want | 2 wks
62. 27. Innocent | 1 wk
63. 28. Picture To Burn | 20 wks
64. 28. I Forgot That You Existed | 2 wks
65. 29. Cruel Summer | 2 wks
66. 30. Safe & Sound (ft. The Civil Wars) | 17 wks
67. 30. Mr. Perfectly Fine (from the Vault) | 3 wks
68. 30. Come in With the Rain | 1 wk
69. 32. Everything Has Changed (ft. Ed Sheeran) | 20 wks
70. 33. Should've Said No | 20 wks
71. 34. Forever & Always | 3 wks
72. 34. No Body, No Crime (ft. Haim) | 2 wks
73. 34. Sweeter than Fiction | 1 wk
74. 35. Seven | 2 wks
75. 37. Invisible String | 2 wks
76. 38. The Archer | 3 wks
77. 39. 'Tis the Damn Season | 2 wks
78. 39. This is Me Trying | 1 wk
79. 40. Tim McGraw | 20 wks
80. 40. Gold Rush | 1 wk
81. 41. The Story of Us | 12 wks
82. 42. Betty | 2 wks
83. 44. Illicit Affairs | 1 wk
84. 45. Paper Rings | 1 wk
85. 45. Tolerate It | 1wk
86. 46. New Romantics | 8 wks
87. 47. Mad Woman | 1 wk
88. 48. Welcome to New York | 2 wks
89. 49. Miss Americana & the Heartbreak Prince | 1 wk
90. 50. Only the Young | 1 wk
91. 51. You All Over Me (ft. Maren Morris) | 1 wk
92. 51. I Think He Knows | 1 wk
93. 51. Wonderland | 1 wk
94. 52. Happiness | 1 wk
95. 54. Dear John | 1 wk
96. 56. Better than Revenge | 1 wk
97. 57. Cornelia Street | 1 wk
98. 57. Evermore (ft. Bon Iver) | 1 wk
99. 57. Epiphany | 1 wk
100. 58. Peace | 1 wk
101. 59. Christmas Tree Farm | 1 wk
102. 61. Ivy | 1wk
103. 62. London Boy | 1 wk
104. 63. Haunted | 2 wks
105. 63. Soon You'll Get Better | 1 wk
106. 63. Coney Island (ft. The National) | 1 wk
107. 64. The Moment I Knew | 1 wk
108. 65. Forever & Always (Taylor's Version) | 1 wk
109. 65. I Almost Do | 1 wk
110. 67. Dorothea | 1 wk
111. 67. Death by a Thousand Cuts | 1 wk
112. 68. Long Story Short | 1 wk
113. 71. Last Kiss | 1 wk
114. 71. Cowboy Like Me | 1 wk
115. 71. Hoax | 1 wk
116. 71. Fearless (Taylor's Version) | 1 wk
117. 72. Babe (with Sugarland) | 2 wks
118. 72. The Way I Loved You | 1 wk
119. 72. Breathless | 1 wk
120. 75. Enchanted | 1wk
121. 75. Marjorie | 1 wk
122. 75. Afterglow | 1 wk
123. 75. You Belong With Me (Taylor's Version) | 1 wk
124. 77. False God | 1 wk
125. 80. All Too Well | 1 wk
126. 82. Closure | 1 wk
127. 83. You Are in Love | 1 wk
128. 84. Never Grow Up | 1wk
129. 85. Long Live | 1 wk
130. 87. Breathe (ft. Colbie Caillat) | 1 wk
131. 88. Fifteen (Taylor's Version) | 1 wk
132. 89. Daylight | 1 wk
133. 91. Stay Stay Stay | 1 wk
134. 92. It's Nice to Have a Friend | 1 wk
135. 94. The Way I Loved You (Taylor's Version) | 1 wk
136. 94. Hey Stephen | 1 wk

BB200

BILLBOARD 200 History of Taylor Swift

#1. 1989

350 weeks* | 11 weeks at #1 | 59 weeks in Top10

#1. FEARLESS

261 weeks | 11 weeks at #1 | 58 weeks in Top10

#1. folklore

57 weeks* | 8 weeks at #1 |  20 weeks in Top10

#1. RED

173 weeks | 7 weeks at #1 | 17 weeks in Top10

#1. Speak Now

139 weeks | 6 weeks at #1 | 15 weeks in Top10

#1. reputation

154 weeks* | 4 weeks at #1 | 12 weeks in Top10

#1. evermore

37 weeks* | 4 weeks at #1 | 11 weeks in Top10

#1. Lover

105 weeks* | 1 week at #1 | 18 weeks in Top10

#1. Fearless (Taylor's Version)

20 weeks* | 1 week at #1 | 3 weeks in Top10

#5. Taylor Swift

275 weeks | 17 weeks in Top10

#9. Beautiful Eyes (EP)

21 weeks | 2 weeks in Top10

#11. Taylor Swift Holiday Collection (EP)

43 weeks

#20. Speak Now: World Tour Live

11 weeks

53 weeks at #1

232 weeks in Top10

673 weeks in Top50

1,646 total weeks on chart

* = charting currently

Weeks in Top10:

1. 1989 — 59

2. FEARLESS — 58

3. folklore — 20

4. Lover — 18

5. Red — 17

5. Taylor Swift — 17

6. Speak Now — 15

7. reputation — 12

8. evermore — 11

9. Fearless (Taylor's Version) — 3

10. Beautiful Eyes — 2

Weeks in Top50:

1. Taylor Swift — 150

2. FEARLESS — 95

3. 1989 — 85

4. Speak Now — 72

5. Lover — 57

6. RED — 54

7. reputation — 53

8. folklore — 49

9. evermore — 32

10. Taylor Swift Holiday Collection — 14

11. Fearless (Taylor's Version) — 8

12. Beautiful Eyes — 5

13. Speak Now: World Tour Live — 4

Flicks

Outside

Bombshell

Hustlers

La La land •

Babel

Divergent & Insurgent

Perfume

The Midnight Meat Train

The Blair Witch Project

Oculus

Pandorum

Series

ratched

bly manor

Russian doll

the sinner

American vandal

Hard

us

raw

the nun

Run

Hereditary

the wailing

Inception

Clinical

sightless

Shutter Island

state of play

The interpreter

shimmer's lake

A silent voice

Girl on the third floor

The Others

Gerald's game

Bandersnatch

Synchronic

Oxygen

Soft

the half of it

The dead dont die

50/50 •

the fundamentals of caring

crazy stupid love

the trial of the chicago 7

Two popes •

World records

Key

†	Indicates a now former world record holder

Name of publication, year the record was awarded, name of the record, and the name of the record holder

Publication	Year	World record	Record holder	Ref.
Guinness World Records	2008	Most Entries in the U.S. Top-20 in a Year by a Solo Artist	Taylor Swift
	2009	Most Simultaneous Top-20 Entries on U.S. Digital chart
		Youngest Country Entertainer of the Year
	2010	† Youngest Album of the Year winner at the Grammy Awards
		† Youngest Solo Artist to win Album of the Year at the Grammy Awards
		Fastest-Selling U.S. Digital Download by a Female	"Today Was a Fairytale"
		Fastest Selling Digital Album by a Female Artist	Speak Now
		Fastest-Selling Album in the U.S. by a Female Country Artist
		† Most Simultaneous U.S. Hot 100 Hits by A Female	Taylor Swift
		First Artist to Have Singles Enter the Top 10 of the U.S. Hot 100 in Successive Weeks
		First Artist in U.S. Chart History to Have Seven Singles Debut in the Top 10 of the Hot 100
	2012	First Solo Female with Two Million-Selling Weeks on the U.S. Albums Chart
		Fastest Selling Single in Digital History	"We Are Never Ever Getting Back Together"
	2014	Most Million-Selling Weeks on the U.S. Albums Chart with Three Consecutive Albums	Taylor Swift
	2015	Most Teen Choice Awards won by an Individual
		Most Teen Choice Awards won by a Female
		Most Teen Choice Awards won by a Musician
		Most Teen Choice Awards won by a Female Musician
		Most Million-Selling Weeks on U.S. Albums Charts
	2016	Highest Annual Earnings for a Musician (2016)
		Highest Annual Earnings for a Female Musician Ever
	2017	† Most Viewed Music Video Online (Female Artist)	"Shake It Off"
		Most Million-Selling Weeks on U.S. Albums Charts	Taylor Swift
	2018	Most Streamed Track in One Week (Female)	"Look What You Made Me Do"
		† Most Watched Video Online in 24 Hours
		† Most Streamed Track on Spotify in the First 24 Hours
		† Most Watched Vevo video in 24 Hours
		Highest Grossing Music Tour by a Female Artist (2018)	Reputation Stadium Tour
	2019	Most Viewed Vevo video in 24 hours	"Me!"
		† Most Views of a New Music Video from a Solo Artist in 24 hours on YouTube
		Highest Annual Earnings for a Female Musician Ever	Taylor Swift
		Highest Annual Earnings for a Musician (2019)
		Highest Annual Earnings for a Musician (Female, 2019)
		Highest-Earning Living Celebrity (2019)
		Highest-Earning Living Celebrity (Female, 2019)
		Most Weeks at No.1 on the Billboard Artist 100 Chart
		Most American Music Awards Won by a Female Artist
		Most American Music Awards won
		† Most Simultaneous U.S. Hot 100 Entries by a Female
		Most Global Recording Artist of the Year (IFPI) awards won
		Biggest-Selling Album Worldwide For A Solo Artist (2019)	Lover
	2020	† Most Day-One Streams of An Album On Spotify (Female)	Folklore
		Most Cumulative Weeks at No.1 on U.S. Albums Chart by a Solo Female	Taylor Swift
		Shortest Gap Between New No.1 Albums on the U.S. Billboard 200 (Female)
	2021	Most Number-ones on the U.S. Digital Song Sales chart
		Most Album of the Year awards won at the Grammys by a vocalist
		Most Album of the Year awards won at the Grammys (Female)
		First female Brits Global Icon Award winner
		Youngest Brits Global Icon Award winner
		Most Day-one Streams of An Album on Spotify (Female)	Red (Taylor's Version)
		Most Streamed Act on Spotify in 24 Hours (Female)	Taylor Swift
		Most Simultaneous U.S. Hot 100 New Entries
		Most Simultaneous U.S. Hot 100 New Entries by a Solo Act
		Most Simultaneous U.S. Hot 100 Entries by a Female
		Longest Song to Reach No. 1 on the Billboard Hot 100	"All Too Well (10 Minute Version)"

Impact

Critics have noted the impact of Red's eclectic sound on subsequent albums released by multiple female country singers, including Kacey Musgraves, Maren Morris, and Kelsea Ballerini. academic study;

Taylor Swift conference Journalism lesson Berklee songbook

Artists.

Folklore

Study of Swift and her career has been referred to as "Swiftology".

A multitude of publications listed Folklore in their lists of best albums of 2020, including several number-one placements. Its tracks "The 1", "Cardigan", "The Last Great American Dynasty", "Exile", "Mirrorball", "Seven", "August", "This Is Me Trying", "Invisible String" and "Betty" were also named among the bes songs of 2020.

Folklore on year-end lists

Critic/Publication List Rank Ref. AllMusic Best of 2020 N/A American Songwriter Top Albums of the Year N/A Associated Press Top Albums of 2020 8 The Atlantic The 16 Best Albums of 2020 N/A The A.V. Club The 20 Best Albums of 2020 6 Banquet Records Albums of the Year 2020 7 BBC The Best Albums of 2020 3 The Beaver County Times Best Albums of 2020 8 Billboard Top 50 Best Albums of 2020 1 The Boston Globe Top 12 Best Pop Albums of 2020 N/A Chorus.fm Top 30 Albums of 2020 2 Clash Albums of the Year 2020 13 Complex The Best Albums of 2020 13 Consequence of Sound Top 50 Albums of 2020 27 The Daily Pennsylvanian Favorite Albums of 2020 N/A DIY DIY's Albums of 2020 7 Dork Albums of the Year 2020 8 The Economist The Best Albums of 2020 N/A Entertainment Weekly The 15 Best Albums of 2020 5 Esquire The Best Albums of 2020 N/A Esquire (UK) The 50 Best Albums of 2020 18 The Evening Standard Best albums of 2020 N/A Exclaim! 50 Best Albums of 2020 22 Financial Times Best 10 Albums of 2020 9 Fresh Air Best Albums of the Year 5 Gaffa The 20 Best Foreign Albums of 2020 10 Gigwise The Gigwise 51 Best Albums of 2020 3 Glamour The 30 Best Albums of 2020 N/A Good Morning America The 50 best albums of 2020 7 GQ Best albums of 2020 9 The Guardian The 50 Best Albums of 2020 9 Herald Sun The Best Albums of 2020 N/A Hot Press Albums of 2020: The Top 10 6 HUMO Best Records of 2020 11 Idolator The 70 Best Pop Albums Of 2020 2 Independent The 40 Best Albums of 2020 10 Insider The 20 Best Albums of 2020 1 The Irish Times The Best International Albums of 2020 4 Journal Star 100 Best Albums of 2020 9 Jutarnji list The Best Foreign Albums of 2020 10 The Line of Best Fit The Best Albums of 2020 Ranked 32 Los Angeles Times The 10 Best Albums of 2020 1 Mandatory Top Albums of 2020 6 The Mercury News Top 10 Albums of 2020 2 Metacritic The 40 Best Albums of 2020 8 Best Albums, By Year 2020 12 Best of 2020: Music Critic Top 10 Lists 3 Metro Times Best New Music of 2020 2 Mojo The 75 Best Albums of 2020 31 Mondo Sonoro The Best International Albums of 2020 26 musicOMH Top 50 Albums Of 2020 2 The Nation The Best Albums of 2020 N/A NBHAP 50 Best Albums Of 2020 23 The New York Times Jon Pareles' Best Albums of 2020 4 Lindsay Zoladz's Best Albums of 2020 11 The New Yorker Sheldon Pearce's 30 Favorite Albums of 2020 N/A NJ.com The 50 Albums That Saved Us From 2020 1 NME The 50 Best Albums Of 2020 2 The Observer Scene's Best Albums of 2020 4 Official Charts Company Best Albums and Songs of 2020 N/A OOR End List 2020 18 Our Culture Mag The 50 Best Albums of 2020 4 Paste The 15 Best Pop Albums of 2020 N/A People The Top 10 Albums of 2020 2 The Philadelphia Inquirer Top Pop Music Albums 6 Pitchfork The 50 Best Albums of 2020 29 The Plain Dealer Best Albums of 2020 5 PopBuzz The 20 Best Albums of 2020 2 PopMatters The 60 Best Albums of 2020 17 The 25 Best Americana Albums of 2020 10 PopSugar The 50 Best Albums of 2020 16 RNZ 2020 Top 20 Albums 20 Rolling Stone The 50 Best Albums of 2020 1 The San Diego Union-Tribune Best Pop Albums of 2020 8 Scoop Best Music Of 2020 N/A Shondaland Best Music of 2020 N/A Slant Magazine The 50 Best Albums of 2020 4 Slate The Best Albums of 2020 11 The Music Club, 2020 2 Sonic 2020's Best Albums 17 South China Morning Post The Best Albums of 2020 1 Star Tribune Jon Bream's Top 10 Albums 5 Stereogum The 50 Best Albums Of 2020 5 Time The 10 Best Albums of 2020 1 Time Out The 15 Best Albums of 2020 N/A Under the Radar Top 100 Albums of 2020 45 Union-Bulletin Top-10 albums of 2020 1 Uproxx The Best Albums and Songs of 2020 1 The Best Pop Albums Of 2020 1 USA Today The 10 Best Albums of 2020 1 US Weekly 10 Best Albums of 2020 1 Variety Chris Willman's Best Albums of 2020 1 Andrew Barker's Best Albums of 2020 4 Večernji list Top 10 Foreign Albums of 2020 6 Vice The 100 Best Albums of 2020 97 Vogue The 20 Best Albums of 2020 2 Vulture The Best Albums of 2020 N/A Wales Arts Review Our Favourite 50 Albums Of 2020 9 What Hi-Fi? 20 of the Best Albums of 2020 N/A Wonderland The Best Albums N/A Young Hollywood The Best Albums of 2020 5

Karma

"KarmaSwift's fanbase, who call themselves Swifties, and her relationship with them have also impacted the music industry. The way Swift interacts with her fans is very intentional and very unique for an artist of her stature. Swift follows her fans closely online and interacts with them directly on social media, she has been known to send packages to fans, donate money to them, and she hand select fans to invite to her home for small performances after following them online over periods of months, a practice referred to as "Taylurking." fan theories are a way for Swifties to feel a sense of community with each other and to feel connected to Swift herself, and are a defining feature of the fandom. Swift's fans have grown up with Swift and her music, which makes the relationship even more significant to them. Swift is well known for her prolific use of easter eggs, and the committed involvement of her fans is something other artists have tried to replicate in recent years, using methods Swift has made her own, such as easter eggs, after seeing the way Swift's fanbase has propelled her career and given her unprecedented longevity for a female artist. Despite this, Swift, her fanbase, and their relationship remain very unique.

Swifties' unexpected support for Reputation, an album that was expected to be a big failure, showed that the fans were committed to Swift's brand even in a total shift of her artistry and a disappearance from the public eye. This showed just how strong the relationship between Swift and her fans is, and how united the Swiftie fandom is itself. Reputation was also a significant moment in that Swift started using easter eggs more heavily during this era, as a way to continue communicating wither her fans when she had decided not to give interviews, which is a practice she has continued since.

Swiftie's overwhelming support for the re-recorded albums Swift released following the controversy over her masters is further evidence of the unique power of Swift's brand. Swifties broke streaming records with her re-records and put re-masters on the Billboard Top 200 and the Billboard top 100 for the first time in history many times over. Swift was able to leverage her fanbase to negotiate a new contract to gain control of her original masters, and to make tangible legal changes to standard contracts between labels and artists. h

Background and release

Taylor Swift's fifth studio album, 1989, was released in October 2014. It was met with widespread commercial and critical success, but Swift's public image suffered from increasing tabloid scrutiny. In early 2016, she was embroiled in a highly publicized dispute with American rapper Kanye West and his then-wife Kim Kardashian over a controversial lyric about her in his single "Famous", with the latter accusing Swift of lying. To a question in an April 2016 interview with Vogue, Swift replied "Karma is real." Known for reinventing her image for album cycles, Swift debuted a new look at the May 2016 Met Gala and embraced the Vogue cover, fueling anticipation for her next studio album. However, subsequent developments in the controversy and persistent media coverage of Swift's private life tarnished her repute. Hence, Swift retired from social media and public appearances for a year; she was accustomed to releasing an album every two years, and as such, was expected to release her sixth studio album in late 2016, but she did not. In November 2017, Swift ended her hiatus and released her sixth studio album, Reputation, accompanied by its lead single "Look What You Made Me Do"; the song contained lyrics about karma. She released her seventh studio album, Lover, in August 2019, amidst another controversy—a dispute with her former record label, Big Machine Records, and its new owner Scooter Braun over the masters of her first six albums. Online speculation regarding a "lost Taylor Swift album" that was supposed to be released in 2016, titled Karma, was reignited following the music video for Lover's final single, "The Man", in January 2020; the video featured numerous symbolisms and easter eggs, including a graffiti wall that featured titles of the six albums around the word "KARMA" in the middle. Fans and media outlets speculated that Karma would be released soon. Influenced by the COVID-19 pandemic, Swift released her next studio albums Folklore and Evermore in 2020, followed by the 2021 re-recordings Fearless (Taylor's Version) and Red (Taylor's Version), which featured additional "From the Vault" songs that were written by Swift for the respective albums but did not make the final cut originally.

On August 28, 2022, Swift announced her tenth studio album, Midnights, set for release on October 21, 2022, via Republic Records. The track-list was not immediately revealed. Jack Antonoff, a longtime collaborator of Swift who had worked with her since 1989, was confirmed as a producer on Midnights by a video posted to Swift's Instagram account on September 16, 2022. Beginning on September 21, 2022, Swift began unveiling the track-list in a randomized order through her short video series on TikTok, called Midnights Mayhem with Me. It consisted of 13 episodes, with one song revealed every episode. Swift rolls a lottery cage containing 13 ping pong balls numbered from one to thirteen, each representing a track of Midnights, and when a ball drops out, she disclosed the title of the corresponding track on the album. In the eighth episode on October 6, 2022, Swift announced the title of the eleventh track as "Karma". Several media outlets associated the track with the "unreleased" Karma album, with some surmising this as Swift's confirmation of the theory, and by extension, the existence of Karma.

Credits and personnel

Credits adapted from the liner notes of Midnights.

• Olivia Rodrigo – lead vocals, backing vocals, songwriter, additional producer, piano
• Daniel Nigro – producer, recording engineer, organ, bass
• Taylor Swift – songwriter
• Jack Antonoff – songwriter
• Dan Viafore – assistant engineer
• Mitch McCarthy – mixing engineer
• Randy Merrill – mastering engineer

Untitled Taylor Swift feature film

American singer-songwriter Taylor Swift was inspired to venture further into filmmaking, following the success of her self-written and directed short film, entitled All Too Well: The Short Film (2021); she has also written and directed a number of music videos in her career. In an interview during the 2022 Toronto International Film Festival in September 2022, Swift expressed her desire to direct a feature film one day, telling stories about "human emotion". On December 9, 2022, Searchlight Pictures announced that Swift has written an original script and will direct her debut feature film, with details about the title, cast, and plot withheld "until a later date." Searchlight presidents David Greenbaum and Matthew Greenfield stated, "Taylor is a once in a generation artist and storyteller. It is a genuine joy and privilege to collaborate with her as she embarks on this exciting and new creative journey." h

Fashion of Taylor Swift

Swift at the 2012 MTV Video Music Awards, in her signature bangs, red lipstick and eye makeup.

The dressing sense of the American singer-songwriter Taylor Swift has been a subject of significant media coverage. Considered a style icon by mainstream publications, Swift has been an influence on fashion trends and commerce through her red carpet looks, editorial photoshoots, and the wardrobe of her live performances and videography. Her off-duty street style has received acclaim from fashion journalists.

As an adolescent country singer in the early phase of her career, Swift wore mostly sundresses and gowns that suited her girl-next-door image. In her subsequent career and venture into pop, rock and folk music genres, she began reinventing her clothing attire alongside her artistic direction, matching every album's genre and theme to a fashion aesthetic. With an affinity towards the American chic, Swift has embraced and substantially boosted the mainstream popularity of preppy, cottagecore, gothic and sportswear styles. She has also helped popularize red lipsticks, bangs, cardigans, knit scarfs, cowboy boots, sleeveless formal wear and waistcoats amongst the general public.

Various authors have noted that Swift's penchant for accessible dressing—often pairing high-end pieces with relatively affordable items—has made her style approachable to the general public, contributing to her cultural impact. Many fashion critics have highlighted Swift's perceived apathy for high fashion, finding her taste normal and somewhat underwhelming for a pop star of her stature and wealth, but others argue that a dressing sense authentic to herself is what sets her appeal apart from other celebrities. They have observed heavy vintage influences in Swift's wardrobe, especially the 1950s, 1960s, and 1970s fashion.

Publications such as Vogue, InStyle, Harper's Bazaar and Women's Wear Daily consider Swift a global fashion influencer. A number of fashion labels, including Versace, Jimmy Choo, and Schiaparelli, have credited her with magnifying their media impact by wearing their works. Her appearances at the National Football League (NFL) games in support of the Kansas City Chiefs have caused an unprecedented increased in the sales of their merchandise. Products of lesser-known brands and small businesses achieved prominence and record sales after Swift is photographed wearing them. Her use of fashion as a medium of Easter eggs about her music has driven cultural discourses. She was named the Best Dressed Woman of 2014 by Elle and People, topped the Maxim Hot 100 list of 2015, and co-chaired the 2016 Met Gala. A number of museums have hosted fashion exhibits dedicated to Swift.

Press

As a leading cultural figure of the 21st-century, Taylor Swift is a subject of fashion journalism. Swift has reinvented her image and aesthetic throughout her career, matching respective album cycles with distinct themes and influencing fashion trends in the process. Her "style evolution", both within and outside her music, has been covered and analysed by nearly all fashion media outlets. Her use of fashion as Easter eggs to hint at aspects of her music has similarly received press coverage. Her fashion has mirrored her musical evolution. According to Women's Wear Daily, Swift "became known for using her wardrobe choices to complement her art as well as an opportunity to create new trends, make statements and drop hints about upcoming projects." Swift has appeared on the covers of various fashion magazines throughout her career, having adopted more mature and glamorous looks over time and gradually eschewing the girl-next-door image that dominated her early career.

Taylor Swift: And the Clothes She Wears, the 2023 coffee table book by fashion author Terry Newman, became an immediate bestseller upon its release, topping the Amazon chart. Similarly, Taylor Swift Style: Through the Eras by American fashion blogger and writer Sarah Chappelle also topped the Amazon chart and was met with praise from fashion critics for its in-depth coverage of Swift's clothes. Chappelle has documented Swift's fashion in detail for several years via her Instagram account "Taylor Swift Style", which has amassed thousands of followers.

Styles

A pre-fame Swift in 2006, wearing a sundress and cowboy boots

Swift's fashion style often involves synchronizing outfits, blending classic, retro and "cool" elements, floral prints, Mary Jane or Oxford shoes, Jimmy Choo boots, and other accessories from Aldo, Prada, Christian Louboutin, Elie Saab, Dolce & Gabbana, Vivienne Westwood, Louis Vuitton and The Row. Her street style wardrobe features a variety of classic, casual staples, such as denim shorts, white tops, baseball caps, loafers, plaid skirts, combining them with "unique jewelry, bold lipstick, and trendy designer handbags."

Clothing history

According to Fashionista, Swift's style evolution can be effectively broken down "into distinct periods bookended by sequential album drops." In Vogue's words, Swift's beauty evolved from that of "a country princess to a bombshell pop star with some serious statement hair and makeup moments to match." Consequence opined that Swift's looks progressed from "girl-next-door country act to pop star to woodsy poet over a decade". Swift has explored the "preppy-chic" aesthetic frequently, and also dressed herself in "edgier, glam styles" in the later phases of her career.

Swift at her concert tours in the 2010s (clockwise, from top left): Speak Now World Tour (2011), the Red Tour (2013), the 1989 World Tour (2015) and the Reputation Stadium Tour (2018).

Swift debuted as a 16-year-old country music singer-songwriter in 2006. Before the release of her debut single, Swift modeled for Abercrombie & Fitch and had an original song included on a Maybelline compilation CD. In her early career, she mostly wore boho-lite sun dresses and midi skirts, accessorizing her "iconic" curls with cowboy boots and a headband sometimes, all contributing to her girl-next-door image. Grazia described it as a mix of "vintage cowboy" and bohemian styles, eschewing the traditional country aesthetic. However, Swift had maintained a fairytale "princess profile" by wearing tulle skirts, gowns and corset with floral embellishments, as seen in her music videos for "Our Song" (2007), "Teardrops on My Guitar" (2007) and "Love Story" (2008). After becoming a "household name" following the wide success of her second studio album, Fearless (2008), Swift began wearing "glittery gold outfits", ball gowns, and winged eye liner, marking a change from her previously floral, countryside attires. She explored more bold and mature garments, often incorporating lower cuts, "elegant" necklines, sequined fringe, and looser curls.

From Speak Now (2010), her third album, Swift began incorporating more purple and shades of pink in her outfits and began wearing her hair in ponytail. Oxford shoes, beanies, collared dresses and cable-knit sweaters dominated her style during the Speak Now campaign. For Red in 2012–2013, Swift adopted an autumnal wardrobe, wearing bold red lipstick and straight blonde hair with bangs, eschewing flowy dresses for fedora hats, high-waisted shorts, translucent shirts, stripped tees, knit scarves, raincoats, and saddlebag purses, incorporating more shades of red. Bustle has dubbed bangs as one of Swift's signature hairstyles. This established the "retro-cool" hipster-inspired aesthetic of Red, evident in the album's artworks as well.

External videos
Taylor Swift on Looking Like a Futuristic Gladiator Robot: Met Gala 2016 – via Vogue on YouTube.

In 2014, Swift moved to New York City, where her casual street style was often photographed and covered. To embody the gleeful nature of her fifth album 1989, Swift cut her hair short and began wearing neon colors, jumpsuits and two-pieces: crop tops and mini skirts. At the 2016 Met Gala, which she co-chaired, Swift changed her style drastically in a look that trended on Twitter as "Bleachella", debuting black lipstick and bleached blond hair, in a snakeskin dress that would indicate a transition to her next album, Reputation (2017). The black color dominated the "moody" wardrobe throughout the Reputation campaign, alongside thigh-high boots, dark red lipstick, bodysuits, leotards, hoodies, and cargo pants with camouflage patterns, and serpentine prints and jewellery. In 2019, Swift reinvented her style once again; camp was her leading fashion motif for Lover (2019). She eschewed the dark and edgy attires of Reputation for "candy-colored", bubblegum aesthetics of Lover, as exemplified by the music videos of the singles "Me!", "You Need to Calm Down" and "Lover" and her various award-show appearances. Swift also dyed a portion of her hair pink.

Swift performing "The 1" (left) from Folklore and "Lavender Haze" (right) from Midnights in outfits corresponding to the album's aesthetics at the Eras Tour (2023)

Swift opted for cottagecore aesthetics with 2020's Folklore and Evermore. Reflecting lyrical motifs of escapism, Swift embraced a rustic, nature-focused look for Folklore the "technicolor carnival" of Lover. In the music video for "Cardigan", the lead single of Folklore, Swift donned a cream-colored cable knit with silver embroidered stars on the sleeves' chunky elbows, and navy blue piping and buttons; she sold replicas of the cardigan on her webstore. Swift often dressed herself in lace and gingham clothes, with mussed hairstyles. The Times of India opined that, with Evermore, Swift embraced "1960s-era Laurel Canyon". She opted for turtlenecks and long woolen coats. For the 2022's Midnights, Swift leaned towards a dichotomy of glamorous, vintage 1970s aesthetic: bodices, faux fur, and diamond jewelry on one end, and cashmere, polo shirts, corduroy pants, and wide-legged trousers for the intimate settings of the album's concept photography. The aesthetic was explored in the music videos of "Anti-Hero" (2022), "Bejeweled" (2022), and "Lavender Haze" (2023). She adopted a gothic mood with The Tortured Poets Department (2024), whose cover artwork is a shot of Swift lying on a bed wearing black lingerie: a see-through top and high waist shorts. Journalists dubbed the fashion as mainly dark academia, with influences of coquette, inspired by classic American poets.

Following her relationship with American football player Travis Kelce from 2023, Swift adopted a WAGs-inspired "game day style", appearing in Kansas City Chiefs merchandise and customized outfits.

Influences

Swift has taken cues from Audrey Hepburn's style; pictured are Swift's look from her 2015 Grammy Museum performance (left), and a poster of Funny Face (1957), featuring a signature look of Hepburn.

Swift has cited British actress Audrey Hepburn as a style influence. Jessica Zhan Mei Yu, writing for Vanity Fair, found Swift to be particularly inspired by Hepburn's beatnik looks, such as in the 1957 film Funny Face, and also influenced by the dressing sense of classic poets, especially the white uniforms of Emily Dickinson and the preppy collegiate clothes of Sylvia Plath. Swift's bob haircut during her 1989 campaign was inspired by Anna Wintour, the editor-in-chief of Vogue. Additionally, The Cut's fashion critic Cathy Horyn identified a range of vintage influences in Swift's on-stage fashion: from the "saloon-gal" outfits of American actress Debbie Reynolds in her western films to the American fashion designer Bob Mackie's "spangled costumes" for the 1960s–70s television variety shows as well as the works of American costume designer Edith Head in the 1950s. Horyn opined that these influences evoke a "hoofer charm" and "showgirl moxie" about Swift. According to Kelsie Gibson of People, Swift has often borrowed from the style of her friends circle, especially American actress Blake Lively.

Impact and trends

Swift's music, visuals, general attire, and concerts have influenced fashion trends and led to sales surges. She boosted the popularity of red lipsticks—considered one of her signature fashion motifs, especially since Red, which prominently featured red lips in its cover. Swift helped popularize sleeveless formal wear and waistcoats in women's fashion, and is an inspiration for Halloween costumes. Hairdressers have credited Swift with popularizing "low-maintenance and natural looking" hair in women's hairstyles.

Swift on Good Morning America for the launch of Red (2012).

"The scarf" mentioned in autobiographical lyrics of "All Too Well" has also become a signature object associated with Swift. It has been described variably as "an unlikely pop culture icon in an inanimate object", "a universal symbol for heartbreak", a "fantastic pop culture mystery", "the green dock light of our time", a "fabled accessory" and "a source of cultural curiosity" by publications. According to Rob Sheffield, the scarf is so significant to Swift's discography that it "should be in the Rock and Roll Hall of Fame." Following the 2021 release of her self-directed All Too Well: The Short Film, the Google searches for "Taylor Swift red scarf meaning" spiked by 1,400 percent.

Retail

The Wall Street Journal has described Swift as a "fashion-selling machine". Prominent luxury brands like Versace and Schiaparelli experience brand value boosts from Swift. Versace garnered nearly US$3.1 million in media impact value across the 35 days that the Eras Tour had been in Europe. Fashion dubbed it the "Taylor Swift effect" and compared it the impact of Kate Middleton and Meghan Markle on fashion. Sandra Choi, creative director of the British luxury fashion house Jimmy Choo, claimed that Swift has reinforced their design expertise and provided them with global visibility. Mansur Gavriel and AREA are amongst the other high fashion houses that have had their items sell out because of Swift. Retail companies like Free People and Hill House have also largely benefitted from her.

A number of small-business boutiques and brands have reported overnight success after Swift wore one of their clothes or fashion accessories. On October 8, 2024, Swift wore "glitter freckles" from Fazit Makeup Patches, a previously unknown small-business beauty brand, to a Kansas City Chiefs–New Orleans Saints game. In the first 12 hours since Swift was photographed wearing Fazit, the brand's co-founder reported over a 1,000 percent increase in sales and web traffic, with "every retailer" reaching out to her. In the first two days, the brand experienced a 2,500 percent sales spike, selling out on Urban Outfitters and Amazon.

Swift's signature cardigan, flannel coat, and gown from her Folklore and Evermore eras exhibited at the Country Music Hall of Fame (left) and the Grammy Museum (right).

Cottagecore experienced a resurgence on the internet after Swift adopted the aesthetic, increasing sales of hand-knitted Aran jumpers in Ireland and the U.S. RTÉ thanked Swift for putting cardigans "back on the map" with Folklore. Upon Evermore's release, replicas of the flannel coat Swift wore on the cover artwork sold out on Farfetch instantaneously.

The Eras Tour increased the demand for metallic boots, cowboy hats, and sequin dresses. CNN reported that fashion retailers marketed their products to target attendees of the tour, with various clothing brands creating a range of items inspired by Swift and her "eras" and scoring their biggest sales year yet. Some scholars felt Swift mainstreamed gothic aesthetics with Reputation and The Tortured Poets Department, the former characterized by its snake-inspired cyber-gothic motifs and the later mainly dark academia. When Swift began dating American football player Travis Kelce and attended several of his games wearing Kansas City Chiefs merchandise in 2023, both the team and the National Football League (NFL) were met with unprecedented increase in merchandise sales. The non-merchandise pieces that she wore to the games, belonging to female-owned small businesses, were also met with record sales.

Reception

In 2014, People named Swift the Best-Dressed woman of the year, calling her a "street style queen". American fashion designer Tommy Hilfiger referred to Swift as a "new icon" of the American style, owing to her "charismatic" summer outfits. In 2015, Swift won the Elle Woman of the Year award for cementing herself as a style icon capable of "seamlessly switching between chic street style and glamorous couture gowns on the red carpet", and topped the 2015 Maxim Hot 100 list.

"Taylor Swift is sitting in the front row of the Rodarte spring 2012 ready-to-wear show during New York Fashion Week looking prim, if not chaste, in an ivory-colored confection with long, lacy sleeves, a high neck, and a full-length skirt—a look from Rodarte's fall collection that was inspired in part by the spirit of the Kansas homestead. It is the sort of getup that treads a fine line between sincerity and irony, between too-literal costume and clever fashion reference. In other words, it takes a girl with a special sort of moxie to wear it without looking like Melissa Sue Anderson from Little House on the Prairie. The fact that Swift is supermodel thin, towers over everyone (at five feet ten she clocks in at well over six feet in platform Miu Mius, and has skin as pale as a gold-rush bride's—well, let's just say she falls somewhere on the continuum from fetching to dazzling."

— Fashion author Jonathan Van Meter on Swift, Vogue

Critic Francesca Wallace wrote in 2018 that Swift's authentic look is her "easygoing, feminine" and "dainty" take on fashion, incorporating bows, prints and carryall bags, creating a street style "worth copying". Sarah Midkiff of Refinery29 compared Swift's simplistic looks to that of a "classic English Rose". Mei Yu opined, there is a certain poeticism to Swift's street style choices, "she might as well be an English grad student carrying books of poetry in the crook of her elbow." In 2016, Wintour stated that Swift has been a "little bit more conservative in her fashion choices" and attempted to turn her into "an Hedi Slimane rock n' roll girl" in the May 2016 issue of Vogue, where Swift adopted a futuristic "fashion-forward" style for the cover story.

Swift released a sustainable clothing line with Stella McCartney (pictured) as part of the promotional rollout of her 2019 album, Lover.

A 2024 Boohoo.com survey stated that Swift has been the most sought-out "style icon" of the 2020s decade, with an estimated 78,725 average monthly searches relating to her fashion. Swift's touring outfits, especially those of the Eras Tour, have been the subject of wide speculation and analysis, given her penchant for curating outfits that match with her musical eras. Her game-day fashion has received acclaim. Business Insider named Swift amongst its list of ten billionaires with the best style.

Jen Nurick of Vogue Australia regards Swift as an influential figure in sustainable fashion. Swift released a sustainable clothing line with Stella McCartney in 2019. However, some "environmentally conscious" detractors have criticized Swift's affinity for fast fashion looks as well.

Philosophy

"Taylor Swift's style reflects her personal fashion choices rather than ones that conform to industry trends. This authentic approach has made her a style icon and very relatable figure for her fans, almost like the girl next door—but better [...] What sets her style apart from other celebrities is its remarkable versatility. Swift effortlessly transitions from vintage-inspired looks to contemporary, edgier ensembles—always maintaining an air of sophistication."

— Carolyn Mair, psychologist and fashion-business consultant, Business Insider

Critics have opined that Swift's general disinterest in provocative high fashion despite her wealth, which can be perceived as a "bad taste" in fashion by some fashion critics, is part of her popular appeal that sets her apart from pop stars like Madonna and Beyoncé. Amanda Krause of Business Insider described Swift's style as simple, understated and attainable, without the "shocking fashion antics of Doja Cat, Lady Gaga, and Kim Kardashian." According to Zoe Suen of South China Morning Post, many critics are not impressed by Swift's "authentic" style choices and her lack of participation in fashion weeks or luxury brand collaborations despite her billionaire status. Suen said "It's safe to say that while Swift has chosen not to brand herself as an haute couture-wearing stylephile." Similarly, culture writer Emily Kirkpatrick categorized Swift as a "fashion anti-hero". Lauren Sherman, a fashion correspondent at Puck, labeled Swift's style as "Anthropologie Gone Wild— mismatched, outdated, pedestrian, but instinctual." Horyn wrote, "considering the meta nature of Taylor Swift's performances—her autobiographical lyrics and her intimate connection with audiences—it's unsurprising that her fashion choices betray self-consciousness."

Savannah Bradley of Business Insider opined that Swift's "normal" taste in fashion is an aspect of her strategic "Swiftian brand philosophy", where Swift is the audience's "best friend". Bradley highlighted that Swift has also shopped where her fans shop, such as Zara, J. Crew, Urban Outfitters, ModCloth, and Forever 21, making her fashion "attainable, predictable, and unthreatening". The Wall Street Journal noted her pairing of higher-end labels with relatively affordable brands, making her style "accessible", which often result in record impressions and surging sales for the lesser-known fashion labels she wears. Fashion reporter Sarah Chapelle opined that wearing high-end designer pieces with more-accessible retailer items is a defining aspect of Swift's fashion, which in turn contributes to her "approachable, relatable" image.

Vogue's Jonah Waterhouse commented, Swift has no use for high fashion as she does not use it to propagate her career like other musicians have to. He opined that "Swift's wardrobe, in its authenticity to her personal brand and taste, embodies quiet power", as fashion does not influence Swift but she influences fashion instead. Olivia Petter of The Independent considered the critique Swift receives for her fashion as sexist, questioning why every woman in entertainment are expected to deliver over-the-top fashion and Swift for one cannot be allowed to detach herself from such scrutiny. Jake Henry Smith of Glamour echoed the same sentiment, saying Swift dresses like a "normal person"; he noted that the sustainable fashion retailer Reformation is the "backbone" of Swift's wardrobe.

Exhibits

List of select exhibitions of Swift's fashion

Venue	Location	Duration	Title	Ref.
Arlington Museum of Art	Arlington, Texas	June–September 2023	The Eras Tour Collection
Country Music Hall of Fame and Museum	Nashville, Tennessee	May 2023	Through Taylor Swift's Eras
Grammy Museum at L.A. Live	Los Angeles	August–September 2023	I Can See You (Taylor's Version) (At Grammy Museum)
Museum of Arts and Design	New York City	May 2023–March 2024	Taylor Swift: Storyteller
Victoria and Albert Museum	London	July 27 to September 8, 2024	Taylor Swift: Songbook Trail

Gallery

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  Swift's layered teal dress, and personalized cowboy boots bearing her name from her 2007 Academy of Country Music performance
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  Swift photographed at the Fearless Tour in Newark, New Jersey (2010), depicting the hair curls, midi and cowboy boots characteristic of her early career.
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  Swift on the red carpet of the 2010 Time 100 Gala
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  Swift at a 2011 YouTube interview, wearing a polka dress and pearl earrings
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  Swift in a fedora hat at the Red Tour (2013), unique to her Red-era fashion
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  Swift in an interview with British fashion journalist Zanna Roberts Rassi; the short hair is associated with her fifth studio album 1989 (2014)
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  Swift performing "Dress" in a snakeskin bodysuit at the Reputation Stadium Tour (2018)
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  Swift's wax figure at the Madame Tussauds museum, London, wearing the sequined romper that she wore at the 2019 iHeartRadio Music Awards, signaling the commencement of the Lover era
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  Swift's Versace shirt and look from "The Man" music video in 2020
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  Swift's flapper-inspired, jewel-encrusted Oscar de la Renta mini that she wore at the 2022 MTV Video Music Awards
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  Swift performing "The Archer" at the Eras Tour in a crystal-embellished bodysuit (2023)
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  Swift's black Victorian dress from her "Fortnight" music video in 2024

Books

• Chappelle, Sarah (October 8, 2024). Taylor Swift Style: Fashion Through the Eras. St. Martin's Publishing Group. ISBN 9781250906168.
• Johnson, Glenys (May 23, 2024). Icons of Style - Taylor Swift: The Story of a Fashion Icon. Headline Publishing Group. ISBN 9781802798371.
• Newman, Terry (October 2, 2023). Taylor Swift: And the Clothes She Wears. ACC Art Books. ISBN 9781788842280.
• Pomarico, Nicole (December 3, 2024). Long Live: The Definitive Guide to the Folklore and Fandom of Taylor Swift. Running Press. ISBN 9780762489411.

See also

• Public image of Taylor Swift
• Lists of people on the United States cover of Rolling Stone
• Lists of Vogue cover models
• Lists of covers of Time magazine
• Music and fashion
• History of Western fashion
• Fashion of Madonna