It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
Le Guin was born in Berkeley, California, to author Theodora Kroeber and anthropologist Alfred Louis Kroeber. Having earned a master's degree in French, Le Guin began doctoral studies but abandoned these after her marriage in 1953 to historian Charles Le Guin. She began writing full-time in the late 1950s, and she achieved major critical and commercial success with the novels A Wizard of Earthsea (1968) and The Left Hand of Darkness (1969); these have been described by Harold Bloom as her masterpieces. For the latter volume, Le Guin won both the Hugo and Nebula awards for best novel, becoming the first woman to do so. Several more works set in Earthsea or the Hainish universe followed; others included books set in the fictional country of Orsinia, several works for children, and many anthologies. (Full article...)
The Real Adventures of Jonny Quest (also known as Jonny Quest: The Real Adventures) is an American animated television series produced by Hanna-Barbera Cartoons and broadcast on Cartoon Network from August 26, 1996, to April 16, 1997. It is a continuation of Jonny Quest (1964) and The New Adventures of Jonny Quest (1986) and features teenage adventurers Jonny Quest, Hadji Singh, and Jessie Bannon as they accompany Dr. Benton Quest and bodyguard Race Bannon to investigate strange phenomena, legends, and mysteries in exotic locales. Action also takes place in the virtual realm of QuestWorld, a three-dimensional cyberspace domain rendered with computer animation. Conceived in the early 1990s, Real Adventures suffered a long and troubled development.
Hanna-Barbera dismissed creator Peter Lawrence in 1996 and hired new producers to finish the show. John Eng and Cosmo Anzilotti completed Lawrence's work; David Lipman, Davis Doi, and Larry Houston wrote new episodes with reworked character designs akin to those of classic Quest. Each team produced half of the show's fifty-two episodes. While Lawrence's team crafted stories of real-world mystery and exploration, later writers used science fiction and paranormal plots. Turner supported the show through a massive marketing campaign with thirty-three licensees. Real Adventures debuted with an unprecedented wide release on Cartoon Network, TBS, and TNT, airing twenty-one times per week. Critics have debated the show's animation, writing, and spirit compared to classic Quest, but it has also received praise for these same reasons. (Full article...)
Detail from a Japanese woodblock print (ca. 1741–51) of Zhong Kui (called Shōki in Japanese), a Chinese mythological figure traditionally regarded as a vanquisher of ghosts and demons. His image is often painted on household gates as a guardian spirit, as well as in places of business where high-value goods are involved. According to folklore, Zhong Kui was a man who committed suicide after he was stripped of the title "zhuangyuan" (having achieved top honors in the imperial examinations) by the emperor of China because of his disfigured appearance, after which he became king of ghosts in Hell. The print is entitled "Shōki zu" ("Shōki striding") and measures 69 by 10 cm (27.2 by 3.9 in). (POTD)
... that before beginning a career in animation, Jeff "Swampy" Marsh worked as a vice president of sales and marketing for a computer company, where he "freaked out" and decided to quit?
The Hugo Award for Best Graphic Story or Comic is given each year for science fiction or fantasy stories told in graphic form and published or translated into English during the previous calendar year. It has been awarded annually since 2009. Prior to 2020, the award was known as the Hugo Award for Best Graphic Story. The Hugo Awards have been described as "a fine showcase for speculative fiction" and "the best known literary award for science fiction writing".
In the 20 nomination years, 112 works from 70 series have been finalists, including Retro Hugos. Works from 13 different series have won the award, including Retro Hugos. Girl Genius, written by Kaja and Phil Foglio, drawn by Phil Foglio, and colored by Cheyenne Wright, won the first three awards. After their third straight win in 2011, the Girl Genius team announced that, in order to show the category was a "viable award", they were refusing nomination for the following year (after which the award was up for re-ratification); Girl Genius was a finalist a fourth time in 2014. For the following five years, the award was taken by a different series or work every year, and included both webcomics and installments of published series. The 2017–2019 awards saw the second series to win three times, Marjorie Liu and Sana Takeda's Monstress, and was followed since by different works each year until 2024, when Brian K. Vaughan and Fiona Staples's Saga won for a second time. The three Retro Hugos were won by early comic books such as Bill Finger and Bob Kane's Batman #1, William Moulton Marston and H. G. Peter's Wonder Woman #5: "Battle for Womanhood", and Jerry Siegel and Joe Shuster's Superman: "The Mysterious Mr. Mxyzptlk". Saga has the most final ballot nominations at eight, followed by Monstress at seven and Howard Tayler's Schlock Mercenary at five, while Bill Willingham's Fables, Brian K. Vaughan and Cliff Chiang's Paper Girls, and Alex Raymond's Flash Gordon have been nominated four times. Nine other works have at least two nominations. (Full article...)
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