Omar Rodríguez-López
Omar Alfredo Rodriguez-Lopez (born September 1, 1975 in Bayamón, Puerto Rico) is the lead guitarist and composer for the progressive rock group The Mars Volta.
Biography
Rodriguez-Lopez grew up in El Paso, Texas, but spent some of his childhood in South Carolina, where he got in touch with friend Cedric Bixler Zavala who suggested he come back to El Paso. With the help of Bixler Zavala, he was able to make it back to El Paso where he joined At The Drive-In as backup vocalist and bass guitarist. After receiving a record deal with Flipside Records and recording Acrobatic Tenement with the band, he became their full-time bassist before switching to guitar. While in At The Drive-In, he held some odd jobs, including a telemarketer for AT&T. He also worked as a secretary and sold acid and other various drugs.
Omar started his music career at 15 years of age when he became the singer for the El Paso hardcore band, Startled Calf, from 1990 to 1992. Rodriguez-Lopez has spent most of his career working with, and often living with his close friend, Cedric Bixler Zavala. While still playing in At the Drive-In, they formed a dub reggae outfit called DeFacto. In 2001 both left At the Drive-In, which they had been part of since 1993, on "indefinite hiatus" to form The Mars Volta. In addition, Cedric appears on Rodriguez-Lopez's A Manual Dexterity: Soundtrack Volume 1, the soundtrack to Rodriguez-Lopez's film. The release of this film is postponed indefinitely.
Rodriguez-Lopez's compositional and playing style is characterized by, among other factors, unresolving dissonances (in particular a heavy use of the tritone), chromatic passages, serial composition and lengthy improvisation. He is also known for his vast array of effects pedals. Rodriguez-Lopez claims to be ignorant of any music theory.
Rodriguez-Lopez's style has been likened to that of King Crimson's Robert Fripp (who also uses tritones abundantly). It is likely that Fripp has had a considerable influence on Rodriguez-Lopez. However, Rodriguez has cited salsa pianist and bandleader Larry Harlow as his primary influence. Rodriguez cites the comedian Lenny Bruce, the film-maker Werner Herzog and the New Age anthropologist Carlos Castaneda as three other important influences.
Other notable comparisons can be drawn between Rodriguez and guitarist John McLaughlin of Mahavishnu Orchestra and Miles Davis fame. It is very likely that Rodriguez was influenced by McLaughlin as evident in his abundant use of complex time signatures and frequent meter changes in his playing. Many jazz and rock elements originally fused by pioneers such as McLaughlin are present in Rodriguez's playing as well.
Rodriguez-Lopez is credited as writing all the music heard on The Mars Volta's 2005 release CD, Frances the Mute, as well as acting as record producer, arranging and recording all of the music. He also produced the first and only LP from the defunct LA-based band Radio Vago.
Rodriguez-Lopez's playing style has been acknowledged by guitar legends such as Joe Satriani and Kirk Hammett.[citation needed]
The Omar Rodriguez-Lopez Quintet
The Omar Rodriguez-Lopez Quintet is a side project of Omar Rodriguez-Lopez. Taking some free time out of his busy schedule with The Mars Volta, Rodriguez-Lopez plays live shows with his quintet. A self-titled album exists, recorded mostly in Amsterdam. The album, Omar Rodriguez, features long, improvisational songs with Dutch titles.
Omar's latest work is a collaboration between him and Damo Suzuki entitled "Please Heat This Eventually". The collaboration features members of Omar's Quintet and will be released under Omar's GSL recordings on special edition 12" vinyl in December 2006, a proper release will come in early 2007.
Members
- Omar Rodriguez-Lopez : Guitar
- Juan Alderete de la Peña : Bass
- Marcel Rodriguez-Lopez : Drums
- Adrian Terrazas-Gonzales : Saxophone and percussion
- Money Mark : Keyboards and Synths
Criticism
![]() | The neutrality of this article is disputed. |
Rodriguez is seen by some as overly controlling in recent years, as evidenced by his increased prescense in the band's sound and album production. Critics cite the dominating sound of Rodriguez's guitar in both live performances and in the studio, as well as the fact that he writes and arranges the music for and has produced or co-produced all of The Mars Volta's albums.
The liner notes of Amputechture state that, "The partnership between Omar Rodriguez-Lopez [who wrote and arranged all of the music and directs the group] & Cedric Bixler-Zavala [who wrote all lyrics and vocal melodies] is The Mars Volta. These compositions are then performed by The Mars Volta Group", inciting controversy among the fan community. This controversy doesn't make sense when you take into consideration artists such as Mozart or Martin Scorsese. We hear music by artists that were never able to record their music, only write it but we still call it Mozart's music and we rarely refer to the contemporary players (unless of course they do something radically different.) Also no film is known by every person that made it possible, instead (like Omar) the film is known by the director's name.
Discography
Solo / Omar Rodriguez-Lopez Quintet
- A Manual Dexterity: Soundtrack Volume 1 (2004)
- Omar Rodriguez (2005)
- Please Heat This Eventually (2007)
- A Manual Dexterity: Soundtrack Volume 2 (?)
With Startled Calf
- I Love Being Trendy (1991) - EP
With At The Drive-In
- Acrobatic Tenement (1996, re-release 2004) - LP
- El Gran Orgo - (1997) - EP
- In/Casino/Out (1998, re-release 2004) - LP
- Vaya (1999, re-release 2004) - EP
- Relationship of Command (2000, re-release 2004) - LP
- This Station Is Non-Operational (2005) - Compilation
With DeFacto
- How Do You Dub? You Fight For Dub, You Plug Dub In (1999)
- Megaton Shotblast (2001)
- Légende du Scorpion á Quatre Queues (2001)
- 456132015 (2001)
With The Mars Volta
- Concertina Demo - Demo with unreleased electronic music (?)
- Tremulant - EP (2002)
- De-Loused in the Comatorium - LP (2003)
- Live EP - EP (2003)
- Frances the Mute - LP (2005)
- A Missing Chromosome -Compilation (2005)
- Scabdates - LP (2005)
- Amputechture - LP (2006)
Guest Appearances
- Shadows Collide With People - John Frusciante (2004)
- Inside of Emptiness - John Frusciante (2004)
- Curtains - John Frusciante (2004)
- White People - Handsome Boy Modeling School (2004)
- Radio Vago - Radio Vago (2005)
- Stadium Arcadium - Red Hot Chili Peppers (2006)
Equipment
With The Mars Volta
Live:
- Guitars:
- Ibanez AX120 Custom Model with .012 gauge strings. (This is Omar's main guitar for live on-stage with TMV. They have an Ibanez Artcore series bolt-on neck, a single volume control knob, and a single Seymour Duncan JB Jr. pickup in the bridge position. He has many of these guitars, and at one point had one with a Floyd Rose installed, which has since broken.) As taken from: http://www.ibanez.com/artists/default.asp?s=e
- Ibanez JTK2 Jet King Custom Model in black with red tortoise shell pickguard and one Seymour Duncan JB Jr. pickup. (As seen played on October 23rd show: http://i145.photobucket.com/albums/r217/ChompOnThat/DSC00208.jpg)
- Effects pedals:
- Line 6 DL4 Delay Modeler
- ADA Flanger
- BOSS PS-5 Super Shifter
- Ibanez DE7 Delay
- MXR Phase 90
- Danelectro French Toast Fuzz-Octave
- Electro-Harmonix Big Muff
- Ibanez SB7 Bass Synthesizer
- Line 6 FM4 Filter Modeler
- Digitech Whammy IV
- Electro-Harmonix Small Stone
- Mutron III
- Dunlop 105Q Crybaby Bass Wah
- Electro-Harmonix Poly Chorus
- Moogerfooger Ring Modulator
- Electro-Harmonix Memory Man Deluxe
- BOSS DD-6 (Omar's pedal has the name taped over)
- Electro-Harmonix Holy Grail Reverb
- BOSS TU-2 tuner
- Digitech Synth Wah
- Xotic Robotalk
- MXR Micro Amp
- Line 6 MM4 Modulation Modeler
- Doepfer A-100 Modular Synthesizer Units
(Omar has a huge range of effects pedals which he uses both live and in the studio. The above is a list of identified pedals, however the list is not complete and may never be complete.)
Studio:
With At The Drive-In
- Guitars:
- Squier Super-Sonic (Right-handed model, strung left-handed)
- Fender Mustang
- Maton MS542 (Discontinued model, used in the Bochum, Germany video)
- Amplifiers:
- Marshall Super Plexi PA (As seen used in earlier videos)
- Orange Heads (Unknown models, bass head, usually covered with a Puerto Rican flag)
With Omar Rodriguez-Lopez Quintet
- Effects pedals:
- Ibanez TS-808 Tube Screamer
- MXR Phase 90
- Line 6 Tonecore Verbzilla
- Line 6 FM-4 Filter Modeller
- Moogerfooger Ring Modulator
- BOSS TU-2 Tuner
- Electro-Harmonix Memory Man Deluxe
- BOSS DD-3
- Line 6 DL-4 Delay Modeller
- Ibanez WH-10 Wah
With DeFacto
- Basses
- Fender Jazz basses (Omar used a black with white scratchplate model and white with red tortoise-shell scratchplate model)
- Amplifiers:
- Ampeg Bass heads (unknown models)
- Mesa Boogie Cabinets
- Ampeg Bass cabinets
- Effects pedals:
- BOSS DD-3, 5 or 6
- Moogerfooger Ring Modulator
- Digitech Whammy IV
- Electro-Harmonix Memory Man Deluxe