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A book is a structured presentation of recorded information, primarily verbal and graphical, through a medium. Originally physical, electronic books and audiobooks are now existent. Physical books are objects that contain printed material, mostly of writing and images. Modern books are typically composed of many pages bound together and protected by a cover, what is known as the codex format; older formats include the scroll and the tablet.

As a conceptual object, a book often refers to a written work of substantial length by one or more authors, which may also be distributed digitally as an electronic book (ebook). These kinds of works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). But a physical book may not contain a written work: for example, it may contain only drawings, engravings, photographs, sheet music, puzzles, or removable content like paper dolls.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility such as braille printing and large-print editions.

Google Books estimated in 2010 that approximately 130 million total unique books had been published. The book publishing process is the series of steps involved in book creation and dissemination. Books are sold at both regular stores and specialized bookstores, as well as online (for delivery), and can be borrowed from libraries or public bookcases. The reception of books has led to a number of social consequences, including censorship.

Books are sometimes contrasted with periodical literature, such as newspapers or magazines, where new editions are published according to a regular schedule. Related items, also broadly categorized as "books", are left empty for personal use: as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks. (Full article...)

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  • Image 1 Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London. History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings. Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
    Page reads "History of a Six Weeks' Tour through a Part of France, Switzerland, Germany, and Holland: with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni. By Percy Bysshe Shelley. London: Published by T. Hookham, Jun. Old Bond Street; and C. and J. Ollier, Welldeck Street. 1817."
    Title page from History of a Six Weeks' Tour (1817), Thomas Hookham, Jr. and Charles and James Ollier, London.

    History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published anonymously in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, preface, and two letters, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

    Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman. (Full article...)
  • Image 2 Page from Hemming's Cartulary, folio 121 of the manuscript Hemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester. The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)

    Page from Hemming's Cartulary, folio 121 of the manuscript

    Hemming's Cartulary is a manuscript cartulary, or collection of charters and other land records, collected by a monk named Hemming around the time of the Norman Conquest of England. The manuscript comprises two separate cartularies that were made at different times and later bound together; it is in the British Library as MS Cotton Tiberius A xiii. The first was composed at the end of the 10th or beginning of the 11th century. The second section was compiled by Hemming and was written around the end of the 11th or the beginning of the 12th century. The first section, traditionally titled the Liber Wigorniensis, is a collection of Anglo-Saxon charters and other land records, most of which are organized geographically. The second section, Hemming's Cartulary proper, combines charters and other land records with a narrative of deprivation of property owned by the church of Worcester.

    The two works are bound together in one surviving manuscript, the earliest surviving cartulary from medieval England. A major theme is the losses suffered by Worcester at the hands of royal officials and local landowners. Included amongst the despoilers are kings such as Cnut and William the Conqueror, and nobles such as Eadric Streona and Urse d'Abetot. Also included are accounts of lawsuits waged by the Worcester monks in an effort to regain their lost lands. The two sections of the cartulary were first printed in 1723. The original manuscript was slightly damaged by fire in 1733, and required rebinding. (Full article...)
  • Image 3 First page of the only surviving manuscript, c. 14th century Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations. The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)

    First page of the only surviving manuscript, c. 14th century

    Sir Gawain and the Green Knight is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations.

    The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who dares any man to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him, after which the Green Knight stands, picks up his head, and reminds Gawain of the appointed time. In his struggles to keep his bargain, Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving the lord and the lady of the castle at which he is a guest. The poem survives in one manuscript, Cotton Nero A.x., which also includes three religious narrative poems: Pearl, Cleanness, and Patience. All four are written in a North West Midlands dialect of Middle English, and are thought to be by the same author, dubbed the "Pearl Poet" or "Gawain Poet". (Full article...)
  • Image 4 Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England. Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
    Page reads "A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France. By Mary Wollstonecraft. The Second Edition. London: Printed for J. Johnson, No. 72, St. Paul's Church-Yard. M.DCC.XC."
    Title page from the second edition of A Vindication of the Rights of Men, the first to carry Wollstonecraft's name


    A Vindication of the Rights of Men, in a Letter to the Right Honourable Edmund Burke; Occasioned by His Reflections on the Revolution in France (1790) is a political pamphlet, written by the 18th-century British writer and women's rights advocate Mary Wollstonecraft, which attacks aristocracy and advocates republicanism. Wollstonecraft's was the first response in a pamphlet war sparked by the publication of Edmund Burke's Reflections on the Revolution in France (1790), a defense of constitutional monarchy, aristocracy, and the Church of England.

    Wollstonecraft attacked not only hereditary privilege, but also the rhetoric that Burke used to defend it. Most of Burke's detractors deplored what they viewed as his theatrical pity for Marie Antoinette, but Wollstonecraft was unique in her love of Burke's gendered language. By saying the sublime and the beautiful, terms first established by Burke himself in A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756), she kept his rhetoric as well as his argument. In her first unabashedly feminist critique, which Wollstonecraft scholar Claudia Johnson describes as unsurpassed in its argumentative force, Wollstonecraft indicts Burke's justification of an equal society founded on the passivity of women. (Full article...)
  • Image 5 Trinity College, Cambridge MS O.2.1 The Liber Eliensis is a 12th-century English chronicle and history, written in Latin. Composed in three books, it was written at Ely Abbey on the island of Ely in the fenlands of eastern Cambridgeshire. Ely Abbey became the cathedral of a newly formed bishopric in 1109. Traditionally, the author of the anonymous work has been given as Richard or Thomas, two monks at Ely, one of whom, Richard, has been identified with an official of the monastery, but some historians hold that neither Richard nor Thomas was the author. The Liber covers the period from the founding of the abbey in 673 until the middle of the 12th century, building on earlier historical works. It incorporates documents and stories of saints' lives. The work typifies a type of local history produced during the latter part of the 12th century. Similar books were written at other English monasteries. The longest of the contemporary local histories, the Liber chronicles the devastation that the Anarchy caused during the reign of King Stephen. It also documents the career of Nigel, the Bishop of Ely from 1133 to 1169, and his disputes with King Stephen. Other themes include the miracles worked by the monastery's patron saint, Æthelthryth, and gifts of land to Ely. (Full article...)

    Trinity College, Cambridge MS O.2.1

    The Liber Eliensis is a 12th-century English chronicle and history, written in Latin. Composed in three books, it was written at Ely Abbey on the island of Ely in the fenlands of eastern Cambridgeshire. Ely Abbey became the cathedral of a newly formed bishopric in 1109. Traditionally, the author of the anonymous work has been given as Richard or Thomas, two monks at Ely, one of whom, Richard, has been identified with an official of the monastery, but some historians hold that neither Richard nor Thomas was the author.

    The Liber covers the period from the founding of the abbey in 673 until the middle of the 12th century, building on earlier historical works. It incorporates documents and stories of saints' lives. The work typifies a type of local history produced during the latter part of the 12th century. Similar books were written at other English monasteries. The longest of the contemporary local histories, the Liber chronicles the devastation that the Anarchy caused during the reign of King Stephen. It also documents the career of Nigel, the Bishop of Ely from 1133 to 1169, and his disputes with King Stephen. Other themes include the miracles worked by the monastery's patron saint, Æthelthryth, and gifts of land to Ely. (Full article...)
  • Image 6 The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth. The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
    The World Without Us is a 2007 non-fiction book about what would happen to the natural and built environment if humans suddenly disappeared, written by American journalist Alan Weisman and published by St. Martin's Thomas Dunne Books. It is a book-length expansion of Weisman's own February 2005 Discover article "Earth Without People". Written largely as a thought experiment, it outlines, for example, how cities and houses would deteriorate, how long man-made artifacts would last, and how remaining lifeforms would evolve. Weisman concludes that residential neighborhoods would become forests within 500 years, and that radioactive waste, bronze statues, plastics and Mount Rushmore would be among the longest-lasting evidence of human presence on Earth.

    The author of four previous books and numerous articles for magazines, Weisman had traveled to interview academics, scientists and other authorities. He used quotations from these interviews to explain the effects of the natural environment and to substantiate predictions. The book has been translated and published in many countries. It was successful in the U.S., reaching #6 on the New York Times Best Seller list and #1 on the San Francisco Chronicle Best-Sellers list in September 2007. It ranked #1 on Time and Entertainment Weekly's top 10 non-fiction books of 2007. (Full article...)
  • Image 7 Stone commemorative marker at Literary Hall in Romney, West Virginia The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities. The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)

    Stone commemorative marker at Literary Hall in Romney, West Virginia

    The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities.

    The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)
  • Image 8 Southern Cross is the sole wordless novel by Canadian artist Laurence Hyde (1914–1987). Published in 1951, its 118 wood-engraved images narrate the impact of atomic testing on Pacific islanders. Hyde made the book to express his anger at the US military's nuclear tests in the Bikini Atoll. The wordless novel genre had flourished primarily during the 1920s and 1930s, but by the 1940s even the most prolific practitioners had abandoned it. Hyde was familiar with some such works by Lynd Ward, Otto Nückel, and the form's pioneer Frans Masereel. The high-contrast artwork of Southern Cross features dynamic curving lines uncommon in wood engraving and combines abstract imagery with realistic detail. It has gained appreciation in comics circles as a precursor to the Canadian graphic novel, though it had no direct influence. (Full article...)
    Southern Cross is the sole wordless novel by Canadian artist Laurence Hyde (1914–1987). Published in 1951, its 118 wood-engraved images narrate the impact of atomic testing on Pacific islanders. Hyde made the book to express his anger at the US military's nuclear tests in the Bikini Atoll.

    The wordless novel genre had flourished primarily during the 1920s and 1930s, but by the 1940s even the most prolific practitioners had abandoned it. Hyde was familiar with some such works by Lynd Ward, Otto Nückel, and the form's pioneer Frans Masereel. The high-contrast artwork of Southern Cross features dynamic curving lines uncommon in wood engraving and combines abstract imagery with realistic detail. It has gained appreciation in comics circles as a precursor to the Canadian graphic novel, though it had no direct influence. (Full article...)
  • Image 9 Title page from the first edition of Original Stories (1788) Original Stories from Real Life; with Conversations Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness is the only complete work of children's literature by the 18th-century English feminist author Mary Wollstonecraft. Original Stories begins with a frame story that sketches out the education of two young girls by their maternal teacher Mrs. Mason, followed by a series of didactic tales. The book was first published by Joseph Johnson in 1788; a second, illustrated edition, with engravings by William Blake, was released in 1791 and remained in print for around a quarter of a century. In Original Stories, Wollstonecraft employed the then-burgeoning genre of children's literature to promote the education of women and an emerging middle-class ideology. She argued that women would be able to become rational adults if they were educated properly as children, which was not a widely held belief in the 18th century, and contended that the nascent middle-class ethos was superior to the court culture represented by fairy tales and to the values of chance and luck found in chapbook stories for the poor. Wollstonecraft, in developing her own pedagogy, also responded to the works of the two most important educational theorists of the 18th century: John Locke and Jean-Jacques Rousseau. (Full article...)
    Page reads "Original Stories, from Real Life; with Conversations, Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness. London: Printed for J. Johnson, No. 72, St. Paul's Church-Yard. M.DCC.LXXVIII."
    Title page from the first edition of Original Stories (1788)

    Original Stories from Real Life; with Conversations Calculated to Regulate the Affections, and Form the Mind to Truth and Goodness is the only complete work of children's literature by the 18th-century English feminist author Mary Wollstonecraft. Original Stories begins with a frame story that sketches out the education of two young girls by their maternal teacher Mrs. Mason, followed by a series of didactic tales. The book was first published by Joseph Johnson in 1788; a second, illustrated edition, with engravings by William Blake, was released in 1791 and remained in print for around a quarter of a century.

    In Original Stories, Wollstonecraft employed the then-burgeoning genre of children's literature to promote the education of women and an emerging middle-class ideology. She argued that women would be able to become rational adults if they were educated properly as children, which was not a widely held belief in the 18th century, and contended that the nascent middle-class ethos was superior to the court culture represented by fairy tales and to the values of chance and luck found in chapbook stories for the poor. Wollstonecraft, in developing her own pedagogy, also responded to the works of the two most important educational theorists of the 18th century: John Locke and Jean-Jacques Rousseau. (Full article...)
  • Image 10 An Introduction to Animals and Political Theory is a 2010 textbook by the British political theorist Alasdair Cochrane. It is the first book in the publisher Palgrave Macmillan's Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. Cochrane's book examines five schools of political theory—utilitarianism, liberalism, communitarianism, Marxism and feminism—and their respective relationships with questions concerning animal rights and the political status of (non-human) animals. Cochrane concludes that each tradition has something to offer to these issues, but ultimately presents his own account of interest-based animal rights as preferable to any. His account, though drawing from all examined traditions, builds primarily upon liberalism and utilitarianism. An Introduction was reviewed positively in several academic publications. The political philosopher Steve Cooke said that Cochrane's own approach showed promise, and that the book would have benefited from devoting more space to it. Robert Garner, a political theorist, praised Cochrane's synthesis of such a broad range of literature, but argued that the work was too uncritical of the concept of justice as it might apply to animals. Cochrane's account of interest-based rights for animals was subsequently considered at greater length in his 2012 book Animal Rights Without Liberation, published by Columbia University Press. An Introduction to Animals and Political Theory was one of the first books to explore animals from the perspective of political theory, and became an established part of a literature critical of the topic's traditional neglect. (Full article...)
    An Introduction to Animals and Political Theory is a 2010 textbook by the British political theorist Alasdair Cochrane. It is the first book in the publisher Palgrave Macmillan's Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. Cochrane's book examines five schools of political theory—utilitarianism, liberalism, communitarianism, Marxism and feminism—and their respective relationships with questions concerning animal rights and the political status of (non-human) animals. Cochrane concludes that each tradition has something to offer to these issues, but ultimately presents his own account of interest-based animal rights as preferable to any. His account, though drawing from all examined traditions, builds primarily upon liberalism and utilitarianism.

    An Introduction was reviewed positively in several academic publications. The political philosopher Steve Cooke said that Cochrane's own approach showed promise, and that the book would have benefited from devoting more space to it. Robert Garner, a political theorist, praised Cochrane's synthesis of such a broad range of literature, but argued that the work was too uncritical of the concept of justice as it might apply to animals. Cochrane's account of interest-based rights for animals was subsequently considered at greater length in his 2012 book Animal Rights Without Liberation, published by Columbia University Press. An Introduction to Animals and Political Theory was one of the first books to explore animals from the perspective of political theory, and became an established part of a literature critical of the topic's traditional neglect. (Full article...)
  • Image 11 Office of the Dead, folios 121v–122r; the manuscript's closing leaves The Black Hours, MS M.493 (or the Morgan Black Hours) is an illuminated book of hours completed in Bruges between 1460 and 1475. It consists of 121 pages (leaves) with Latin text written in Gothic minuscule script. The words are arranged in rows of fourteen lines and follow the Roman version of the texts. The lettering is inscribed in silver and gold and placed within borders ornamented with flowers, foliage and grotesques, on pages dyed a deep blueish black; hence its designation as a Black books of hours. The book contains fourteen full-page miniatures and opens with the months of the liturgical calendar (folios 3 verso – 14 recto), followed by the Hours of the Virgin, and ends with the Office of the Dead (folio 121v). MS M.493 has been in the collection of the Morgan Library & Museum, New York, since 1912. It is one of seven surviving black books of hours, all originating from Bruges and dated to the mid-to-late 15th century. They are so named for their unusual dark blueish appearance, a colourisation achieved through the expensive process of dyeing the vellum with iron gall ink. This dye is very corrosive and the surviving examples are mostly badly decomposed; MS M.493 is in relatively good condition due to its very thick parchment. (Full article...)
    Office of the Dead, folios 121v–122r; the manuscript's closing leaves

    The Black Hours, MS M.493 (or the Morgan Black Hours) is an illuminated book of hours completed in Bruges between 1460 and 1475. It consists of 121 pages (leaves) with Latin text written in Gothic minuscule script. The words are arranged in rows of fourteen lines and follow the Roman version of the texts. The lettering is inscribed in silver and gold and placed within borders ornamented with flowers, foliage and grotesques, on pages dyed a deep blueish black; hence its designation as a Black books of hours. The book contains fourteen full-page miniatures and opens with the months of the liturgical calendar (folios 3 verso – 14 recto), followed by the Hours of the Virgin, and ends with the Office of the Dead (folio 121v).

    MS M.493 has been in the collection of the Morgan Library & Museum, New York, since 1912. It is one of seven surviving black books of hours, all originating from Bruges and dated to the mid-to-late 15th century. They are so named for their unusual dark blueish appearance, a colourisation achieved through the expensive process of dyeing the vellum with iron gall ink. This dye is very corrosive and the surviving examples are mostly badly decomposed; MS M.493 is in relatively good condition due to its very thick parchment. (Full article...)
  • Image 12 The hardcover version Mom & Me & Mom (2013) is the seventh and final book in author Maya Angelou's series of autobiographies. The book was published shortly before Mother's Day and Angelou's 85th birthday. It focuses, for the first time in her books, on Angelou's relationship with her mother, Vivian Baxter. The book explains Baxter's behavior, especially Baxter's abandonment of Angelou and Angelou's older brother when they were young children, and fills in "what are possibly the final blanks in Angelou's eventful life". The book also chronicles Angelou's reunion and reconciliation with Baxter. Mom & Me & Mom is an overview of Angelou's life and revisits many of the same anecdotes she relates in her previous books. The first section, entitled "Mom & Me", centers on Angelou's early years, before the age of 17, and her transition from resentment and distrust of her mother to acceptance, support, and love towards her. After Baxter helps her through the birth of her son, Angelou goes from calling Baxter "Lady" to "Mom". In the book's second section, entitled "Me & Mom", Angelou chronicles the unconditional love, support, and assistance they gave to each other, as Baxter helps her through single motherhood, a failed marriage, and career ups and downs. As she had begun to do in I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upheld the long traditions of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become "a major autobiographical voice of the time". (Full article...)

    The hardcover version

    Mom & Me & Mom (2013) is the seventh and final book in author Maya Angelou's series of autobiographies. The book was published shortly before Mother's Day and Angelou's 85th birthday. It focuses, for the first time in her books, on Angelou's relationship with her mother, Vivian Baxter. The book explains Baxter's behavior, especially Baxter's abandonment of Angelou and Angelou's older brother when they were young children, and fills in "what are possibly the final blanks in Angelou's eventful life". The book also chronicles Angelou's reunion and reconciliation with Baxter.

    Mom & Me & Mom is an overview of Angelou's life and revisits many of the same anecdotes she relates in her previous books. The first section, entitled "Mom & Me", centers on Angelou's early years, before the age of 17, and her transition from resentment and distrust of her mother to acceptance, support, and love towards her. After Baxter helps her through the birth of her son, Angelou goes from calling Baxter "Lady" to "Mom". In the book's second section, entitled "Me & Mom", Angelou chronicles the unconditional love, support, and assistance they gave to each other, as Baxter helps her through single motherhood, a failed marriage, and career ups and downs. As she had begun to do in I Know Why the Caged Bird Sings, and continued throughout her series, Angelou upheld the long traditions of African-American autobiography. At the same time she made a deliberate attempt to challenge the usual structure of the autobiography by critiquing, changing, and expanding the genre. She had become recognized and highly respected as a spokesperson for Blacks and women. Angelou was, as scholar Joanne Braxton has stated, "without a doubt, ... America's most visible black woman autobiographer". She had also become "a major autobiographical voice of the time". (Full article...)
  • Image 13 Cover of the 1940 edition The Negro Motorist Green Book (also, The Negro Travelers' Green Book, or Green-Book) was a guidebook for African American roadtrippers. It was founded by Victor Hugo Green, an African American postal worker from New York City, and was published annually from 1936 to 1966. This was during the era of Jim Crow laws, when open and often legally prescribed discrimination against African Americans especially and other non-whites was widespread. While pervasive racial discrimination and poverty limited black car ownership, the emerging African American middle class bought automobiles as soon as they could but faced a variety of dangers and inconveniences along the road, from refusal of food and lodging to arbitrary arrest. In the South, where Black motorists risked harassment or physical violence, these dangers were particularly severe. In some cases, African American travelers who got lost or sought lodging off the beaten path were killed, with little to no investigation by local authorities. In response, Green wrote his guide to services and places relatively friendly to African Americans. Eventually, he also founded a travel agency. Many black Americans took to driving, in part to avoid segregation on public transportation. As the writer George Schuyler put it in 1930, "all Negroes who can do so purchase an automobile as soon as possible in order to be free of discomfort, discrimination, segregation and insult". Black Americans employed as athletes, entertainers, and salesmen also traveled frequently for work purposes using automobiles that they owned personally. (Full article...)

    Cover of the 1940 edition

    The Negro Motorist Green Book (also, The Negro Travelers' Green Book, or Green-Book) was a guidebook for African American roadtrippers. It was founded by Victor Hugo Green, an African American postal worker from New York City, and was published annually from 1936 to 1966. This was during the era of Jim Crow laws, when open and often legally prescribed discrimination against African Americans especially and other non-whites was widespread. While pervasive racial discrimination and poverty limited black car ownership, the emerging African American middle class bought automobiles as soon as they could but faced a variety of dangers and inconveniences along the road, from refusal of food and lodging to arbitrary arrest. In the South, where Black motorists risked harassment or physical violence, these dangers were particularly severe. In some cases, African American travelers who got lost or sought lodging off the beaten path were killed, with little to no investigation by local authorities. In response, Green wrote his guide to services and places relatively friendly to African Americans. Eventually, he also founded a travel agency.

    Many black Americans took to driving, in part to avoid segregation on public transportation. As the writer George Schuyler put it in 1930, "all Negroes who can do so purchase an automobile as soon as possible in order to be free of discomfort, discrimination, segregation and insult". Black Americans employed as athletes, entertainers, and salesmen also traveled frequently for work purposes using automobiles that they owned personally. (Full article...)
  • Image 14 First edition title page A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects , is a 1792 feminist essay written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), and is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men. Wollstonecraft was prompted to write the Rights of Woman after reading Charles Maurice de Talleyrand-Périgord's 1791 report to the French National Assembly, which stated that women should only receive domestic education. From her reaction to this specific event, she launched a broad attack against double standards, indicting men for encouraging women to indulge in excessive emotion. Wollstonecraft hurried to complete the work in direct response to ongoing events; she intended to write a more thoughtful second volume but died before completing it. (Full article...)

    First edition title page

    A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects , is a 1792 feminist essay written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), and is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.

    Wollstonecraft was prompted to write the Rights of Woman after reading Charles Maurice de Talleyrand-Périgord's 1791 report to the French National Assembly, which stated that women should only receive domestic education. From her reaction to this specific event, she launched a broad attack against double standards, indicting men for encouraging women to indulge in excessive emotion. Wollstonecraft hurried to complete the work in direct response to ongoing events; she intended to write a more thoughtful second volume but died before completing it. (Full article...)
  • Image 15 The Heart of a Woman (1981) is an autobiography by American writer Maya Angelou. The book is the fourth installment in Angelou's series of seven autobiographies. The Heart of a Woman recounts events in Angelou's life between 1957 and 1962 and follows her travels to California, New York City, Cairo, and Ghana as she raises her teenage son, becomes a published author, becomes active in the civil rights movement, and becomes romantically involved with a South African anti-apartheid fighter. One of the most important themes of The Heart of a Woman is motherhood, as Angelou continues to raise her son. The book ends with her son leaving for college and Angelou looking forward to newfound independence and freedom. Like Angelou's previous volumes, the book has been described as autobiographical fiction, though most critics, as well as Angelou, have characterized it as autobiography. Although most critics consider Angelou's first autobiography I Know Why the Caged Bird Sings more favorably, The Heart of a Woman has received positive reviews. It was chosen as an Oprah's Book Club selection in 1997. (Full article...)
    The Heart of a Woman (1981) is an autobiography by American writer Maya Angelou. The book is the fourth installment in Angelou's series of seven autobiographies. The Heart of a Woman recounts events in Angelou's life between 1957 and 1962 and follows her travels to California, New York City, Cairo, and Ghana as she raises her teenage son, becomes a published author, becomes active in the civil rights movement, and becomes romantically involved with a South African anti-apartheid fighter. One of the most important themes of The Heart of a Woman is motherhood, as Angelou continues to raise her son. The book ends with her son leaving for college and Angelou looking forward to newfound independence and freedom.

    Like Angelou's previous volumes, the book has been described as autobiographical fiction, though most critics, as well as Angelou, have characterized it as autobiography. Although most critics consider Angelou's first autobiography I Know Why the Caged Bird Sings more favorably, The Heart of a Woman has received positive reviews. It was chosen as an Oprah's Book Club selection in 1997. (Full article...)
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Folio 27r from the Lindisfarne Gospels contains the incipit from the Gospel of Matthew.

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The Lindisfarne Gospels is an illuminated Latin manuscript of the gospels of Matthew, Mark, Luke and John. The manuscript was produced on Lindisfarne in Northumbria in the late 7th century or early 8th century.
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  • Image 1 Extract from the 1194 Pipe roll The Pipe rolls, sometimes called the Great rolls or the Great Rolls of the Pipe, are a collection of financial records maintained by the English Exchequer, or Treasury, and its successors, as well as the Exchequer of Ireland. The earliest date from the 12th century, and the series extends, mostly complete, from then until 1833. They form the oldest continuous series of records concerning English governance kept by the English, British, Irish and United Kingdom governments, covering a span of about 700 years. The early medieval ones are especially useful for historical study, as they are some of the earliest financial records available from the Middle Ages. A similar set of records was developed for Normandy, which was ruled by the English kings from 1066 to 1205, but the Norman Pipe rolls have not survived in a continuous series like the English. They were the records of the yearly audits performed by the Exchequer of the accounts and payments presented to the Treasury by the sheriffs and other royal officials; and owed their name to the shape they took, as the various sheets were affixed to each other and then rolled into a tight roll, resembling a pipe, for storage. They record not only payments made to the government, but debts owed to the crown and disbursements made by royal officials. Although they recorded much of the royal income, they did not record all types of income, nor did they record all expenditures, so they are not strictly speaking a budget. The Pipe Roll Society, formed in 1883, has published the Pipe rolls for the period up to 1224. (Full article...)

    Extract from the 1194 Pipe roll

    The Pipe rolls, sometimes called the Great rolls or the Great Rolls of the Pipe, are a collection of financial records maintained by the English Exchequer, or Treasury, and its successors, as well as the Exchequer of Ireland. The earliest date from the 12th century, and the series extends, mostly complete, from then until 1833. They form the oldest continuous series of records concerning English governance kept by the English, British, Irish and United Kingdom governments, covering a span of about 700 years. The early medieval ones are especially useful for historical study, as they are some of the earliest financial records available from the Middle Ages. A similar set of records was developed for Normandy, which was ruled by the English kings from 1066 to 1205, but the Norman Pipe rolls have not survived in a continuous series like the English.

    They were the records of the yearly audits performed by the Exchequer of the accounts and payments presented to the Treasury by the sheriffs and other royal officials; and owed their name to the shape they took, as the various sheets were affixed to each other and then rolled into a tight roll, resembling a pipe, for storage. They record not only payments made to the government, but debts owed to the crown and disbursements made by royal officials. Although they recorded much of the royal income, they did not record all types of income, nor did they record all expenditures, so they are not strictly speaking a budget. The Pipe Roll Society, formed in 1883, has published the Pipe rolls for the period up to 1224. (Full article...)
  • Image 2 Vedic Mathematics is a book written by Indian Shankaracharya Bharati Krishna Tirtha and first published in 1965. It contains a list of mathematical techniques which were falsely claimed to contain advanced mathematical knowledge. The book was posthumously published under its deceptive title by editor V. S. Agrawala, who noted in the foreword that the claim of Vedic origin, made by the original author and implied by the title, was unsupported. Neither Krishna Tirtha nor Agrawala were able to produce sources, and scholars unanimously note it to be a compendium of methods for increasing the speed of elementary mathematical calculations sharing no overlap with historical mathematical developments during the Vedic period. Nonetheless, there has been a proliferation of publications in this area and multiple attempts to integrate the subject into mainstream education at the state level by right-wing Hindu nationalist governments. (Full article...)
    Vedic Mathematics is a book written by Indian Shankaracharya Bharati Krishna Tirtha and first published in 1965. It contains a list of mathematical techniques which were falsely claimed to contain advanced mathematical knowledge. The book was posthumously published under its deceptive title by editor V. S. Agrawala, who noted in the foreword that the claim of Vedic origin, made by the original author and implied by the title, was unsupported.

    Neither Krishna Tirtha nor Agrawala were able to produce sources, and scholars unanimously note it to be a compendium of methods for increasing the speed of elementary mathematical calculations sharing no overlap with historical mathematical developments during the Vedic period. Nonetheless, there has been a proliferation of publications in this area and multiple attempts to integrate the subject into mainstream education at the state level by right-wing Hindu nationalist governments. (Full article...)
  • Image 3 Other Minds is a 2016 book by the Australian philosopher Peter Godfrey-Smith on the evolution and nature of consciousness. It compares the situation in cephalopods, especially octopuses and cuttlefish, with that in mammals and birds. Complex active bodies that enable and perhaps require a measure of intelligence have evolved three times, in arthropods, cephalopods, and vertebrates. The book reflects on the nature of cephalopod intelligence in particular, constrained by their short lifespan, and embodied in large part in their partly autonomous arms, which contain more nerve cells than their brains. The book has been praised by reviewers, who have found it delightfully written, undogmatic but incisive in its analysis, and its account of intelligence as a subjective embodied experience elegantly told. The author's octopus subjects come across as "uncannily personable without being at all human". (Full article...)
    Other Minds is a 2016 book by the Australian philosopher Peter Godfrey-Smith on the evolution and nature of consciousness. It compares the situation in cephalopods, especially octopuses and cuttlefish, with that in mammals and birds. Complex active bodies that enable and perhaps require a measure of intelligence have evolved three times, in arthropods, cephalopods, and vertebrates. The book reflects on the nature of cephalopod intelligence in particular, constrained by their short lifespan, and embodied in large part in their partly autonomous arms, which contain more nerve cells than their brains.

    The book has been praised by reviewers, who have found it delightfully written, undogmatic but incisive in its analysis, and its account of intelligence as a subjective embodied experience elegantly told. The author's octopus subjects come across as "uncannily personable without being at all human". (Full article...)
  • Image 4 Targeted Killings: Law and Morality in an Asymmetrical World is a non-fiction compilation book about targeted killing edited by Claire Finkelstein, Jens David Ohlin, and Andrew Altman. It was published by Oxford University Press in 2012. The book grew out of contributions by the authors to a conference in April 2011 at the University of Pennsylvania Law School. Targeted Killings features eighteen essays in five sections arranged by topic. The work argues that after the 11 September attacks by Al-Qaeda in 2001, the United States and other countries began to see the tactic of targeted killing differently. The practice of targeted killing had previously been accepted in situations of self-defence in military settings; after 11 September 2001 it was used to kill non-combatants and those not directly involved in a particular armed force. The book begins with a discussion of targeted killing of non-combatants, followed by discussions of legalities, the rationale of self-defence, the choice of targets, and when and whether the ends can be used to justify the means. Several contributors defend targeting of non-combatants, while Jeremy Waldron discusses the morality associated with the tactic and argues against its use. Jeff McMahan identifies the problematic nature of targeted killing and emphasizes regulations for law enforcement to avoid abuse of process. Richard V. Meyer writes that any entity wishing to carry out targeted killing should first have to declare war on the targeted parties. Kevin H. Govern examines the elimination of Osama bin Laden and identifies this killing as justified and the product of a rational decision-making process. In the final portion of the book, Fernando Tesón says that targeted killing is particularly justified against terrorists because they use tactics specifically designed to kill civilians. (Full article...)
    Targeted Killings: Law and Morality in an Asymmetrical World is a non-fiction compilation book about targeted killing edited by Claire Finkelstein, Jens David Ohlin, and Andrew Altman. It was published by Oxford University Press in 2012. The book grew out of contributions by the authors to a conference in April 2011 at the University of Pennsylvania Law School. Targeted Killings features eighteen essays in five sections arranged by topic. The work argues that after the 11 September attacks by Al-Qaeda in 2001, the United States and other countries began to see the tactic of targeted killing differently. The practice of targeted killing had previously been accepted in situations of self-defence in military settings; after 11 September 2001 it was used to kill non-combatants and those not directly involved in a particular armed force.

    The book begins with a discussion of targeted killing of non-combatants, followed by discussions of legalities, the rationale of self-defence, the choice of targets, and when and whether the ends can be used to justify the means. Several contributors defend targeting of non-combatants, while Jeremy Waldron discusses the morality associated with the tactic and argues against its use. Jeff McMahan identifies the problematic nature of targeted killing and emphasizes regulations for law enforcement to avoid abuse of process. Richard V. Meyer writes that any entity wishing to carry out targeted killing should first have to declare war on the targeted parties. Kevin H. Govern examines the elimination of Osama bin Laden and identifies this killing as justified and the product of a rational decision-making process. In the final portion of the book, Fernando Tesón says that targeted killing is particularly justified against terrorists because they use tactics specifically designed to kill civilians. (Full article...)
  • Image 5 Harvard Girl (full title Harvard Girl Liu Yiting: A Character Training Record; Chinese: 哈佛女孩刘亦婷：素质培养纪实; pinyin: Hāfó Nǚhái Liú Yìtíng: sùzhì péixùn jìshí) is a book written by Liu Weihua (刘卫华) and Zhang Xinwu (张欣武), which describes how they raised their daughter, Liu Yiting (刘亦婷), to be accepted to Harvard University. Published in 2000 in Chinese by the Writers Publishing House, the book details the rigorous lifestyle that Liu led and includes advice from Liu's parents on how to raise children to gain acceptance to top-tier universities; it has been described as a "manual" for child-rearing and early education. (Full article...)
    Harvard Girl (full title Harvard Girl Liu Yiting: A Character Training Record; Chinese: 哈佛女孩刘亦婷：素质培养纪实; pinyin: Hāfó Nǚhái Liú Yìtíng: sùzhì péixùn jìshí) is a book written by Liu Weihua (刘卫华) and Zhang Xinwu (张欣武), which describes how they raised their daughter, Liu Yiting (刘亦婷), to be accepted to Harvard University.

    Published in 2000 in Chinese by the Writers Publishing House, the book details the rigorous lifestyle that Liu led and includes advice from Liu's parents on how to raise children to gain acceptance to top-tier universities; it has been described as a "manual" for child-rearing and early education. (Full article...)
  • Image 6 Hester Lynch Thrale, author of the Thraliana The Thraliana was a diary kept by Hester Thrale and is part of the genre known as table talk. Although the work began as Thrale's diary focused on her experience with her family, it slowly changed focus to emphasise various anecdotes and stories about the life of Samuel Johnson. The work was used as a basis for Thrale's Anecdotes of the Late Samuel Johnson, but the Thraliana remained unpublished until 1942. The anecdotes contained within the work were popular with Thrale's contemporaries but seen as vulgar. Among 20th-century readers, the work was popular, and many literary critics believe that the work is a valuable contribution to the genre and for providing information about Johnson's and her own life. (Full article...)
    Hester Lynch Thrale, author of the Thraliana

    The Thraliana was a diary kept by Hester Thrale and is part of the genre known as table talk. Although the work began as Thrale's diary focused on her experience with her family, it slowly changed focus to emphasise various anecdotes and stories about the life of Samuel Johnson. The work was used as a basis for Thrale's Anecdotes of the Late Samuel Johnson, but the Thraliana remained unpublished until 1942. The anecdotes contained within the work were popular with Thrale's contemporaries but seen as vulgar. Among 20th-century readers, the work was popular, and many literary critics believe that the work is a valuable contribution to the genre and for providing information about Johnson's and her own life. (Full article...)
  • Image 7 Targeted Killing in International Law is a book about the legality of targeted killing, written by Nils Melzer. It was first published by Oxford University Press in May 2008. The book explores the history of targeted killing, as a government strategy by multiple countries including the United States, the United Kingdom, Israel, Switzerland and Germany; for both military and law enforcement purposes. Melzer argues that directly after the September 11 attacks in the United States, perceptions of the tactic became more positive. Melzer holds a PhD degree in law from the University of Zürich. His dissertation dealt with targeted killing and the book updates and revises that work. He had earlier written on the subject for Yearbook of International Humanitarian Law in 2006. Melzer serves as a legal advisor for the International Committee of the Red Cross (ICRC). He has lectured at the Master-level at the Geneva Academy of International Humanitarian Law and Human Rights. (Full article...)
    Targeted Killing in International Law is a book about the legality of targeted killing, written by Nils Melzer. It was first published by Oxford University Press in May 2008. The book explores the history of targeted killing, as a government strategy by multiple countries including the United States, the United Kingdom, Israel, Switzerland and Germany; for both military and law enforcement purposes. Melzer argues that directly after the September 11 attacks in the United States, perceptions of the tactic became more positive.

    Melzer holds a PhD degree in law from the University of Zürich. His dissertation dealt with targeted killing and the book updates and revises that work. He had earlier written on the subject for Yearbook of International Humanitarian Law in 2006. Melzer serves as a legal advisor for the International Committee of the Red Cross (ICRC). He has lectured at the Master-level at the Geneva Academy of International Humanitarian Law and Human Rights. (Full article...)
  • Image 8 I Shall Not Be Moved is author and poet Maya Angelou's fifth collection of poetry, published by Random House in 1990. Angelou had written four autobiographies and published four other volumes of poetry up to that point. Angelou considered herself a poet and a playwright and her poetry has also been successful, but she is best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings. She began, early in her writing career, of alternating the publication of an autobiography and a volume of poetry. Most critics agree that Angelou's poems are more interesting when she recites them. The poems in I Shall Not Be Moved focus on themes of hard work, universal experiences of humans, the struggle of African Americans, and love and relationships. Like most of her poetry, the collection has received little serious critical attention, although most reviews have been positive. (Full article...)
    I Shall Not Be Moved is author and poet Maya Angelou's fifth collection of poetry, published by Random House in 1990. Angelou had written four autobiographies and published four other volumes of poetry up to that point. Angelou considered herself a poet and a playwright and her poetry has also been successful, but she is best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings. She began, early in her writing career, of alternating the publication of an autobiography and a volume of poetry. Most critics agree that Angelou's poems are more interesting when she recites them.

    The poems in I Shall Not Be Moved focus on themes of hard work, universal experiences of humans, the struggle of African Americans, and love and relationships. Like most of her poetry, the collection has received little serious critical attention, although most reviews have been positive. (Full article...)
  • Image 9 When Megan Went Away is a 1979 children's picture book written by Jane Severance and illustrated by Tea Schook. It is the first picture book to include any LGBT characters, and specifically the first to feature lesbian characters, a distinction sometimes erroneously bestowed upon Lesléa Newman's Heather Has Two Mommies (1989). The book, published by the independent press Lollipop Power, depicts a child named Shannon dealing with the separation of her mother and her mother's partner, Megan. As a lesbian working in a feminist bookstore in Denver in her early twenties, Severance sought to rectify the lack of picture book content for children with lesbian parents. When Megan Went Away was not widely distributed upon publication, although the text of the story was republished by the magazine Ms. in 1986 under the pen name R. Minta Day. The work proved divisive among critics, some praising the story for being an anti-sexist example of lesbian life and others finding its depiction of same-sex separation poorly timed, arriving at a moment when lesbian motherhood was on the rise. Copies of When Megan Went Away were primarily accessible in archives and library special collections as of the 2010s. (Full article...)
    When Megan Went Away is a 1979 children's picture book written by Jane Severance and illustrated by Tea Schook. It is the first picture book to include any LGBT characters, and specifically the first to feature lesbian characters, a distinction sometimes erroneously bestowed upon Lesléa Newman's Heather Has Two Mommies (1989). The book, published by the independent press Lollipop Power, depicts a child named Shannon dealing with the separation of her mother and her mother's partner, Megan.

    As a lesbian working in a feminist bookstore in Denver in her early twenties, Severance sought to rectify the lack of picture book content for children with lesbian parents. When Megan Went Away was not widely distributed upon publication, although the text of the story was republished by the magazine Ms. in 1986 under the pen name R. Minta Day. The work proved divisive among critics, some praising the story for being an anti-sexist example of lesbian life and others finding its depiction of same-sex separation poorly timed, arriving at a moment when lesbian motherhood was on the rise. Copies of When Megan Went Away were primarily accessible in archives and library special collections as of the 2010s. (Full article...)
  • Image 10 Letter to My Daughter (2009) is the third book of essays by African-American writer and poet Maya Angelou. By the time it was published, Angelou had written two other books of essays, several volumes of poetry, and six autobiographies. She was recognized and highly respected as a spokesperson for black people and women, and had become "a major autobiographical voice of the time". Angelou had no daughters herself, but was inspired to write Letter as she was going through 20 years of notes and essay ideas, some of which were written for her friend Oprah Winfrey. Angelou wrote the book for the thousands of women who saw her as a mother figure, and to share the wisdom gained throughout her long life. Letter consists of 28 short essays, which includes a few poems and a commencement address, and is dedicated to "the daughter she never had". Reviews of the book were generally positive; most reviewers recognized that the book was full of Angelou's wisdom and that it read like words of advice from a beloved grandmother or aunt. One reviewer found the book's essays both homespun and "hokey". (Full article...)
    Letter to My Daughter (2009) is the third book of essays by African-American writer and poet Maya Angelou. By the time it was published, Angelou had written two other books of essays, several volumes of poetry, and six autobiographies. She was recognized and highly respected as a spokesperson for black people and women, and had become "a major autobiographical voice of the time". Angelou had no daughters herself, but was inspired to write Letter as she was going through 20 years of notes and essay ideas, some of which were written for her friend Oprah Winfrey. Angelou wrote the book for the thousands of women who saw her as a mother figure, and to share the wisdom gained throughout her long life.

    Letter consists of 28 short essays, which includes a few poems and a commencement address, and is dedicated to "the daughter she never had". Reviews of the book were generally positive; most reviewers recognized that the book was full of Angelou's wisdom and that it read like words of advice from a beloved grandmother or aunt. One reviewer found the book's essays both homespun and "hokey". (Full article...)
  • Image 11 Wings for My Flight: The Peregrine Falcons of Chimney Rock is a 1991 book by American wildlife biologist Marcy Cottrell Houle. Wings for My Flight documents Houle's observations of a pair of the then-endangered peregrine falcons at Chimney Rock, a prominent rock formation in Colorado, while employed by the Colorado Division of Wildlife in the summer of 1975. To protect the falcons, Houle had to halt a million-dollar project to turn ancient Anasazi ruins in the area into a tourist attraction and faced opposition and harassment by the Chimney Rock community as a result. By 1975, peregrine falcons had been reduced to 324 pairs in North America, primarily as a result of DDT, a widely used pesticide. DDT lowered estrogen levels in female peregrines and inhibited the production of calcium, causing eggs to thin and break during incubation. Recovery efforts for the peregrine falcon have been remarkably successful: agricultural DDT was banned by the U.S. in 1972 and efforts to breed and train peregrine falcons in captivity to later release to the wild were effective. In 1999, the peregrine falcon was removed from the U.S. Endangered Species list. (Full article...)
    Wings for My Flight: The Peregrine Falcons of Chimney Rock is a 1991 book by American wildlife biologist Marcy Cottrell Houle. Wings for My Flight documents Houle's observations of a pair of the then-endangered peregrine falcons at Chimney Rock, a prominent rock formation in Colorado, while employed by the Colorado Division of Wildlife in the summer of 1975. To protect the falcons, Houle had to halt a million-dollar project to turn ancient Anasazi ruins in the area into a tourist attraction and faced opposition and harassment by the Chimney Rock community as a result.

    By 1975, peregrine falcons had been reduced to 324 pairs in North America, primarily as a result of DDT, a widely used pesticide. DDT lowered estrogen levels in female peregrines and inhibited the production of calcium, causing eggs to thin and break during incubation. Recovery efforts for the peregrine falcon have been remarkably successful: agricultural DDT was banned by the U.S. in 1972 and efforts to breed and train peregrine falcons in captivity to later release to the wild were effective. In 1999, the peregrine falcon was removed from the U.S. Endangered Species list. (Full article...)
  • Image 12 Big Girls Don't Cry: The Election that Changed Everything for American Women is a 2010 non-fiction book written by the American journalist Rebecca Traister and published by Free Press. The book focuses on women's contributions to and experiences of the 2008 United States presidential election. Traister places particular focus on four main political figures—Hillary Clinton, Sarah Palin, Michelle Obama, and Elizabeth Edwards—as well as women in the media, including the journalists Katie Couric and Rachel Maddow, and the comedians Tina Fey and Amy Poehler, who portrayed Sarah Palin and Hillary Clinton on Saturday Night Live, respectively. Traister also describes her personal experience of the electoral campaign and her shift from supporting John Edwards to Hillary Clinton. Traister began writing about the presidential election while working as a political columnist for Salon; her coverage for Salon provided much of the book's content. Traister aimed to write an account of the election through a feminist perspective, centred on the events that she felt were otherwise underreported in the media. The book was generally well received by critics. (Full article...)
    Big Girls Don't Cry: The Election that Changed Everything for American Women is a 2010 non-fiction book written by the American journalist Rebecca Traister and published by Free Press. The book focuses on women's contributions to and experiences of the 2008 United States presidential election. Traister places particular focus on four main political figures—Hillary Clinton, Sarah Palin, Michelle Obama, and Elizabeth Edwards—as well as women in the media, including the journalists Katie Couric and Rachel Maddow, and the comedians Tina Fey and Amy Poehler, who portrayed Sarah Palin and Hillary Clinton on Saturday Night Live, respectively. Traister also describes her personal experience of the electoral campaign and her shift from supporting John Edwards to Hillary Clinton.

    Traister began writing about the presidential election while working as a political columnist for Salon; her coverage for Salon provided much of the book's content. Traister aimed to write an account of the election through a feminist perspective, centred on the events that she felt were otherwise underreported in the media. The book was generally well received by critics. (Full article...)
  • Image 13 Tristimania is a 2016 book by Jay Griffiths describing her experience of an episode of manic depression that lasted a year. In the book, she uses her training as a writer to make notes, and tells the story of the condition both from the inside and in terms of literary understanding: with etymology, metaphor, mythology, music, and poetry pressed into service to give the reader a picture of the events as she perceived them. The book has been praised by critics for its bravery, and for its ability to connect personal experience to a shareable understanding. (Full article...)
    Tristimania is a 2016 book by Jay Griffiths describing her experience of an episode of manic depression that lasted a year. In the book, she uses her training as a writer to make notes, and tells the story of the condition both from the inside and in terms of literary understanding: with etymology, metaphor, mythology, music, and poetry pressed into service to give the reader a picture of the events as she perceived them.

    The book has been praised by critics for its bravery, and for its ability to connect personal experience to a shareable understanding. (Full article...)
  • Image 14 The cover of Oh Pray My Wings Are Gonna Fit Me Well Oh Pray My Wings Are Gonna Fit Me Well is a book of poems by American author Maya Angelou, published by Random House in 1975. It is Angelou's second volume of poetry, written after her first two autobiographies and first volume of poetry were published. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. Although her poetry collections have been best-sellers, they have not received serious critical attention. Oh Pray is divided into five parts and consists of 36 poems. The volume is dedicated to "Paul". Like many of Angelou's poems, the poetry in the volume has been characterized as light verse. They contain identifications with ordinary objects and universal identifications. Oh Pray has received mixed reviews from critics. The poems in Oh Pray focus on themes of love, insight, and tension, and on overcoming difficulties. Angelou writes about ordinary objects and experiences about a variety of racial themes and concerns. (Full article...)

    The cover of Oh Pray My Wings Are Gonna Fit Me Well

    Oh Pray My Wings Are Gonna Fit Me Well is a book of poems by American author Maya Angelou, published by Random House in 1975. It is Angelou's second volume of poetry, written after her first two autobiographies and first volume of poetry were published. Angelou considered herself a poet and a playwright, but was best known for her seven autobiographies, especially her first, I Know Why the Caged Bird Sings, although her poetry has also been successful. She began, early in her writing career, alternating the publication of an autobiography and a volume of poetry. Although her poetry collections have been best-sellers, they have not received serious critical attention.

    Oh Pray is divided into five parts and consists of 36 poems. The volume is dedicated to "Paul". Like many of Angelou's poems, the poetry in the volume has been characterized as light verse. They contain identifications with ordinary objects and universal identifications. Oh Pray has received mixed reviews from critics. The poems in Oh Pray focus on themes of love, insight, and tension, and on overcoming difficulties. Angelou writes about ordinary objects and experiences about a variety of racial themes and concerns. (Full article...)
  • Image 15 It's a Good Life, If You Don't Weaken is a graphic novel by Canadian cartoonist Seth. It appeared in a collected volume in 1996 after serialization from 1993 to 1996 in issues #4–9 of Seth's comic book series Palookaville. The mock-autobiographical story tells of its author's obsessive search for the work of a fictional forgotten cartoonist. Seth presents the fictional book as a work of autobiography and features figures from his life such as his friend and fellow cartoonist Chester Brown. The minimalist artwork draws from the styles of the early New Yorker cartoonists, rendered in thick brushstrokes with heavy blacks against a greyish-blue wash. The story unfolds with a nostalgic and melancholic tone, and several wordless scenes take the reader on a tour of Southern Ontarian city- and landscapes. The book gained Seth a reputation as part of an autobiographical comics trend in the 1990s. It won two Ignatz Awards in 1997 and ranked No. 52 of The Comics Journal's "100 Best Comics of the 20th Century". (Full article...)
    It's a Good Life, If You Don't Weaken is a graphic novel by Canadian cartoonist Seth. It appeared in a collected volume in 1996 after serialization from 1993 to 1996 in issues #4–9 of Seth's comic book series Palookaville. The mock-autobiographical story tells of its author's obsessive search for the work of a fictional forgotten cartoonist.

    Seth presents the fictional book as a work of autobiography and features figures from his life such as his friend and fellow cartoonist Chester Brown. The minimalist artwork draws from the styles of the early New Yorker cartoonists, rendered in thick brushstrokes with heavy blacks against a greyish-blue wash. The story unfolds with a nostalgic and melancholic tone, and several wordless scenes take the reader on a tour of Southern Ontarian city- and landscapes. The book gained Seth a reputation as part of an autobiographical comics trend in the 1990s. It won two Ignatz Awards in 1997 and ranked No. 52 of The Comics Journal's "100 Best Comics of the 20th Century". (Full article...)
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