歐陸節拍

歐陸節拍
Eurobeat
歐陸節拍; Eurobeat
風格起源	高能量音樂（英語：Hi-NRG）; 意大利迪斯科; 流行舞曲; 合成器搖滾（英語：Electronic rock）;
文化起源	英國歐陸節拍：; 20世紀80年代中期，英國; 當代歐陸節拍：; 20世紀80年代後期義大利、西德、日本
融合類型
	日本流行音樂
地區樂壇
	英國; 意大利; 日本; 西德;
其他主題
	日本流行; 啪啦啪啦（Para Para）; 合成波; 斯托克·艾特肯·沃特曼（英語：Stock Aitken Waterman）;

歐陸節拍（英語：Eurobeat）是一種音樂類型，是兩種起源於歐洲的舞曲音樂風格：一種是受意大利歐陸迪斯科影響的英國舞曲流行樂，另一種是以高能量音樂（英語：Hi-NRG）為主導的意大利迪斯科舞曲。這兩種形式均在20世紀80年代發展起來。

製作人三人組斯斯托克·艾特肯·沃特曼（英語：Stock Aitken Waterman）和流行樂隊Dead or Alive（英語：Dead or Alive (band)）（直譯：死或活）使歐陸節拍在美國和東南亞更加流行，在那裡，歐陸節拍曾被稱為高能量（hi-NRG，發音為「high energy」，直譯：高能量）。在短時間內，它也與早期的自由式音樂（英語：Freestyle music）和意大利迪斯科共享這個名稱。

雖然源自歐洲，歐陸節拍傳到日本後因為合成音樂及活潑的風格而大受歡迎，日本也成了歐洲節拍的主要市場^[6]。

歐陸節拍也因作為重野秀一的漫畫《頭文字D》的動畫版中賽車的配樂而廣為人知。

在早期，歐陸節拍的速度（BPM）大約在每分鐘120拍左右。20世紀90年代，一種混合歐陸節拍與Happy hardcore的風格——《超級歐陸節拍（英語：Super Eurobeat）》——出現，這種超級歐陸節拍成為日本各地啪啦啪啦舞廳的主流，速度也增加到150BPM或更高，也稱為能量科技舞曲（Hyper techno）。2002年左右，這種風格又融合出神音樂形成了賽博出神（Cyber trance）。

音樂

^[1]

代表歌手及組合

歐洲

美洲及澳洲地區

日本

台灣

腳註

^ Italy is a Eurobeat "Mecca" to either variant of Eurobeat; first produced in Italy^[3]and West Germany.^[3]；翻譯：意大利是Eurobeat的「聖地」，也是Eurobeat兩種變體音樂流派的發源地；它最早產生於意大利和西德。

參見

歐陸舞曲

參考文獻

^ ^1.0 ^1.1 Arena, James. Europe's Stars of '80s Dance Pop. McFarland. 2017: 85 [2020-01-29]. ISBN 9781476630144. . Relevant pages 29-32 (Pete Burns), Pages 44 & 85 (high-energy music). Page 29 quote: "I got really sick working with them during the making of the Mad, Bad album. I got really, really sick." [...] The Stock Aitken Waterman team was reportedly quite firm about adhering to their production methods and concepts, which Burns said was a major source of friction. "That's why we eventually walked away from them. For instance, there was a lyric from 'Something in My House' [from the follow-up album, Mad, Bad and Dangerous to Know] where I make a reference to a 'wicked queen.' The actual producer, Mike Stock, stopped me and said I couldn't use the term because it would mean the record is about gay people. I was like, 'Fuck this; it's going on!' They actually wiped the original vocal, but then Pete Waterman came back and said, 'Let [Burns] do it the way he wants to.' There you go."
^ Cunningham, Mark "Good Vibrations: A History of Record Production" (Sanctuary Music Library), Alan Parson (Introduction), Brian Eno (Introduction) Sanctuary Publishing, Ltd; 2 edition (1998, Digitized 20 May 2010). ISBN 1-86074-242-4, ISBN 978-1-86074-242-2
^ ^3.0 ^3.1 David D. Laitin, Robert Schuman Centre (2000). Culture and National Identity: "the East" and European Integration. European University Institute. Page 14.
^ Keizai, Kokusai & Zaidan, Kōryū (cont.) "Japan Spotlight: Economy, Culture & History, Volume 23". Page 24 (Ng Wai-ming: "The Rise of J-Pop in Asia and Its Impact"). Japan Economic Foundation & the University of California. 2004. Quote: "JAPANESE pop music is commonly I referred to as "J-pop", a term coined by Tetsuya Komuro the "father of J-pop", in the early 1990s. The meaning of J-pop has never been clear. It was first limited to Euro-beat, the kind of dance music that Komuro produced. However, it was later also applied to many other kinds of popular music in the Japanese music chart, Oricon, including idol-pop, rhythm and blues (R&B), folk, soft rock, easy listening and sometimes even hip hop."
^ Society for Asian Music (2003). "Asian Music: Journal of the Society for Asian Music, Volume 34, Issue 1". Page 1 ("Japanese Popular Music in Singapore"). The University of California.
^ Avex Trax , J-EURO （頁面存檔備份，存於網際網路檔案館）（日語）

這是一篇與音樂類型相關的小作品。您可以透過編輯或修訂擴充其內容。

[4] Italy is a Eurobeat "Mecca" to either variant of Eurobeat; first produced in Italy^[3]and West Germany.^[3]；翻譯：意大利是Eurobeat的「聖地」，也是Eurobeat兩種變體音樂流派的發源地；它最早產生於意大利和西德。

[Arena-1] 1.0 ^1.1 Arena, James. Europe's Stars of '80s Dance Pop. McFarland. 2017: 85 [2020-01-29]. ISBN 9781476630144. . Relevant pages 29-32 (Pete Burns), Pages 44 & 85 (high-energy music). Page 29 quote: "I got really sick working with them during the making of the Mad, Bad album. I got really, really sick." [...] The Stock Aitken Waterman team was reportedly quite firm about adhering to their production methods and concepts, which Burns said was a major source of friction. "That's why we eventually walked away from them. For instance, there was a lyric from 'Something in My House' [from the follow-up album, Mad, Bad and Dangerous to Know] where I make a reference to a 'wicked queen.' The actual producer, Mike Stock, stopped me and said I couldn't use the term because it would mean the record is about gay people. I was like, 'Fuck this; it's going on!' They actually wiped the original vocal, but then Pete Waterman came back and said, 'Let [Burns] do it the way he wants to.' There you go."

[2] Cunningham, Mark "Good Vibrations: A History of Record Production" (Sanctuary Music Library), Alan Parson (Introduction), Brian Eno (Introduction) Sanctuary Publishing, Ltd; 2 edition (1998, Digitized 20 May 2010). ISBN 1-86074-242-4, ISBN 978-1-86074-242-2

[ECI-3] 3.0 ^3.1 David D. Laitin, Robert Schuman Centre (2000). Culture and National Identity: "the East" and European Integration. European University Institute. Page 14.

[5] Keizai, Kokusai & Zaidan, Kōryū (cont.) "Japan Spotlight: Economy, Culture & History, Volume 23". Page 24 (Ng Wai-ming: "The Rise of J-Pop in Asia and Its Impact"). Japan Economic Foundation & the University of California. 2004. Quote: "JAPANESE pop music is commonly I referred to as "J-pop", a term coined by Tetsuya Komuro the "father of J-pop", in the early 1990s. The meaning of J-pop has never been clear. It was first limited to Euro-beat, the kind of dance music that Komuro produced. However, it was later also applied to many other kinds of popular music in the Japanese music chart, Oricon, including idol-pop, rhythm and blues (R&B), folk, soft rock, easy listening and sometimes even hip hop."

[6] Society for Asian Music (2003). "Asian Music: Journal of the Society for Asian Music, Volume 34, Issue 1". Page 1 ("Japanese Popular Music in Singapore"). The University of California.

[avex-7] Avex Trax , J-EURO （頁面存檔備份，存於網際網路檔案館）（日語）

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歐陸節拍 Eurobeat
風格起源	高能量音樂（英語：Hi-NRG）^[1]^[2] 意大利迪斯科^[a] 流行舞曲合成器搖滾（英語：Electronic rock）
文化起源	英國歐陸節拍： 20世紀80年代中期，英國當代歐陸節拍： 20世紀80年代後期義大利、西德、日本
融合類型
日本流行音樂^[4]^[5]
地區樂壇
英國意大利日本西德
其他主題
日本流行啪啦啪啦（Para Para）合成波斯托克·艾特肯·沃特曼（英語：Stock Aitken Waterman）